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4 male voices (CtenTTBar) - Digital Download SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q19219. Published by Schott Music - Digital (S9.Q19219). Latin.Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. Gavin Bryars.
Glorious Hill

$6.99 5.99 € PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.1490674 Composed by Cornelius Gurlitt. Arranged by SMW Publishing. 19th Century,Children,Classical,Instructional,Romantic Period. Score. 3 pages. SMW Publishing #1067480. Published by SMW Publishing (A0.1490674). Cornelius Gurlitt Easy Piano Pieces Miniaturen - Miniatures. Op. 172Nº 1 - Lied (Song) Cornelius Gurlitt (1820–1901) was a German composer, pianist, and music educator, primarily known for his contributions to piano pedagogy. Born in Altona, which was then part of Denmark but is now a district of Hamburg, Gurlitt came from a family with artistic inclinations. He studied under prominent teachers of his time and developed a strong foundation in classical music, which influenced his later works. Gurlitt's compositions were mostly aimed at young pianists and beginners. His music is characterized by its simplicity, clarity, and educational value. He focused on creating pieces that were not only technically accessible but also musically engaging, making his works popular in piano instruction. Some of his best-known pieces include Album for the Young, First Lessons for the Piano, and The Young Pianist. These collections feature short, melodic pieces that help students develop their technique and musicality.
Miniature Nº 1 - Lied (Song)
Piano seul

$5.99 5.13 € Piano seul PDF SheetMusicPlus

Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them. Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
Method for Trombone
Trombone

$22.50 19.29 € Trombone PDF SheetMusicPlus

Piano,Trumpet - Level 4 - Digital Download SKU: A0.892918 Composed by Leonie Capararo. Concert,Contemporary. Score and part. 5 pages. Notewell Music #5319283. Published by Notewell Music (A0.892918). The North Star' is a melancholy dialogue between trumpet and piano. It features a triplet motif which is developed and ornamented and is set in a moody minor key with some unexpected shifts and dissonances. the long phrases will require excellent breath control to keep them legato. The shift to the upper register climaxing with the Bb in bar 13 is very challenging.  This piece needs to be played with a very bright, clear, focused sound to create the atmosphere of the lonely, icy night on the ocean.
The North Star (Trumpet solo, piano acc.)
Trompette, Piano

$5.00 4.29 € Trompette, Piano PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)

$19.95 17.1 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PR-0004170 Score. Arranged by Michael Story. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004170. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004170). UPC: 038081458519.Inspired by the ornate palace in Beijing, China, this arrangement is focused around the Chinese folk song Jasmine Flower. The music is presented from the perspective of a person traveling towards the palace, with the grandeur, beauty, and spectacle gradually increasing with each step taken. The arrangement uses a variety of percussion instruments to reinforce the enchanting effects that build throughout. (2:15) This title is available in SmartMusic.
The Forbidden City: Score
Orchestre d'harmonie

$10.00 8.57 € Orchestre d'harmonie PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.513314 Composed by Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #124080. Published by John Fries (A0.513314). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Everything Happens to Me (1940) is a pop standard written by Tom Adair (lyrics) and Matt Dennis (music). It was first recorded by the Tommy Dorsey Orchestra featuring Frank Sinatra. Unusually, the song focused on Sinatra's vocal, with no trombone solo by Dorsey. Years later, Sinatra rerecorded the song with the Hollywood String Quartet; this version was featured on his 1957 album Close to You.
Everything Happens To Me
Instruments en Do

$3.99 3.42 € Instruments en Do PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.944930 Composed by Timothy Bandy. Instructional. Score and parts. 44 pages. Timothy Bandy #5209971. Published by Timothy Bandy (A0.944930). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
F - Every Day Warm-Ups for Full Orchestra
Orchestre d'harmonie

$10.00 8.57 € Orchestre d'harmonie PDF SheetMusicPlus






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