Level 3 - Digital Download SKU: A0.1131769 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Chamber,Classical,Instructional,Pop. Full Performance. Duration 153. LINCOLN BRADY #731998. Published by LINCOLN BRADY (A0.1131769). Funky, marching band style. Originally scored for Junior Guitar Ensemble by Lincoln Brady. Arranged here for Brass Quintet & Percussion (2 Trumpets in Bb, Horn in F, Trombone, Tuba & Snare Drum) by the composer.

Concert Band - Level 3 - Digital Download SKU: A0.761055 Composed by Stephen Rockey. Concert,Contemporary,Graduation,World. Score and parts. 51 pages. Stephen Rockey #4286817. Published by Stephen Rockey (A0.761055). Dallas Winds was written for the Dallas Symphonic Winds fanfare competition in 2008, one of the winners performed by them pre-concert. It is for the brass and percussion section; 4 x Trumpet Bb, 4 x Horn in F, 2 x Tenor Trombone, Bass Trombone, 2 x Euphonium, 2 x Tuba, Timpani and Two other percussion.

Trumpet Solo - Level 5 - Digital Download SKU: A0.953866 By Digital Performance. By Francis Osentowski, DMA University of North Texas. 20th Century,Contemporary. Individual part. 30 pages. Francis Osentowski #6301537. Published by Francis Osentowski (A0.953866). Revelation for Trumpet and Piano was composed for Jack Stone. Jack played led in the early days for the University of North Texas One O'clock Lab band. A few years later in the 1970's he also commissioned my Celebration for Brass and Percussion. The Brass Quintet version is also listed in this web site. Revelation is a barn burner with lots of fun effects for advanced players. One high D includes an ossia down and octave. (The D I could have played)! It can be played by an advanced high school student and higher levels. Both Bb and C trumpet parts are enclosed. If you find a glitch in parts or score please let me know at: f.osentow@verizon.net  Hope you enjoy this piece. 

Small Ensemble Piano,Voice - Level 2 - Digital Download SKU: A0.750865 Composed by Thomas Bracken 1876. Arranged by Brenndann Elliget MAGA 537. Patriotic. Score and parts. 25 pages. BJE Music #4322379. Published by BJE Music (A0.750865). God Defend New Zealand was written as a poem in the 1870s by Irish-born, Victorian-raised immigrant Thomas Bracken of Dunedin. A competition to compose music for the poem was held in 1876 by The Saturday Advertiser and judged by three prominent Melbourne musicians, with a prize of ten guineas. The winner of the competition was the Tasmanian-born John Joseph Woods of Lawrence, New Zealand who composed the melody in a single sitting the evening after finding out about the competition. The song was first performed at the Queen’s Theatre, Princes Street, Dunedin, on Christmas Day, 1876. [Wikipedia]This arrangement is for Brass Band in the Lower Key of F (Original in G) – If singing the words for more than one verse, accompaniment can be varied eg. Cornets and Horns only for one verse – as in the MP3 recording. There is also an optional piano part included.Grade = 2.5   Duration = 2:05 mins

Concert Band - Level 1 - Digital Download SKU: A0.1012288 Composed by Chris Kamerling. Contemporary,Instructional,Standards. Score and parts. 35 pages. Phantom K Music #6331537. Published by Phantom K Music (A0.1012288). Prepare for Battle! is for beginning concert band designed for players at the end of their first year of study. Ranges generally stay within an octave and a fifth, and the clarinets do not go above the break. Trumpets need to be able to play third-space C, but no higher. The low brass range is from low Bb to high Bb. Percussion is snare, bass, woodblock, and triangle. This piece will excite your students with a very lively repetitive motif that they can grasp easily and enjoy success. Performance time is a little under two minutes. If you're wondering whether it's right for you or not, please watch our video and have a listen!

Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327383 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #915417. Published by jmsgu3 (A0.1327383). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.912667 Composed by Johnson Lee. Contemporary. Brass Band. 51 pages. Johnson lee #5827835. Published by johnson lee (A0.912667). Laid to Rest composed by Johnson Lee was played at the funeral of the late Mr Lee Kuan Yew, founding Prime Minister of modern Singapore. I was moved to compose this piece Laid to Rest as I saw death as a final resting place and the funeral, a celebration of that person’s life as he is sent off on a journey of peace. Hence, this piece takes on a lighter, hopeful yet reflective feel compared to other pieces of heavier, melancholic notes. I was deeply honoured when it was first played / performed at Singapore’s late founding father, Senior Minister Lee Kuan Yew’s funeral. I had to control my tears as I was conducting the band and was so grateful for being able to honour him with my composition.

Brass Band Baritone Horn TC,Bass Trombone,Cornet,E-Flat Tuba TC,Euphonium,Flugelhorn,Trumpet - Level 4 - Digital Download SKU: A0.1405797 Composed by Mykola Leontovych. Arranged by Roger Wallace. Christmas,Jazz. 47 pages. Roger Wallace #988853. Published by Roger Wallace (A0.1405797). Christmas Quintet with Multiple Part Options.  Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.Can be performed with optional repeats.Playing Time Options:Without repeats: 2:06With one repeat: 2:52With both repeats: 3:36The audio sample represents a Brass Choir.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Picc, (G treb) 4 Fl, Afl, Bfl, (Cafl), (Cbfl), (Scbfl) (DbleCbFl) - Intermediate - Digital Download SKU: F2.FM682 Composed by Gustav Holst. Arranged by Robert Rainford. Gustav Holst's Moorside Suite was the first significant twentieth century work composed specifically for brass band. It was commissioned for the 1928 National Brass Band Championships, and Holst was eager to explore the possibilities of the medium, which. Score and Parts. 122 pages. Forton Music - Digital #FM682. Published by Forton Music - Digital (F2.FM682). ISBN 9790570485819.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821195 Composed by GordonThornett. Christian. Octavo. 6 pages. Gordon John Thornett #2026815. Published by Gordon John Thornett (A0.821195). This setting of the traditional Harvest hymn, We plough the fields and scatter, is written in popular style, a little syncopated. The choir parts are mainly in Unison, with short passages in harmony (SATB). There is also a simple Unison part for the audience/congregation to join in (All good gifts around us), and simple percussion parts could easily be added. The piece could be performed by children or adults, or both together, and though primarily intended for harvest, could fit into any service or concert of thanksgiving. In this version the accompaniment is for brass quintet (brass band instruments), comprising 2 cornets, tenor horn, trombone and Eb bass - but could easily be adapted for orchestral brass. [NB If listening to the recording, please note that it repeats more often than it should - but it will give you a good idea of how the piece goes!].

Baritone Horn TC,Bass Trombone,Euphonium,Low Brass Quartet,Tuba - Level 4 - Digital Download SKU: A0.1330450 Composed by Mykola Leontovych. Arranged by Roger Wallace. Christmas,Jazz. 39 pages. Roger Wallace #918318. Published by Roger Wallace (A0.1330450). Low Brass Quartet or Trio with Multiple Part Options.  Parts include Treble Clef (Brass Band) notation.The audio sample represents a Tuba Quartet.Can be performed with optional repeats.Playing Time Options:Without repeats: 2:06With one repeat: 2:52With both repeats: 3:36This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Low Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Tuba TC,Euphonium - Level 4 - Digital Download SKU: A0.1337267 Composed by Mykola Leontovych. Arranged by Roger Wallace. Christmas,Jazz. 46 pages. Roger Wallace #923078. Published by Roger Wallace (A0.1337267). Low Brass Quintet with Multiple Part Options.  Parts include Treble Clef (Brass Band) notation.The audio sample represents a Trombone Quintet.Can be performed with optional repeats.Playing Time Options:Without repeats: 2:06With one repeat: 2:52With both repeats: 3:36This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Alto Saxophone,Clarinet,Euphonium,Flute,Horn,Multi-Percussion,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1058220 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Full Performance. Duration 344. Jordan Grigg #6456047. Published by Jordan Grigg (A0.1058220).

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire.  Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music.  Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi.