Acoustic Guitar - Interactive Download SKU: A0.480809 Composed by Chris O'Mara. This edition: Interactive Download. Children,Christmas,Classical,Country,Folk,Hip-Hop,Jazz,Pop,Praise & Worship,Rock,Standards,World. Score. 3 pages. Duration 16. Published by comaramusic (A0.480809). Learn to arpeggiate through a chord progression. Have fun finding and making up your own patterns too. First in a growing series. Custom work for composing and arranging available.

Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1476678 By Stephen DeCesare. By Stephen DeCesare. Children,Instructional,Multicultural,Praise & Worship,Sacred,World. 10 pages. Exultet Music #1054187. Published by Exultet Music (A0.1476678). Tender anthem asking God to save our country from the divisions that are overtaking us;  to help us realize that we are stronger together and have more in common than differences.  Scored as a duet for a Tenor and Bass solo with Piano accompaniment.  Accessible and appropriate for any school or concert setting.  An accompaniment track is also available.

Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1476676 By Stephen DeCesare. By Stephen DeCesare. Children,Instructional,Multicultural,Patriotic,Sacred,World. 10 pages. Exultet Music #1054184. Published by Exultet Music (A0.1476676). Tender anthem asking God to save our country from the divisions that are overtaking us;  to help us realize that we are stronger together and have more in common than differences.  Scored as a duet for a Soprano and Tenor solo with Piano accompaniment.  Accessible and appropriate for any school or concert setting.  An accompaniment track is also available.

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1476674 By Stephen DeCesare. By Stephen DeCesare. Children,Instructional,Multicultural,Patriotic,Sacred,World. 10 pages. Exultet Music #1054182. Published by Exultet Music (A0.1476674). Tender anthem asking God to save our country from the divisions that are overtaking us;  to help us realize that we are stronger together and have more in common than differences.  Scored as a duet for a Soprano and an Alto solo with Piano accompaniment.  Accessible and appropriate for any school or concert setting.  An accompaniment track is also available.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.565985 By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon Wilson. Country,Easter,Praise & Worship,Romantic Period,Sacred. Score and parts. 21 pages. Sharon Wilson #6679691. Published by Sharon Wilson (A0.565985). Here is a peacefully flowing instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the tender invitation hymn Lord, I’m Coming Home by William J. Kirkpatrick. This early-intermediate arrangement is written in 3/4 time as opposed to the standard 4/4 time. The song begins in the key of C major then during a short PIANO interlude, it transitions to and concludes in the key of F major.All three instruments lead with the melody at times, even the PIANO. The FLUTE carries the melody for the first verse and then all three instruments alternate leading with the melody for the second verse. This peaceful, touching instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:45Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS or 2 FLUTES. The range for each part is as follows: Part 1 (FLUTE) – G4 to A5; Part 2 (VIOLIN) – C4 (middle C) to A5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (3 pages) Cover Image Credit: captured by the arranger near Spokane, Washington

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss #6139. Published by Colin Bayliss (A0.938387). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1475302 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Score. 7 pages. B. McCormick #1052845. Published by B. McCormick (A0.1475302). “A Bar Song (Tipsy)” Piano/Vocal/Guitar Arrangement About the Song and Artist: “A Bar Song (Tipsy)” is a lively, feel-good track by Shaboozey. With its catchy melody and playful lyrics, it captures the carefree spirit of a night out with friends. Shaboozey’s blend of acoustic guitar, vocals, and infectious rhythm makes this song a crowd favorite. Key Features: Vocal Clarity and Chord Symbols: The vocal line is clearly notated, allowing singers to express the playful lyrics. Above, you’ll find simplified chord symbols for guitarists to strum along. Harmonic Simplicity: The song’s heart lies in its four recurring chords. We’ve captured that simplicity, making it accessible for beginners and seasoned players alike. Rhythmic Feel: The arrangement mirrors the guitar’s rhythmic vibe, emphasizing the left-hand bass part. Harmonic rhythm variations between sections add interest and progression. Violin/Fiddle Melody: The piano part weaves in the captivating violin/fiddle melody from the recording, elevating the overall experience. Difficulty Levels: Guitarists: Beginner-friendly, with the challenge of an F#m barre chord. Simplify further by using a regular E chord or employing a capo (we also have lead sheeat with a Guitar Chord Sheet you can also purchase). Vocalists: The melody’s modest range suits most voices. Transposition may be necessary for specific vocal registers. Pianists: Intermediate level—simple yet engaging accompaniment. Not recommended for absolute beginners. Who is this for? 1. Musicians and Singers: Solo Performers: Singer-songwriters, acoustic guitarists, and pianists looking for an engaging piece to perform. Small Ensembles: Duos or trios (vocals, guitar, and piano) seeking a fun addition to their repertoire. Educators and Students: Music Teachers: Ideal for teaching chord progressions, rhythm, and vocal expression. Classroom Settings: Suitable for music classes, workshops, or school performances. Content Creators: YouTube Channels: Musicians sharing covers or tutorials. Podcasts: Add a musical interlude or theme. Where you can use this: Open Mic Nights at Cafés or Bars: Perform “A Bar Song (Tipsy)” in an intimate setting, capturing the song’s laid-back vibe. Engage with the audience and encourage sing-alongs. Music Schools and Workshops: Use this arrangement as a teaching tool for chord transitions, strumming patterns, and vocal dynamics. Discuss the song’s structure and how it reflects the carefree spirit of a night out. House Concerts and Gatherings: Host a cozy gathering with friends and family. Invite a vocalist, guitarist, and pianist to collaborate on this arrangement. Online Platforms: Share a video performance on YouTube or social media. “Raise your glass to ‘A Bar Song (Tipsy)’! Explore our sheet music and bring this lively tune to life. Cheers!”

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.879209 Composed by Dennis Frayne. Arranged by Dennis Frayne. Concert,Patriotic,Standards,World. Score. 1 pages. Presto! It's Music Magic Publishing #6022149. Published by Presto! It's Music Magic Publishing (A0.879209). God Save the Queen is the national anthem of the United Kingdom, and a patriotic song or royal anthem for several other countries, including Canada and Australia. Also the melody for America (My Country Tis of Thee). Includes lyrics and solfege syllables.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1117739 Composed by William Bradbury, Jefferson Hascall. Arranged by Leonora Hardy. Christian,Country,Religious,Traditional. Score. 6 pages. Leonora Hardy #719286. Published by Leonora Hardy (A0.1117739). An easily learned arrangement for the pianist who wants to have a country-flavored style of music to accompany singing or as a piano solo. The melody is retained, as well as the traditional rhythm. Lyrics for the four verses is included as well as chords for guitar. An alternate accompaniment version is also included. The song was made famous in the movie O Brother, Where Art Thou. Countless artists have recorded it including Emmy Lou Harris, The Gaithers, The Isaacs, George Jones, Vestal Goodman, The Stanley Brothers, Johnny Cash, Charley Pride and Alison Krauss.

Small Ensemble Acoustic Guitar,Fiddle,Violin - Level 2 - Digital Download SKU: A0.764376 Arranged by Andrew Duncan. Christian,Country,Folk,Sacred. Score and parts. 4 pages. Andrew Duncan #5829109. Published by Andrew Duncan (A0.764376). This Appalachian-style duet for guitar and fiddle is fun to play and is a great instrumental selection for worship services or concerts. The guitar part is accessible for the beginning to intermediate guitarist, and the finger-picking is not difficult and can be omitted. The fiddle part does not require shifting. About 3:00-3:15 in length.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.

Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1250544 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by stefan-lamml.de. Country,Pop. Individual part. 4 pages. Stefan Lamml #844860. Published by Stefan Lamml (A0.1250544). A wonderful Arrangement for Tenor + Alto Saxophone. Suitable to the backingtrack and melodie performance by Sax master Stefan Lamml. hear the mp3 and have a look to the video !

Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.

Composed by Chris Hartway. Guitar Method. Ebook and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.30450BCDEB). - ebook and online audio - - Mel Bay Publications - Digital Sheet Music

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)