Filipe Bernardo - Partitions musicales à imprimer - Mondial de la partition numérique

24 partitions trouvées

SKU: A0.1143765

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Published by Filipe Bernardo (A0.1143765).

Lares is a brief suite of three pieces that present scenes common in Brazilian homes: 1.DanÃ§a de roda (Circle dance) 2.Casal Ã luz da Lua (Couple in the moonlight) 3.Quixote, o boneco aventureiro (Quixote, the adventurous doll).The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed.

Lares: Dança de roda Casal à luz da Lua Quixote, o boneco aventureiro Piano seul
Filipe Bernardo
$5.00 4.73 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1141519

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 11 pages. Filipe Bernardo #741850. Published by Filipe Bernardo (A0.1141519).

These Four Canticles without Words are part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. The four canticles were written for the left hand: 1. Hestia 2. Mnemosyne 3. Kleio 4. Khronos. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Four Canticles without Words * Fantasia. Scores are typed elegantly and accurately. The notation, from the positioning of the notes, passing through the direction of the stems, and arriving at legatos that do not cross staves and measures, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double bars is restricted to section changes, not tonal changes as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Quatro Cânticos Sem Palavras (for left hand): Hestia Mnemosyne Kleio Khronos Piano seul
Filipe Bernardo
$5.00 4.73 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1141255

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 5 pages. Filipe Bernardo #741566. Published by Filipe Bernardo (A0.1141255).

This Postlude is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Postlude: Artemis Hegemone. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro CÃ¢nticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Postlude: Artemis Hegemone Piano seul
Filipe Bernardo
$4.00 3.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1141251

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 9 pages. Filipe Bernardo #741562. Published by Filipe Bernardo (A0.1141251).

This Toccata is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Toccata: Thea Glaukopis Athena. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro CÃ¢nticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Toccata: Thea Glaukopis Athena Piano seul
Filipe Bernardo
$4.00 3.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1141259

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 7 pages. Filipe Bernardo #741568. Published by Filipe Bernardo (A0.1141259).

This Fantasia is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Fantasia: Moirai. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro CÃ¢nticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Fantasia: Moirai Piano seul
Filipe Bernardo
$4.00 3.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1141254

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 2 pages. Filipe Bernardo #741565. Published by Filipe Bernardo (A0.1141254).

This Intermezzo is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Intermezzo: Eirene. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro CÃ¢nticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Intermezzo: Eirene Piano seul
Filipe Bernardo
$2.00 1.89 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1140942

By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 21 pages. Filipe Bernardo #741192. Published by Filipe Bernardo (A0.1140942).

This Sonata is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Sonata's movements: 1. Demeter 2. Kore. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro CÃ¢nticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.