Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes

Instrumental Duet,Piano Instrumental Duet,Piano,Tuba - Level 1 - Digital Download SKU: A0.1500660 Composed by Traditional. Arranged by Valdir Maia. Children,Folk,Multicultural,Traditional,World. 68 pages. Valdir Maia #1076747. Published by Valdir Maia (A0.1500660). Traveling Around the World with 5 Notes - Tuba Duet with Piano AccompanimentThese songs are part of a research project aimed at gathering music from around the world using only the first five notes of a major pentachord. Here are 30 songs arranged for tuba duets that fit this criteria.The first tuba part uses the first five notes, and the second tuba part uses only three, making it suitable for beginners. The melodies use whole, half, quarter, and eighth notes, with enlarged notation for easy reading.Piano accompaniments are included, with simple options for those with limited piano skills. I hope this material enriches your teaching and your students enjoy the journey with just five notes.Valdir Maia.

French Horn,Piano - Level 3 - Digital Download SKU: A0.1329695 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th Century,Broadway,Country,Musical/Show,Pop,Standards. Score and part. 8 pages. Kevin P Holdgate #917677. Published by Kevin P Holdgate (A0.1329695). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers.[1] While Lee's version reached no. 45 on the US country chart in 1972, other performers reached the Top 20 on the country and/or pop charts in the United States and elsewhere with their own versions: Elvis Presley (1972, US country; UK pop Top Ten); John Wesley Ryles (1979, US country) and Willie Nelson's Grammy Award-winning version (1982, US/Canada country number one; US/Canada pop Top Ten); and the Pet Shop Boys' 1987 hi-NRG/synth-pop interpretation (UK number one; US Top Ten).This arrangement of what is a beautiful song is suitable for players of around Grade 4 ABRSM or equivalent.

Easy Piano - Level 1 - Digital Download SKU: A0.902457 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996589. Published by Cameron E Smith (A0.902457). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 2, Late ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Cameron Smith.This is a late elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand and left hand change positions. Eighth-notes, quarter-notes, half-notes and whole notes.Technique: Moving positions are introduced. Left hand chords and intervals. Three accidentals. There are also level 1, 3 and 4 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to be world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 1900 years. Learn more about the project at PennyLazarusPianoStudio.com.

Piano Solo - Level 5 - Digital Download SKU: A0.1401695 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 31 pages. Robert A. Howard #984878. Published by Robert A. Howard (A0.1401695). This First Piano Sonata is in three movements. The work is subtitled 'Bells', as each movement explores a different aspect of ringing bell-tones, whilst avoiding any direct reference to, for example, the change-ringing of church bells, or otherwise. The first movement (Chimes) suggests aspects of sonata form, with a ricochet-rhythm first theme based on fifths, and a lyrical second subject. In the ternary form second movement (Requiescat), funereal bells toll and peal in cycles of textural thickening and thinning. The final movement is a relentless perpetual movement of parallel chords and hemiolas, passing through a giant circle of fifths, in the vague manner of a carillon.Duration: 24 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.

Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills.  In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences.  A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part.  Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal.  The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range.  Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness.  This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong.  Increase air support for the higher pitches.  Make the descending scales resound and bounce off the lowest notes.  The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness.  Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable.  The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections.  The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.

Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20118BCDSPEB Composed by David Barrett. Children and Young Beginner. First Lessons - Spanish. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20118BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20118BCDSPEB). ISBN 9781619112803. 8.75x11.75 inches.First Lessons Harmonica es un emocionante curso de instrucción paso por paso para la armónica diatónica de diez agujeros. Los temas cubiertos son: lectura de notación musical; entrenamiento del ritmo; patrones de trenes; melodías populares blues; doblado vibrato Lengua bloqueando notas sueltas y octavas; e instrucciones sobre las tres posiciones comunes de armónica (1ª, 2ª y 3ª). El libro se acompaña de una grabación de audio de todos los ejemplos interpretados por el autor David Barrett junto con música de fondo. Incluye acceso a audio en línea.First Lessons Harmonica is an exciting set-by-step instruction course for the ten-hole diatonic harmonica. Subjects covered are: reading music notation; rhythm training; train patterns; folk tunes; blues; bending; vibrato; tongue blocking single notes and octaves; and instruction on all three common harmonica positions (1st, 2nd and 3rd). Book is accompanied by an audio recording of all examples played by author David Barrett along with background music. Includes access to online audio. Written in Spanish only.

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1496847 Composed by Traditional. Arranged by Valdir Maia. Children,Folk,Multicultural,Traditional,World. 66 pages. Valdir Maia #1073332. Published by Valdir Maia (A0.1496847). **Traveling Around the World with 5 Notes - Clarinet Duet in C Major with Piano Accompaniment**These songs are part of a research project aimed at gathering music from around the world using only the first five notes of a major pentachord. Here are 30 songs arranged for clarinet duets that fit this criteria.The first clarinet part uses the first five notes, and the second clarinet part uses only three, making it suitable for beginners. All melodies are in C major, using whole, half, quarter, and eighth notes, with enlarged notation for easy reading.Piano accompaniments are included, with simple options for those with limited piano skills. I hope this material enriches your teaching and your students enjoy the journey with just five notes.Valdir Maia.

Tuba - Level 2 - Digital Download SKU: A0.550704 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Sacred,Standards. 68 pages. Jmsgu3 #4777043. Published by jmsgu3 (A0.550704). The Tuba Christmas BookChristmas Reharmonizations by James M. Guthrie. The Tuba Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your tuba choir can perform the Tuba Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns.  Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. tubas read from the score on one stand, while the Euphoniums each use the parts on separate stands. The Tuba Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Tuba Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Tuba Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1181770 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Dave Gingras and John E. Dosher. Country,Film/TV,Rock. Score. 3 pages. DAVID LEE GINGRAS #781543. Published by DAVID LEE GINGRAS (A0.1181770). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee, and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first hit version of the song, AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm moving, we added some pretty cool left-hand fills. We hope you like what we've done with the song!

Cello - Level 2 - Digital Download SKU: A0.550708 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 67 pages. Jmsgu3 #4784057. Published by jmsgu3 (A0.550708). The Cello Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The Cello Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your cello choir can perform the Cello Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns.  Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. cello 1 & 2  read from the score on one stand, while cello 3 & 4 use the parts on a separate stands. The Cello Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Cello Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Cello Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of stringed instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

A Clarinet Solo,B-Flat Clarinet Solo - Digital Download SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA Editions #898359. Published by AMA Editions (A0.1309185). This is the newly updated 3rd Edition of the most comprehensive fingering chart for clarinet. The 2nd Edition became widely popular and used by clarinetists around the world, and this new 3rd Edition adds 127 fingerings for a total offering of over 300 fingerings through four and a half octaves in quarter-tones for clarinet, from written E3 to A7.Author's Notes:Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.

Violin Solo - Level 5 - Digital Download SKU: A0.890765 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. 9 pages. Sneakwood Editions #4781031. Published by Sneakwood Editions (A0.890765). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin.A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto.The present edition present the modern edition of the cadenzas contained in Schwerin and Cividale del Friuli manuscript.Although the cadence for the first movement is almost identical in both manuscripts, the cadence for the third movement is different in each one of them. This is the modern edition of these cadences:Cadenza, first movement from Cividale del Friuli. Archivio Capitulare ms. senza signature and Schwering, Mecklenburgishe Landsbibliothek ms. 5565.Cadenza, third movement from Cividale del Friuli. Archivio Capitulare ms. senza signature.Cadenza, third movement from Schwering, Mecklenburgishe Landsbibliothek ms. 5565.www.snakewoodeditions.com

Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.767472 Composed by Mike Lyons. Baroque,Concert. 37 pages. Lyons Music Services #4613665. Published by Lyons Music Services (A0.767472). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for Double Reed quintet 2 oboes, CA, Bassoon, ContrabassoonThe style of the first one is marcato, with a touch of irony! The contra leads with an Alberti pattern followed by the first melodic idea stated on the Bassoon. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the Oboe 1 with an obbligato on oboe 2 before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabassoon and Bassoon. The middle section has a mournful Contra  melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.