Vocal Solo,Voice - Digital Download SKU: A0.1161729 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762106. Published by Early Music Scores (A0.1161729). Voice and continuo: composed by Anonymous, 17th century. From New York Public Library, MS Drexel 4257, ff.38r-38v. Edited by Felipe Dias. 2 pages.

Choir,Piano - Digital Download SKU: A0.1065356 Composed by Carol Troutman Wiggins. Instructional,Patriotic,Standards. Accompaniment. Duration 201. Carol Troutman Wiggins #3011151. Published by Carol Troutman Wiggins (A0.1065356). Scotland, My Heart (with 'Loch Lomond') Piano Accompaniment Trackfor SAB/3-Part Mixed Chorus with Optional Bagpipes/Recorder arrangementScotland, My Heart is a song of love for the country of Scotland, from royalty to friends and family, and the pride that is shown when showing allegiance. The traditional tune 'Loch Lomond is intertwined in this arrangement.Includes a beautiful melody with bagpipe drones in the late intermediate level accompaniment.Recorder or other instrument may be substituted for bagpipesDrums may be used ad lib (cues in song)Humming introduces the melodyComfortable singing rangeChords included Soft, easy melody leads to a very climactic center which returns to a fading out process (p > ff > ppp) The idea of the song is that the drone of the bagpipes is heard barely in the distance, then the drums are added. The vocals to the song start of very light and easy with humming and adding one part at a time, building together in the center, and finally getting softer, returning to hums, drums fade out, then bagpipes fade out as the pipers are walking away.

Viola Solo - Level 2 - Digital Download SKU: A0.805468 Composed by Laura C. Quijada Ortíz. Instructional,Standards. Individual part. 2 pages. Laura Quijada #6534061. Published by Laura Quijada (A0.805468). Technical piece that can be played as a solo piece, or even as a duo or trio of different string instruments using the other parts of the Moto Perpetuo in G Major also available. Details Key: G Major Only first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46

Vocal Solo,Voice - Digital Download SKU: A0.1110668 Composed by Angelo Notari. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #712969. Published by Early Music Scores (A0.1110668). Composed by Angelo Notari (1566-1663), after Giulio Caccini (British Library Add. MS 31440, ff.43v-44). Edited by Felipe Dias. 3 pages. Transposed to G minor.

Full Orchestra - Level 4 - Digital Download SKU: A0.1466478 Composed by Claudio Porstmann. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. 37 pages. Claudio Porstmann #1045061. Published by Claudio Porstmann (A0.1466478). This is a dramatic piece for full orchestra with a large dynamic range from ppp to ff, written with the characteristics of a movie soundtrack cue in mind.The steady beat and underlying rhythmic patterns reinforce the steady tick tock of the seconds passing and adds a little tension to the cue. To make thisticking even more obvious, one part of the string section play a steady beat col legno, further enhancing the ticking idea to the listener.

Vocal Solo,Voice - Digital Download SKU: A0.791869 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Classical. 9 pages. Early Music Scores #6676005. Published by Early Music Scores (A0.791869). Soprano voice and continuoLamento di Maria Stuarda, Regina di Scotia. Composed by Giacomo Carissimi (c.1605-1674). From British Library, Harley MS 1265, ff.1-12v. Baroque period. Edited by Felipe Dias. 9 pages.

Piano Solo - Level 3 - Digital Download SKU: A0.1217376 Composed by JohnWillard Utuk. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Score. 10 pages. JohnWillard Utuk #813922. Published by JohnWillard Utuk (A0.1217376). Do you or someone you know like the Heartstopper webcomic characters Nick Nelson and Charlie Spring? Here's a charming piano solo inspired by Alice Oseman's series that literally has music bringing them both together! Using each letter from their names, two distinct melody lines were created as a musical cryptogram (hidden words matched to musical pitches). Both themes are simple, and I wanted this piece to capture the optimism portrayed in the first two volumes of the graphic novel (and season 1 of the Netflix adaptation). Overall this solo has a light-hearted pop feel and a driving rhythm that can appeal to tweens, teens, and adults alike. Written in the key of C major, players get to explore varied musical elements and techniques: left hand syncopation, simple rhythms of mostly quarter, eighth, and half notes (crochet, quaver, and minums for our UK Friends!), triplets, alternating legato and staccato passages, tempo changes and different dynamic markings (p, mp, mf, f, ff). Musical phrases are 4-8 measures long, which makes recognizing patterns and form easy for students. With performance directions of hopeful, happily, and relaxed, interpretation beyond just notes and rhythms is an advanced concept teachers can explore with students. This solo piece can be played for fun, talent shows, recitals, sight reading, or (for fans of the series) entertainment during Heartstopper episode marathons! This piece celebrates the essence of youth, adventure, and hope of what's to come. Total performance time: 4:35. Key: C Major Musical Elements explored: syncopation, staccato, legato, simple rhythms, dotted quarter notes, triplets, sensitivity to musical interpretation, dynamic contrast, tempo changes, pedaling. Teachers can spark imagination with students by asking, What are the characters doing in this passage? How would they feel in this part? Who or what else can represent the two melodies? to experiment with musical storytelling. If you enjoyed this piece, leave a review below! You can also connect with me on IG @jwupiano or my YouTube Channel, JwuPiano.

String Orchestra - Level 2 - Digital Download SKU: A0.805465 Composed by Laura C. Quijada Ortíz. Instructional,Standards. Score and parts. 16 pages. Laura Quijada #6534053. Published by Laura Quijada (A0.805465). Technical piece that can be played by a children string orchestra, as a solo piece, or even as a duo or trio of different string instruments. Details Key: G MajorOnly first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46

Vocal Solo,Voice - Digital Download SKU: A0.1169120 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #769470. Published by Early Music Scores (A0.1169120). Voice and continuo: composed by Robert Johnson (c.1583-1633). New York Public Library, MS Drexel 4041, ff. 107v-108r. Edited by Felipe Dias. 2 pages.

Choir - Digital Download SKU: A0.1065528 Composed by Carol Troutman Wiggins. Contemporary,Sacred,Standards. Accompaniment. Duration 173. Carol Troutman Wiggins #3451265. Published by Carol Troutman Wiggins (A0.1065528). Dies Irae (Text from the Requiem Mass, Roman Missal) Piano Accompaniment TrackSAB/3-Part Mixed ChorusThis text taken from the requiem Mass in the Roman Missal is attributed to Thomas of Celano (13th century).The English translation is adapted from William Josiah Irons (1848).Excellent for advanced middle school, high school, college, or adult choirs.Majestic, driving accompaniment supports a detached melody alternating with legato passages                                       Dynamics range from p < ff with lots of crescendos & decrescendos.Latin to English textChords included for additional instruments.

Bass Voice,Vocal Solo - Digital Download SKU: A0.1169688 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #770050. Published by Early Music Scores (A0.1169688). Bass voice and continuo: composed by Robert Johnson (c.1583-1633). From British Library, Add. 29396, ff. 39v-40r. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.791771 Composed by John Wilbye. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 3 pages. Early Music Scores #6457575. Published by Early Music Scores (A0.791771). Voice and continuoComposed by John Wilbye (1574 - 1638). From Egerton 2971, ff. 30v-31v. Baroque period. Edited by Felipe Dias. 3 pages.

Vocal Solo,Voice - Digital Download SKU: A0.791937 Composed by Jacopo Peri. Arranged by Early Music Scores. Baroque,Classical. 7 pages. Early Music Scores #6854443. Published by Early Music Scores (A0.791937). Voice and continuoComposed by Jacopo Peri (1561-1633). Museo Internazionale e Biblioteca della Musica di Bologna, MS Q49, ff.21-23. Edited by Felipe Dias. 7 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1161733 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #762111. Published by Early Music Scores (A0.1161733). Voice and continuo: composed by Robert Johnson (c.1583-1633). From New York Public Library, MS Drexel 4175, ff.13r. Edited by Felipe Dias. 1 page.

Vocal Solo,Voice - Digital Download SKU: A0.1036430 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #641453. Published by Early Music Scores (A0.1036430). Voice and continuo: composed by John Wilson (1595-1674). From Oxford, Bodleian Library, MS. Mus. b.1, ff.f.122r. Edited by Felipe Dias. 1 page.