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Flute Duet Flute - Level 3 - Digital Download SKU: A0.586795 Composed by David McKeown. Classical,Contemporary,Instructional,Standards. Score. 13 pages. David McKeown #3002755. Published by David McKeown (A0.586795). 6 Concert Duets for Flute in a Classical Style are new and original compositions by Dave McKeown. If you play to an intermediate standard and upwards, then these pieces are ideal for formal and informal performances. Each one is named after birds we have seen locally. The style is contemporary classical and melodic.Both the short sample recording and the youtube performance is the Clarinet version of one of these six duets.he short sample recording is myself playing the Clarinet version of one of these six duets. 6 Concert Duets for Flute in a Classical Style are perfect for concert performances large and small perfect for intermediate level exam performances fully articulated terrific for developing ensemble playing skills Ideal for developing expressive playing road tested with scores of students. fun to play There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
6 Concert Duets for Flute in a Classical Style
2 Flûtes traversières (duo)

$8.99 7.78 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1232803 Composed by Darian Thompkins. Classical,Contest,Festival,Holiday,Instructional,Video Game. Score. 1 pages. Darian Thompkins #828431. Published by Darian Thompkins (A0.1232803). The Fallen Carnival Dance is a duet written for flute. This piece is for intermediate-to-advanced flute players who want to create a little dark and scary environment for all to hear. A dance into the fallen carnival, so sad and low. You will not find clowns with happy tie-dye bows. They frown but dance to the sound of a lonely carousel. So sad and scared they'll never return to their funny and happy selves. Behold, I bring you to a place of wonder where no one smiles but frowns from corner to corner.
Fallen Carnival Dance Duet for Flute
2 Flûtes traversières (duo)

$1.99 1.72 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.563308 Composed by Christoph Willibald Von Gluck, Erik Satie, George Frideric Handel, Johann Pachelbel, and Traditional. Arranged by Austin Ralphson. 20th Century,Baroque,Classical,Wedding. 62 pages. Austin Ralphson #3540043. Published by Austin Ralphson (A0.563308). This mega-bundle of music enables you to save significantly on the individual prices, and includes full scores and parts for the following pieces:Andante (Gluck)Ar Lan y Môr (Welsh Trad.)Canon in D (Pachelbel) (flute quintet)Gymnopédie No.1(Satie)Largo from ‘Xerxes’ (Handel)Suo Gan (Welsh Trad.)
Slow Melody Bundle - flute quartet book / pack
Quatuor de Flûtes : 4 flûtes

$12.99 11.25 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
Flute Trio - Fairy Tales
Trio de Flûtes: 3 flûtes

$25.00 21.65 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$32.95 28.53 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.1459757 By Paul Barker Music. By William Kirkpatrick. Arranged by Paul Barker. Children,Christmas,Holiday,Traditional. 8 pages. Paul Barker Music #1038712. Published by Paul Barker Music (A0.1459757). Embrace the magic of the season with this easily accessible arrangement of Away In A Manger for Flute Trio. A Performance Recording MP3 is also available to listen and perform along to from www.paulbarkermusic.com and here.Also see our Holiday music titles for other Trios, Ensembles, Orchestras and Flexible Instrumentation. Duration: 1:20Level: Early Level (UK Grade 2+)Occasion: Concert - Formal/Informal Christmas Holiday EventsOrchestration: Flute Trio.
Away In A Manger (Flute Trio)
Trio de Flûtes: 3 flûtes
Paul Barker Music
$5.95 5.15 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus






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