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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download

SKU: A0.524266

Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 14 pages. John A. Dempsey #5198059. Published by John A. Dempsey (A0.524266).

This trio for two flutes and piano weaves the moving spiritual Were You There? into the rich tapestry of a beautiful tranquil Chopin etude (Tristesse), Op. 10, No. 3. Ā Recommended as a prelude, postlude, an offertory, silent prayer accompaniment or special music for traditional Easter Sunday church services and other worship events, including Good Friday services and Easter sunrise worship as well as the Lord's Supper and Communion. Ā 10 pages of music (that includes separate two-page parts for flute 1 and flute 2). Ā Key: G major. Ā Flute Level: Intermediate. Ā Piano Level: Late Intermediate.

Were You There (Trio for Two Flutes and Piano)
2 Flūtes traversičres, Piano

$11.99 11.41 € 2 Flūtes traversičres, Piano PDF SheetMusicPlus

Small Ensemble Clarinet,Flute,Oboe,Violin - Level 3 - Digital Download

SKU: A0.811677

Composed by Carl Philipp Emmanuel Bach 1714 - 1788. Arranged by Edited by Pat Spence. Classical,Concert,Instructional. Score and parts. 22 pages. Piper Publications #3453865. Published by Piper Publications (A0.811677).

DUET IN 3 MOVEMENTS  (Andante, Allegro and Allegretto) by C.P.E. BACH for flute and violin or two flutes. Written in 1748 when Bach was working at the court of Frederic the Great of Prussia. It was clearly intended to be played by Frederic - a very talented flute player with either Bach playing the violin part or Frederic's flute teacher, Quantz playing the second part on the flute. Between them Bach and Quantz wrote a great many sonatas, concertos and other chamber music for the flute for Frederic to perform.
The Duetto is well within the ability of players of about grade 6 ABRSM and is also suitable for pairs of oboes or clarinets. The violin/ flute 2 part has been transposed for clarinet in Bb which makes it suitable for many duet combinations.

DUETTO FOR FLUTE and VIOLIN OR 2 FLUTES BY C.P.E. BACH
Flūte, Violon

$10.00 9.52 € Flūte, Violon PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download

SKU: A0.736289

Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289).

For Flute Choir

Cloud Images

By Phyllis Avidan Louke

Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight.

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Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)

Ā Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds. Ā  (2:00)


Movement 3, Oh Look! Thereā€™s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)

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Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)

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Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)

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Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com

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Cloud Images for Flute choir
Ensemble de Flūtes
Phyllis Avidan Louke

Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight
$18.00 17.13 € Ensemble de Flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download

SKU: A0.1260536

Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536).

INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus dei
6. Ite missa est

Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā 

Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:

1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.
2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.
3. It was composed in four voices, which was unusual at the time.
4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.
Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā 

The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā 

Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$74.95 71.33 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download

SKU: A0.887049

Composed by Marilena Zlatanou. Contemporary,Standards. 20 pages. Marilena Zlatanou #3030863. Published by Marilena Zlatanou (A0.887049).

Flute Quartett for 2 flutes, one Alto flute and one Bass flute, or two Alto flutes (when Bass flute is not available).
Suitable for both secular and Church concerts. Duration 5 and a half minutes.
The style of writing is contemporary but melodious and tonal.
Although this is an instrumental piece, it follows the traditional SALVE REGINA text and therefore can be successfully included in church music concerts. The attached mp3 file is a converted sibelius file.
For more information on the composer (member og TONO, the Norwegian copyright org.), please visit website:
www.zlatanou.netĀ 

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SALVE REGINA for flute Quartett Quatuor de Flūtes : 4 flūtes

$7.99 7.6 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Flute Duet Flute - Digital Download

SKU: A0.955433

Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score. 3 pages. Neal Fitzpatrick Editions #6063871. Published by Neal Fitzpatrick Editions (A0.955433).

This is a fun little piece for flute duet. This Fancy For Two Flutes No.1 is based on work I've written for the guitar. It is essentially a direct transcription and so it is captures the drive, tonal relationships and flow one might expect in a stringed, fretted instrument but through the medium of two flutes. It's ideal for a teacher-student duet, ensemble performance, or technical exploration.
Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Fancy For Two Flutes No.1
2 Flūtes traversičres (duo)

$2.50 2.38 € 2 Flūtes traversičres (duo) PDF SheetMusicPlus






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