Composed by Sebastian Yradier (1809-1865). Arranged by Stephen DeCesare. Musicals, Movies, TV, World, Folk. Score. 19 pages. Published by Exultet Music (S0.96175). - Score - Musicals,Movies,TV,World,Folk - Exultet Music

Tin whistle - Beginning- Intermediate - Digital Download Composed by Grey E. Larsen. First Lessons. Folk. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #30043MEB. Published by Mel Bay Publications - Digital Sheet Music

Piano,Vocal,Voice - Digital Download SKU: A0.797141 Composed by Ian Rae. Concert,Contemporary,Folk. Score. 4 pages. Irma Music #3018393. Published by Irma Music (A0.797141). A tongue in cheek parody about folk songs. Originally composed to be performed at a recital of traditional folk songs this is ideal for concerts. This is the sanitised version - the last line is Folk songs can often make folk mad There is also the possibility of replacing the last line with Folk songs can make folk folking mad The audio track mp3 track used here is also available on SheetMusicPlus.

By Nagayo Motoori. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Early Intermediate. Set of Parts, Score. FCMUSIC #JD011. Published by FCMUSIC

By S. Koyama, Traditional, T. Narita. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JD008. Published by FCMUSIC

By Akira Nakada. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JS004. Published by FCMUSIC

By Toraji Onaka. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JS001. Published by FCMUSIC

By Teiichi Okano. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JS010. Published by FCMUSIC

By S. Kusakawa. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Early Intermediate. Set of Parts, Score. FCMUSIC #JD005. Published by FCMUSIC

By Nagayo Motoori. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Early Intermediate. Set of Parts, Score. FCMUSIC #JD017. Published by FCMUSIC

By K. Kawamura, T. Okano, R. Taki. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JD007. Published by FCMUSIC

By Chiaki Yoshida. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JS007. Published by FCMUSIC

By Kosaku Yamada (1886-1965). Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Early Intermediate. Set of Parts, Score. FCMUSIC #JD006. Published by FCMUSIC

By Traditional. Arranged by FCMUSIC. For Violin, Viola, Cello, String Quartet. Folk Music. Intermediate. Set of Parts, Score. FCMUSIC #JM005. Published by FCMUSIC

Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.