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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and  other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is  a combination of two songs in very different styles - a flamenco Petenera from Andalucía and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside.  The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.
Seven Spanish Songs
Piano, Voix

$9.99 8.52 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1120181 By Rafael Gordon Pino. By Ramón Zarzoso. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721499. Published by Juan Carlos Cortés Aguirre (A0.1120181). Transcripción para piano solo por: JUAN CARLOS CORT�S A. Ramón Zarzoso nació en Valencia el 12 de Octubre de 1899, falleció el 29 de Octubre de 1988 a los 89 años en Buenos Aires, Argentina. Autor , compositor , maestro de musica. Recorrio los 5 continentes , autor y compositor de peliculas con Lolita Torres, Rocio Jurado, Pedrito Rico, El Niño De Utrera, Lola Flores, Salvador Valverde, Imperio Argentina, Miguel de Molina, Carmen Sevilla, Paquita Rico entre otros. Casado tuvo una hija y dos nietos. Reconocido como ciudadano ilustre de la ciudad Argentina. Dedico su vida a la musica. Haciendo 700 obras musicales, como El Sombrero , Coimbra divina , Castillito de arena entre otras. Sus restos se encuentran en el panteon de actores del cementerio chacarita (Panteon Sadaic). El letrista, escritor y autor Rafael Gordon Pino, no tiene una fecha de nacimiento registrada, solo aparece el año de fallecimiento en 1958, según La Biblioteca Nacional de España. Texto: El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso Aguilar. Introducción: Siempre ha sido el sombrero cordobés, por su gracia y su majeza el soberano, pues toreros, flamencos y cales, lo lucieron con el aire más gitano. Lagartijo, Frascuelo, Machaquito y Espartero, con orgullo lo llevaron...Este clásico sombrero. Interludio: El sombrero... El sombrero de ala ancha con que adorno mi cabeza. Yo lo llevo...Y con él voy orgulloso, pregonando su majeza. Y no hay otro...Más castizo y español, ni que iguale su belleza, porque los rayos del sol, bautizaron su majeza. Interludio: Cuando voy a los toros en Jerez, luzco yo con alegría mi sombrero. Y a mi paso se escuchan los olé y me aplauden mucho más que a los toreros. Y si voy con mi jaca muy flamenca al tentaero soy el rey de la fiesta, con mi clásico sombrero. Interludio: El sombrero. El sombrero de ala ancha con que adorno mi cabeza, yo lo llevo...Y con él voy orgulloso pregonando su majeza. Y no hay otro...Más castizo y español, ni que iguale su belleza, porque los rayos del sol... Bautizaron su majeza.
El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso.
Piano seul
Rafael Gordon Pino
$7.99 6.81 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,21st Century,Classical,Standards,Traditional. Individual part. 9 pages. ToRa Swarna Diva #866177. Published by ToRa Swarna Diva (A0.1274042). Tondi Rangkuti A.K A Tondi. FR arranged 'Have You Ever Really Loved a Woman' by Bryan Adams for solo guitar. The original song featured  Paco Delucia, a Maestro Flamenco in history. This arrangement manages to capture Rumba Flamenco very well. And we know that the arragement of guitar solo for this song is very rare. And very few are able to transcribe well into guitar instrumental.
Have You Ever Really Loved A Woman?
Guitare
Bryan Adams
$17.90 15.27 € Guitare PDF SheetMusicPlus

Percussion Trio Mallet Percussion - Level 4 - Digital Download SKU: A0.1362972 By Rodrigo y Gabriela. By Gabriela Lopez and Rodrigo Sanchez. Arranged by Aarón Cristófol Rubio. 21st Century,Latin,Traditional. 29 pages. Aarón Cristófol #946655. Published by Aarón Cristófol (A0.1362972). Partes: Marimba 1,marimba 2, marimba 3 y cajón flamenco.Duración: 4´30´´.Descripción: Arreglo de la obra Tamacún del dúo Mexicano Rodrigo y Gabrielapara ser interpretado al estilo mexicano por 3 percusionistas en una sola marimba. La riqueza tímbrica y virtuosística de esta obra la hacen muy interesante para ser interpretada en una sola marimba por 3 percusionistas, añadiéndole si cabe, un toque más rítmico y expresivo con el acompañamiento al cajón en diferentes ritmos como la rumba o el pop. La parte del bajo está arreglado para poder ser interpretado en marimba hasta el La, en marimba hasta el Fa o bien en marimba de 5 octabas hasta el Do.Parts: Marimba 1,marimba 2, marimba 3 y cajón flamenco.Duration: 4´30´´.Description:Arrangement of the work Tamacún by the Mexican duo Rodrigo y Gabriela to be performed in the Mexican style by 3 percussionists on a single marimba.The timbral and virtuosic richness of this work make it very interesting to be performed in a single marimba by 3 percussionists, adding if possible, a more rhythmic and expressive touch with the accompaniment of the cajón in different rhythms such as rumba or pop.The bass part is arranged so that it can be played in marimba up to A, in marimba up to F or in 5-octave marimba up to C.
Tamacun
Rodrigo y Gabriela
$18.00 15.35 € PDF SheetMusicPlus

Small Ensemble Guitar,Voice - Level 4 - Digital Download SKU: A0.928252 Composed by Lynieve Austin, Simon James. Contemporary,Latin,Multicultural,World. Score and parts. 7 pages. DML #5355765. Published by DML (A0.928252). This is a complex song using the rhythm of a Flamenco rumba but with a mixture of finger style and strumming, it will need time and patience to do it well. It uses well known coplas from traditional Spanish sources and is naturally about love but with some fairly pointed remarks like the copla that ends ‘a shoe once worn, discarded, I never wear again’. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version so you can change the song according to the mood you’re in. This was first performed at the opening of the 2007 Croydon Jazz Festival.
Una Pena Quita Pena

$2.99 2.55 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1375107 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #959678. Published by Thomas Swee Chin (A0.1375107). Listed as grade 6 piano piece by the ABRSM:Valse Poético No. 6 by Enrique Granados is a captivating piece that exhibits his mastery of melodic storytelling and rhythmic intricacies. Here's an analysis of its key elements:Melodic Flourishes: The piece begins with a graceful melody that sets a serene atmosphere. Granados employs lush harmonic progressions and delicate ornamentation to enhance the melodic line, evoking a sense of elegance and charm.Rhythmic Variations: Throughout the waltz, Granados introduces rhythmic variations that add depth and complexity to the piece. Syncopated rhythms and subtle accents create a sense of forward momentum, while rubato passages allow for expressive freedom and phrasing flexibility.Dynamic Contrast: Valse Poético No. 6 features a wide range of dynamic contrasts, from tender pianissimo passages to bold fortissimo sections. These shifts in dynamics contribute to the piece's dramatic intensity and emotional impact, keeping the listener engaged from start to finish.Spanish Influence: As with much of Granados' work, Valse Poético No. 6 is imbued with Spanish flair. You may notice hints of flamenco rhythms, Moorish-inspired melodies, and Andalusian harmonies, all of which reflect Granados' deep connection to his Spanish heritage.Formal Structure: The piece follows a traditional waltz structure, with a recurring A-B-A form. However, Granados infuses the form with his own unique twists and turns, incorporating unexpected modulations and thematic developments that keep the listener engaged throughout.Overall, Valse Poético No. 6 is a stunning example of Granados' compositional prowess, combining lyrical beauty, rhythmic vitality, and Spanish charm to create a timeless musical masterpiece.
Valse Poetico no. 6
Piano seul

$4.80 4.09 € Piano seul PDF SheetMusicPlus

Small Ensemble Cello,Flute,Guitar - Level 3 - Digital Download SKU: A0.576417 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 16 pages. David Warin Solomons #23493. Published by David Warin Solomons (A0.576417). A tongue in cheek combination of English sea shanty and Jewish scales, with a bit of Klezmer, a hint of Spanish flamenco and a large helping of English folksong. The tunes used are: What shall we do with the drunken sailor Johnny Todd, Hava Nagila and various connecting melodic lines. The mode sways between typical middle-Eastern scales and the Dorian mode (the original mode of the drunken sailor song).  The pdf file contains score and parts.The audio sample is the first live performance by the Camara Klezmer Trio, for whom it was written. (It starts with the sound of the sea and the performers coming on stage singing What shall we do with the drunken sailor)Videohttps://www.youtube.com/watch?v=sfvwBLdwocE
Klezmer del Mar - English folksongs with a hint of Klezmer

$12.00 10.23 € PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1381415 Composed by Ernesto Leucona. Arranged by Edina Balczo. Classical,Latin,Multicultural,Standards,Traditional,World. Guitar Tab. 6 pages. Edina Balczo #966126. Published by Edina Balczo (A0.1381415). Malagueña is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's Suite Andalucía (1933), to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum and bugle corps standard and has been provided with lyrics in several languages. In general terms, malagueñas are flamenco dance styles from Málaga, in the southeast of Spain. This is an arrangement for the guitar.
Malaguena
Guitare notes et tablatures

$7.99 6.81 € Guitare notes et tablatures PDF SheetMusicPlus






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