Solo Guitar - Level 3 - Digital Download SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 32 pages. Eric mokotoff #883493. Published by eric mokotoff (A0.1292897). Mauro Giuliani's Op. 1 Right Hand 120 Studies is now available in this newly reimagined and harmonically restructured format.All 120 studies have been rewritten for both Left and Right Hand progressively moving from 1st position to 10th position.This new course will take you through both Major and Minor Keys traveling through chord structures that will teach you the entirety of the guitars neck and frets.Each study recreates the RH fingering and retains the original rhythms while offering new chord progressions in more keys.The original studies focused on two chords to accomplish the Right Hand focus, but both hands are essential in understanding the connection of the strings, frets, and chord structures.This is an exciting, and compelling project that any serious Classical Guitarist should take advantage of.Now learn and play all 120 Mauro Giuliani Studies with a whole new Harmonic journey. Each Major key expresses a I IV I vi ii V7 I progression and each minor key expresses a i iv i V7 i progression.Teachers, professors, and Universities will be excited to introduce students to a whole new reimagined modern look at these essential pedagogic lessons.

Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.

Piano,Violin - Level 5 - Digital Download SKU: A0.1500103 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. 36 pages. Ulrich Lehensteiner #1076178. Published by Ulrich Lehensteiner (A0.1500103). A radically shortened, partly Rock-inspired sonata, foregoing the traditional middle-movement in order to focus on the duality of the two outer ones: a gloomy, march-like movement that exaggerates the classic Alberti bass to a powerful rhythm-line, followed by a relentlessly pushing high-energy-movement that makes the Rock-influence apparent with its rhythmically focused main theme, continuously driving bass line and ostinato rhythm patterns.Contains piano score + violin part.Duration: 12 minutes.

Piano Solo - Level 3 - Digital Download SKU: A0.923817 Composed by Brian Pereboom. Instructional. Score. 108 pages. Brian Pereboom #2907257. Published by Brian Pereboom (A0.923817). The main focus of most piano exercise books is not usually the scales. This book is not only completely focused on the mastery of major and minor scales and arpeggios, but covers all seven modes and their arpeggios. This book is, both, suitable for beginners, and challenging for advanced pianists.

Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.

Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.

Digital Download SKU: LX.E99-3988MD Arranged by Jay Rouse. General. Sacred Anthem, Easter, General. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3988MD. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3988MD). Downloadable accompaniment track for 10/5298MD Jay Rouse presents a novel worship treatment for the classic hymn that focuses on the redemption sinners receive through the blood of Christ. The moving music portrays the forgiveness that is now ours. This anthem from the musical The Lamb (55/1192MD) will be additive to Lenten and Eastertide services or any service where the redeeming love of Christ is the focus.

Flute,Piano - Level 2 - Digital Download SKU: A0.1021346 Composed by Enoch Chapman. Instructional,World. Score and part. 14 pages. Salvadorian Boy Productions #6064493. Published by Salvadorian Boy Productions (A0.1021346). This is the ORIGINAL COMPOSITION of Etude No. 6 for Native American Flute entitled Roger's Little Jig from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.The focus of this etude is to :* Understand the 3/4 Time Signature in a different Tempo Mark* Understand the Quick Tempo of 1 Beat per Measure* Keep building 8th Note skills using a faster pulseThis piece uses Half Notes, Quarter Notes, Eighth Notes and Quarter Rests to help the performer build their breathing and intonation skills.This piece introduces Dotted Half Note Tempo Marks to increase their musical toolkit.

Harp - Level 4 - Digital Download SKU: A0.990651 Composed by Hannah Greene. Concert,Contemporary. Score. 8 pages. Hannah Y Greene #54365. Published by Hannah Y Greene (A0.990651). The Harp Serenade and Disintegration explores the many idiomatic sounds of the harp while exploring the diverse sounds it can create through extended techniques. Serenade focuses on melody and timbre with the extended technique of tapping on the soundboard as a main element. Disintegration mixes sounds and inspiration from Gershwin, Brubeck and Salzedo. The focus is on rhythm and glissandos. The piece is in a quasi-rondo form that unravels the melody and rhythmic refrain as the piece moves in time. The extended techniques used in Disintegration are soundboard tapping, harmonics, and vertical fingernail sliding up the strings. Premiered by Rebecca Moritzky https://www.youtube.com/watch?v=EWRcZqEIN5w.

Easy Piano - Level 1 - Digital Download SKU: A0.924225 Composed by Cynthia Moyes. Instructional. Score. 21 pages. Cynthia Moyes #3222293. Published by Cynthia Moyes (A0.924225). Fast Start - Fosters confidence and prepares for success.Designed as a simple introduction for very beginners who have never played piano, or any type of music before.  No need to read the staff, count rhythms, or even know the names of the notes (yet!)  The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter.  Instead focus is on attitudes, achievements and recognition.  Finger Olympiad trains and focuses on specific skills for developing complete musicianship.  This introductory book (21 pages) is designed to prepare students of any age to become familiar with musical concepts, and the piano itself, and serves as an introduction to the Finger Olympiad warm-up and recognition series.  Digital download includes a 4 week introductory booklet, flash cards, and recognition certificate.For additional practice tips, follow Finger Olympiad on facebook!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1025786 Composed by Janice Lubinski Carroll. Arranged by Janice Lubinski Carroll. Christian,Gospel,Sacred,Spiritual,World. Score. 3 pages. JANICE G CARROLL #5205431. Published by JANICE G CARROLL (A0.1025786). This composition,'God Who Loves' has verses which focus on Jesus wanting people to love each other, with quotes from the Bible. The refrain focuses on God wanting people to love his creation' added to Jesus' quotes of loving others.  The tail end, offers a way to realize God's appearance in this belief in countries all over Allah, Confucius, Buddha. God is God throughout the World, however people revere God For other reasons of practicing loving Creation, and your fellow human beings,  the ending is Abba,  Companion, Brother.

Flute,Piano - Level 2 - Digital Download SKU: A0.1021350 Composed by Enoch Chapman. Instructional,World. Score and part. 12 pages. Salvadorian Boy Productions #6064515. Published by Salvadorian Boy Productions (A0.1021350). This is the ORIGINAL COMPOSITION of Etude No. 7 for Native American Flute entitled A Subtle, Simple Zephyr from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.The focus of this etude is to :* Introduce Sixteenth Notes * Reintroduce Ties that connect Notes through Measure Lines* Continues the use of Eighth Notes and SyncopationThis piece uses Half Notes, Quarter Notes, Quarter Rests, Eighth Notes, Eighth Rests, Sixteenth Notes and Ties to help the performer build their breathing and intonation skills.This piece introduces Sixteenth Notes to increase their musical toolkit.

Flute,Piano - Level 2 - Digital Download SKU: A0.1021353 Composed by Enoch Chapman. Instructional,World. Score and part. 11 pages. Salvadorian Boy Productions #6073835. Published by Salvadorian Boy Productions (A0.1021353). This is the ORIGINAL COMPOSITION of Etude No. 8 for Native American Flute entitled Running Through the Wall from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.The focus of this etude is to :* Introduce full Sixteenth Note Beats* Using the Tongue to play Sixteenth Notes* Turning Eighth Notes into Sixteenth NotesThis piece uses Sixteenth Notes and the Tongue to help the performer build their breathing and intonation skills.This piece introduces Rapid Breathing and Tonguing Techniques to increase their musical toolkit.

Piano Solo - Level 1 - Digital Download SKU: A0.962013 Composed by Terri H. DeLuca. Arranged by Claire Cavoto. Instructional. Score. 15 pages. Terri H. DeLuca #2009697. Published by Terri H. DeLuca (A0.962013). Minuet in C is one song in a series of Pattern Based Piano© titles written by Terri H. DeLuca for her own piano students to help them build and develop their reading and playing skills. These pieces focus on patterns and shapes that appear over and over. Level One is the easiest at the elementary level and Level Five is the final composition at a late elementary to early intermediate level. Each level has the same skeletal structure with varying modifications to help the student build their skills in reading and playing. As the levels get increasingly difficult, the challenge decreases. Ms. DeLuca found her students taking a new level every one to two weeks and these were beginning level readers! Each level includes a workbook sheet that focuses on the patterns and intervals introduced in each song, so the student can concentrate on specific skills prior to learning the entire piece. Minuet in C is a five-level song that takes the student to a very advanced piece of music in a very short period of time. It amazingly moves from dotted half notes in both hands in Level One to eighth note runs in both hands simultaneously in Level Five. You will be astounded at your students rapid progress in Ms. DeLuca's Minuet in C.

Flute,Piano - Level 2 - Digital Download SKU: A0.1021352 Composed by Enoch Chapman. Instructional,World. Score and part. 11 pages. Salvadorian Boy Productions #6073831. Published by Salvadorian Boy Productions (A0.1021352). This is the ORIGINAL COMPOSITION of Etude No. 8 for Native American Flute entitled Running Through the Wall from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.The focus of this etude is to :* Introduce full Sixteenth Note Beats* Using the Tongue to play Sixteenth Notes* Turning Eighth Notes into Sixteenth NotesThis piece uses Sixteenth Notes and the Tongue to help the performer build their breathing and intonation skills.This piece introduces Rapid Breathing and Tonguing Techniques to increase their musical toolkit.