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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 pages. Kevin G. Pace #680550. Published by Kevin G. Pace (A0.1076393). Have you ever wondered how to have a really happy life? In Matthew 5-7 in The New Testament and in 3 Nephi 12-14 in The Book of Mormon, Another Testament of Jesus Christ, our Savior teaches us the way to contentment and happy living through The Beatitudes. These gems of Christian living were taught by Jesus as the initial part of the most well-known of his teachings called The Sermon on the Mount. The word “beatitude†comes from the Latin “beatitudo†meaning “blessedness.†Each of the eight beatitudes in this book consists of two phrases: the condition and the result. Together, these illustrate a set of ideals focusing on love and humility, echoing the highest of Jesus’ teachings on spirituality and compassion. Each also promises a future reward, and the themes appear to escalate from beginning to advancing levels of responsibility and spirituality as the Sermon progresses. By the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven. The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests. Please enjoy this collection of original solos, SATB choral renditions, and a duet, along with a short text explaining each beatitude in the order our Savior spoke them so many years ago as part of the greatest sermon ever given, our Lord’s Sermon on the Mount! It was a joy to prepare them for you. Happy Living!
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
Chorale SATB
the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests
$10.95 9.5 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1510076 Composed by Benjamin Russell Hanby. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 15 pages. Jmsgu3 #1085258. Published by jmsgu3 (A0.1510076). Up On The Housetop holds significant importance in American Christmas music as it is recognized as one of the earliest secular Christmas songs, explicitly focusing on the figure of Santa Claus. Composed by Benjamin Russell Hanby in 1864, it is often cited as the first Christmas song to center around Santa, a theme likely inspired by Clement C. Moore's poem A Visit from St. Nicholas, also known as The Night Before Christmas.Historical ContextHanby, born in 1833 and died at a young age in 1867, was a minister and composer who faced challenges in his career due to his progressive views on music and his opposition to slavery. During a difficult period, he wrote Up On The Housetop as part of his efforts to support his family. This song and others he composed reflect his innovative spirit and contribution to holiday music.Cultural ImpactThe song has been embraced in popular culture, recorded by numerous artists, including Gene Autry, and remains a staple in Christmas celebrations. Its catchy melody and festive lyrics evoke the joy of Christmas, depicting Santa Claus delivering gifts to children, which has helped solidify Santa's place in American holiday traditions.ConclusionOverall, Up On The Housetop is a beloved Christmas carol and a pivotal work in the evolution of Christmas music in the United States. It marks the transition towards a more secular celebration of the holiday centered around Santa Claus. Its legacy continues to influence how Christmas is celebrated and experienced today.
Up on the Housetop for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 30.33 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download SKU: A0.799778 Composed by Christopher William Palmer. Instructional. Score and parts. 18 pages. Christopher William Palmer #5017981. Published by Christopher William Palmer (A0.799778). For entry level bandsInstrumentation included:Flute, Bb Clarinet, Alto/Bari Sax, Tenor Sax, Bb Trumpet, F Horn, Trombone/Euphonium/Bassoon, Tuba, Xylophone, Cymbals, Snare, Bass Drum, Drum KitNot all parts are necessary to perform the pieceThis arrangement features a mix of unisons and simple harmonies, focusing on a few notes of the concert Bb major scale. The percussion is written out both in drum kit format and separately with cymbals, snare, and bass. Divisi sections can be arranged however you feel appropriate.Approximately 1.25 minutes in length.
School's Out!
Orchestre d'harmonie

$39.99 34.7 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978030 Composed by J.C. Baker, Fermata Nowhere. Instructional. Octavo. 4 pages. J. Gallagher #5034217. Published by J. Gallagher (A0.978030). 20 original sight-singing examples in treble and bass clef.Over 150 measures worth of practice!**Perfect for students preparing for Festival, County, and State competitions where sight reading is a requirement!Focusing on:1. Diatonic scale practice2. Do-Ti-Re, Do-Ti, Do-Sol, Do-Sol-Ti Skips3. Major Keys C D Eb F G A Bb5. 2/4 3/4 & 4/4 Time Signatures6. Whole, Half, Quarter, & Eighth NotesThese can be used as warm ups, practice sheets, sight reading, and for any other choral & vocal use you may have in or out of the classroom.
Do-Ti-Re & Do-Sol Sighting Singing Solfege Practice Worksheets
Chorale SATB

$3.99 3.46 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Six Echo Fantasias Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$86.85 75.36 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 5 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 25.12 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download SKU: A0.1412815 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Heidi Savoie. Contemporary,Instructional,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. Heidi Savoie #994819. Published by Heidi Savoie (A0.1412815). This lead sheet is in E major, for low voice, designed for those who need something compact while they are learning. These four pages include the scale degrees written out for each melody in the song, so singers and instrumentalists who are just beginning to read sheet music have another way to make sense of the notation! Focusing on the scale numbers is another valuable method of ear training. In order to play this on your instrument, you will only need to know four chords: E, B, C#m and A. The vocal range of the song spans a perfect twelfth from F# to C#. Check out my other arrangements of this song for other vocal ranges and good luck on your musical journey!
Someone You Loved
Piano Facile
Lewis Capaldi
$3.99 3.46 € Piano Facile PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
Fastnet Rock
Flûte traversière et Piano

$2.99 2.59 € Flûte traversière et Piano PDF SheetMusicPlus

Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397488 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #15Cx0E0Rlxp1udH7aLo5l8. Published by Heather Mueller Music (A0.1397488). Key: D major.Discover the dynamic world of traditional fiddling with The Coleraine jigs. These spirited tunes, known for their lively tempo and infectious energy, are essential for any fiddler's repertoire. Key Features: Interactive sheet music with customizable options for tempo and key adjustments. Perfect addition to Celtic fiddle tunes, jig anthologies, and folk melody compilations. Exercises designed to refine bowing techniques and finger placement. Scale practice routines to strengthen your musical foundation. Rhythm training drills tailored for fiddlers. Improve sight-reading and ear training abilities through interactive sessions. Delve into improvisation workshops to develop your creativity. Enhance your repertoire with The Coleraine jigs for new musical horizons. Comprehensive sessions focusing on technique and expression for performance preparation. Stimulating discussions on music theory to deepen your understanding of traditional fiddling. Join the traditional music journey today with The Coleraine jigs. Immerse yourself in the timeless melodies and spirited rhythms that have captivated audiences for generations!
The Coleraine
Traditional Fiddle Tunes
$2.99 2.59 € PDF SheetMusicPlus






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