Piano Solo - Level 1 - Digital Download SKU: A0.924232 Composed by Cynthia Moyes. Instructional. Score. 23 pages. Cynthia Moyes #3222365. Published by Cynthia Moyes (A0.924232). Gold 1 – Teaches transposition and scales.Gold 1 is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold 1 level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition in the keys C, G, D, A, E, and B learned. Scales in the same six keys will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter.  Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Gold 1 is the third complete warm up book in the Finger Olympiad warm-up and recognition series. Gold 2 follows, training the remaining keys. This 2 book progression is comfortably paced for most students. However, adults or other students wishing to transpose to all keys in one book should use Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level. For more practice tips, follow Finger Olympiad on facebook.

Easy Piano - Level 1 - Digital Download SKU: A0.924233 Composed by Cynthia Moyes. Instructional. Score. 27 pages. Cynthia Moyes #3222379. Published by Cynthia Moyes (A0.924233). Gold Complete – Teaches transposition and scales.Gold Complete is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold Complete level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition to all keys is practiced. Major scales will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter.  Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Gold Complete is the third complete warm up book in the Finger Olympiad warm-up and recognition series and is meant to follow Silver. Gold Complete is more rigorously paced, and is best suited for adults or other students who are naturally comfortable with transposition. Most students would do best to use Gold 1 and Gold 2 instead of Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level.PRINTING TIPS:  This product works best with color, 2 sided printing.  Pages 23-27 may be printed on cardstock for better durability. For more practice tips, follow Finger Olympiad on facebook.

Easy Piano - Level 1 - Digital Download SKU: A0.924235 Composed by Cynthia Moyes. Instructional. Score. 21 pages. Cynthia Moyes #3222391. Published by Cynthia Moyes (A0.924235). Finger Fun – Practices common fingering problems.Finger Fun can be used any time after Silver. Finger Fun is more of a supplement to the other Finger Olympiad books. Focus is on repetition rather than practice patterns. Students will want to be familiar with all major and minor triads. Despite not requiring note reading, these activities will expand outside of the traditional five finger positions. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter.  Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Digital download includes a warm-up book, and recognition certificate. For more practice tips, follow Finger Olympiad on facebook.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.

Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration   2 1 1 1 1   2 2 2 1 1   Timp   Glock   Perc            Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam   Piano   Strings

String Orchestra - Level 4 - Digital Download SKU: A0.1432036 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 8 pages. Juan Maria Solare #1012516. Published by Juan Maria Solare (A0.1432036). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The sixth etude focuses on the difficult subject of harmonics in the strings. In the classical repertorire, harmonics are not so present as other orchestral colors. There fore, it is particularly difficult to find repertory to train them.

Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.

Piano Solo - Level 3 - Digital Download SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Published by Yvonne Johnson (A0.1490896). A collection of Grade 3 & 4 pieces covering a variety of rhythms commonly encountered in the Boogie & Blues genre.Saturday Night BoogieAn upbeat, fun to play Grade 3 piano boogie with swing (jazz) eighths over a walking bass. This boogie needs to be played in a relaxed manner with good rhythm and accents in the syncopated bars.Rocking The BluesThis upbeat Grade 3 blues piece has an eighth note (quaver) LH walking bass pattern, with some staccato articulations in the RH. Eighth notes (quavers) should be played straight. Jitterbug BoogieThis lively Grade 3 boogie was inspired by the swing dancers of the early 20th C. LH provides a driving walking bass while the RH plays syncopated rhythms and piano stabs.Train Ride BoogieThis Grade 3 boogie has a familiar, popular chugging train style LH. The RH playsblues scale patterns and syncopated rhythms. Eighth notes (quavers) should be swung.Boogie 1-4-5A lively Grade 3 boogie rock focusing on Primary Triads in root position. This piece requires well coordinated hands, a neat staccato touch and quick chord changes. Eighth notes (quavers) are best played straight.Boogie TrainA lively, fun to play Grade 4 piano boogie with a typical LH boogie bass. The LH bass is a common but difficult pattern requiring flexibility. Students should be able to span octaves comfortably before playing this piece.1st Inversion BoogieAn upbeat Grade 3 piano boogie in the key of C Major. RH focuses on 1st inversion triads and is played over a steady walking bass. Attention to articulations and accents is needed to convey the jaunty character of this piece.Chameleon BoogieInspired by the chameleons' unusual rocking movements when walking, this fairly lively Grade 3 boogie blues is based on a typical I IV V progression. Standard fingering for chromatic scales has been used for the turns. Eighth notes (quavers) should be lightly swung.Jingle Bell BoogieA lively, fun to play Grade 4 boogie arrangement of this popular Christmas carol. LH plays a fairly easy walking bass in the verse, before breaking into a well known boogie pattern for the chorus. LH needs to be relaxed, have flexibility and the ability to span the broken octaves comfortably.

String Orchestra - Level 4 - Digital Download SKU: A0.1432024 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012503. Published by Juan Maria Solare (A0.1432024). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The third Etude focuses on Spiccato and is therefore only for strings.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.1004073 Composed by James F. Hodgdon III. Concert,Contemporary,Instructional,Standards,World. Score and parts. 6 pages. Jhcompositions #3447255. Published by Jhcompositions (A0.1004073). East meets West in this percussion duet. Chimes and Djembe have never spent so much time together. The piece focuses on polyrhythms and the color of decay these instruments use. Advised by percussion composition specialist, Dr. David Macbride. This work explores both written and structured improvisational points. The work would be suited well for any concert or recital that is percussion focused. Or any event that seeks to bridge different cultures and musics.Duration: Apx. 2:00 .

Large Ensemble - Level 3 - Digital Download SKU: A0.569828 Composed by Austin Ralphson. Instructional. Score and parts. 50 pages. Austin Ralphson #4596427. Published by Austin Ralphson (A0.569828). Melody: Sequences - Perform, Compose, Understand Series. This pack comprises a piece called Thanks, Ludwig, worksheets and questions which relate to the piece. It is all about understanding melodic sequences.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.  How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding          Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **

Large Ensemble - Level 3 - Digital Download SKU: A0.569830 Composed by Austin Ralphson. Instructional. Score and parts. 87 pages. Austin Ralphson #4603377. Published by Austin Ralphson (A0.569830). Melody: Question & Answer - Perform, Compose, Understand Series. This pack comprises a piece called In Conversation, worksheets and questions which relate to the piece. It is all about understanding melodic movement and direction.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.  How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding          Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **

Easy Piano - Level 1 - Digital Download SKU: A0.924229 Composed by Cynthia Moyes. Instructional. Score. 27 pages. Cynthia Moyes #3222353. Published by Cynthia Moyes (A0.924229). Bronze – Develops finger coordination, fosters confidence, and prepares for success.Bronze is designed as a simple introduction for very beginners who have never played piano, or any type of music before.  No need to read the staff, count rhythms, or even know the names of the notes (yet!)  The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter.  Instead focus is on attitudes, achievements and recognition.  Finger Olympiad trains and focuses on specific skills for developing complete musicianship.  Because of the focus on musical fundamentals, this workbook can be used for either independent sutdy, or in a teacher-student setting as a supplement to any other method. This beginning book (27 pages) is designed to prepare students of any age to become familiar with musical concepts, and the piano itself. Bronze is the first complete warm up book in the Finger Olympiad warm-up and recognition series. Digital download includes a beginning warm-up book, flash cards, and recognition certificate. As the name indicates, a bronze medal may be ordered to recognize the completion of this level. PRINTING TIPS:  This product works best with color, 2 sided printing.  Pages 21-27 may be printed on cardstock for better durability. For more practice tips, follow Finger Olympiad on facebook.

Large Ensemble - Level 3 - Digital Download SKU: A0.569833 Composed by Austin Ralphson. Instructional. Score and parts. 52 pages. Austin Ralphson #4628387. Published by Austin Ralphson (A0.569833). Melody: Ornaments - Perform, Compose, Understand Series. This pack comprises a piece called Take It In Turns, worksheets and questions which relate to the piece. It is all about understanding ornamentation.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding          Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **