EUROPE
388 articles
USA
746 articles
DIGITAL
347 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
347 partitions trouvées

1 ....31 46 61 76 91 ....346

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1156076 By Eric Carmen. By Franke Previte and John DeNicola. Arranged by Ash. Film/TV,Pop,Singer/Songwriter. 10 pages. Music by Ash #756391. Published by Music by Ash (A0.1156076). A unique arrangement! This arrangement brings the song out of the 80's and into a darker, sexier light. A minor mode. A tango-like bridge. Big luscious harmonies. You've never heard Hungry Eyes like this before!General DetailsTTBB with piano only4 voice parts (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 3:30Vocal RangesT1: E3-F4T2: E3-F4B1: G2-E4B2: E4-E2Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com.
Hungry Eyes
Chorale TTBB
Eric Carmen
$2.25 1.9 € Chorale TTBB PDF SheetMusicPlus

Guitar,Recorder - Level 2 - Digital Download SKU: A0.1342168 By David Warin Solomons (guitar) and Vaul McNeilly (recorder). By Orlande De Lassus. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 90. David Warin Solomons #927690. Published by David Warin Solomons (A0.1342168). Arrangement for recorder and guitar of the choral setting by Orlando di Lasso of these words by Clément Marot:Mon cœur se recommande à vous,Tout plein d'ennui et de martyre;Au moins en dépit des jalouxFaites qu'adieu vous puisse dire!Ma bouche qui vous soulait rireEt conter propos gracieuxNe fait maintenant que maudireCeux qui m'ont banni de vos yeux.(My heart is offered still to youFull now of woe and deep despairing!Be not to constancy untrue;Say one farewell, my sorrow sharing!My mouth which once could smile in gladness,And charming stories improviseNow can only curse in its madnessThose who banished me from your eyes.)Performed by Vaul McNeilly (recorder) and David Warin Solomons (guitar).
Mon coeur se recommande à vous arranged for recorder and guitar (mp3)
David Warin Solomons (guitar) and Vaul McNeilly (recorder)
$4.50 3.81 € PDF SheetMusicPlus

Small Ensemble Alto Recorder,Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1514072 By David Warin Solomons (alto and guitar) and Nigel Tasane (a.k.a. Tasse) (recorder). By Nigel Tasane (a.k.a. Tasse) (recorder). Arranged by David Warin Solomons. 20th Century,Contemporary. 6 pages. David Warin Solomons #1088544. Published by David Warin Solomons (A0.1514072). Performed here by the composer (Nigel Tasane (a.k.a. Tasse) on alto recorder with David W Solomons on alto voice and guitarWhen you're goneMy room knows only silenceOnly the faint echo of your voiceOnly the remembered outline of your bodyLives on in that spaceThat space that held you and I*for such a precious timeyet quietly, when I close my eyesand give the room darknessyou linger on and on.(*Some may prefer to sing the more grammatical me, but this is how it was performed in 1987).The pdf file contains Score and Parts.
You Linger On (for alto voice, alto recorder and classical guitar)
David Warin Solomons (alto and guitar) and Nigel Tasane (a k
$10.00 8.46 € PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1347173 Composed by Socrates Arvanitakis. 21st Century. 69 pages. Socrates Arvanitakis #931967. Published by Socrates Arvanitakis (A0.1347173). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedLondon 2023Socrates ArvanitakisCONTENTS17  ΑΠΑÎΩ ΣΤΗΠΤΡΙΑÎΤΑΦΥΛΛΙΑ (On Top Of The Rose Bush)18  ΑΠΟ ΞΕÎΟΠΤΟΠΟ (From Foreign Parts)19  ΑΠΟ ΤΑ ΓΛΥΚΑ ΣΟΥ ΜΑΤΙΑ (From Your Sweet Eyes)20  ΑΠΟΚΡΙΑΤΙΚΟ (Carnival Song)21  ΑΡΚΑΔΙΑÎΗ  (The Arcadian Lass)22  ΑΣ ΠΑΠÎΑ ΔΟΥΠΤΑ ΜΑΤΙΑ ΜΟΥ (Let My Eyes Go And See)23  ΑΣΠΡΟ ΤΡΙΑÎΤΑΦΥΛΛΟ ΒΑΣΤΩ (I Hold A White Rose)24  ΑΣΤΡΟΦΕΓΓΙΑ (Starlight)25  ΑΧ, ÎΤΟΥÎΙΑ! (Ah, World!)26  ΒΑΓΓΕΛΙΩ Η (Vangelio)27  ΒΑΡΚΑ ΘΕΛΩ Î' ΑΡΜΑΤΩΣΩ (I want to rigg a boat)28  ΒΑΣΙΛΙΚΗ ΠΡΟΣΤΑΖΕΙ (The Musket Commands)29  ΒΑΣΙΛΩ Η (Vassilo)30  ΒΑΣΙΛΩ ΚΑΛΑΜΑΤΙΑÎΗ (Vassilo From Kalamata)31  ΒΙΟΛΕΤΑ ΑÎΘΙΣΜΕÎΗ (Violette In Blossom)32  ΒΛΑΧΟΘΑÎΑΣΩ Η (The Valachian Athanassia).
Duets For Violin & Violoncello 17-32 (vol.2)
Violon, Violoncelle (duo)

$20.00 16.91 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano

$32.95 27.86 € PDF SheetMusicPlus

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404). The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violín o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegría, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.
El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes

$4.99 4.22 € PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.789907 By The Platters. By Jerome Kern. Arranged by W. Brent Sawyer. Broadway,Musical/Show,Standards. Score and parts. 10 pages. Diamond S Music #3088055. Published by Diamond S Music (A0.789907). SMOKE GETS IN YOUR EYES - RHYTHM PACK ONLY (Piano, Guitar, Bass, Drum Set) only. This iconic song is from the Broadway Show and Film of Roberta. Because this beautiful poignant slow ballad arrangement of Jerome Kern' beloved song is restrained in simplicity and has great yearning, it will bring strong emotional reaction to the listener. FULL arrangement Scored for Vocal Solo and accompanied by Reed 1 (Flute, Alto Sax), Reed 2 (Clarinet, Alto Sax), Reed 3 (Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Trumpet 1 & 2, Trombone, Violin 1 & 2, Cello, Piano, Guitar, Bass, Drum Set, Percussion (Bells, Timpani). Your audience will be emotionally moved by this beautifully stunning arrangement. Begins in the key of Bb.
Smoke Gets In Your Eyes
The Platters
$22.99 19.44 € PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.1116537 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Daniel Lee Gibby. Contemporary,Pop,Rock,Standards,Wedding. Score. 7 pages. Daniel Lee Gibby #718188. Published by Daniel Lee Gibby (A0.1116537). Smoke Gets In Your Eyes by The Platters, Arranged by Daniel Lee Gibby for 3 to 7 octaves handbells. This hand bell setting is playable for 3 octave, 4 octave or 5+ octave handbell choirs. This arrangement is fairly true to the wonderful The Platters version of Smoke Gets In Your Eyes, while using unique articulation that only handbell choirs can accomplish, like singing bell, suspended mallet and mallet lift along with normal ringing and table mallets. To simplify the arrangement, the 'harp' 16th and 32nd note runs can be omitted. Level 4 to 4+.
Smoke Gets In Your Eyes
Cloches
The Platters
$3.95 3.34 € Cloches PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT:  Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra.  This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.   The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
All Time High
Orchestre
Rita Coolidge
$120.00 101.47 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy.  This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra.  In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
All Time High
Orchestre
Rita Coolidge
$120.00 101.47 € Orchestre PDF SheetMusicPlus


1 ....31 46 61 76 91 ....346




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2026

Accueil - Version intégrale