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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1415630 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 41 pages. Jmsgu3 #997346. Published by jmsgu3 (A0.1415630). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet - Score Only

$32.95 28.65 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1408827 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 28 pages. Jmsgu3 #991429. Published by jmsgu3 (A0.1408827). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones

$32.95 28.65 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1414824 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 30 pages. Jmsgu3 #996598. Published by jmsgu3 (A0.1414824). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 4, BWV 810, for Saxophone Quartet - Score Only

$32.95 28.65 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1411850 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 69 pages. Jmsgu3 #994079. Published by jmsgu3 (A0.1411850). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 2 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 46.04 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 63 pages. Jmsgu3 #996653. Published by jmsgu3 (A0.1414906). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 5, BWV 810, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 46.04 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415704 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 83 pages. Jmsgu3 #997410. Published by jmsgu3 (A0.1415704). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 46.04 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413891 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 62 pages. Jmsgu3 #995668. Published by jmsgu3 (A0.1413891). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character.  The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 46.04 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
The Dream Of Olwen
2 Guitares (duo)
Pamela Page
$4.99 4.34 € 2 Guitares (duo) PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1124591 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Opera,Pop,Standards. Score. 6 pages. Timothy Stapay #725332. Published by Timothy Stapay (A0.1124591). Summertime from 'Porgy and Bess' by Gershwin; as played by pianist Roger Williams. The original was written in 4/4 time or sometimes written in cut-time. This arrangement is unique in that it is written as a jazz waltz; which Gershwin would later play on various piano rolls. The Roger Williams performance; on which this arrangement is based; follows Gershwin's example. Summertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin. The song soon became a popular and much-recorded jazz standard, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century Roger Williams (born Louis Jacob Weertz; October 1, 1924 – October 8, 2011) was an American popular music pianist. Described by the Los Angeles Times as one of the most popular instrumentalists of the mid-20th century, and the rare instrumental pop artist to strike a lasting commercial chord, Williams had 22 hit singles–including the chart-topping Autumn Leaves in 1955 and Born Free in 1966–and 38 hit albums between 1955 and 1972. He was a Navy boxing champion, played for nine U.S. Presidential administrations, and had a gold Steinway & Sons grand piano model named in his honor.
Summertime
Piano seul

$8.99 7.82 € Piano seul PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March   Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score).  There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC.  The MP3 was recorded with NotePerformer 3.Grade = 3.5  Duration =.
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie

$30.00 26.09 € Orchestre d'harmonie PDF SheetMusicPlus

Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1036931 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Country,Patriotic,Pop,Praise & Worship. 2 scores. 17 pages. Nancy Frese Tabb #641924. Published by Nancy Frese Tabb (A0.1036931). This timely arrangement of God Bless the USA is a great addition to any patriotic gathering. This Clarinet duet also includes a piano accompaniment. This arrangement includes a master score as well as individual parts (1 Clarinet, 2 Clarinet, Piano). This piece can be performed in just a few rehearsals and is enhanced by a key change for the last refrain. This piece is perfect for a patriotic gathering, concert or church service.
God Bless The U.s.a.
2 Clarinettes (duo)
American Idol Finalists
$4.99 4.34 € 2 Clarinettes (duo) PDF SheetMusicPlus

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1038766 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Country,Patriotic,Pop,Praise & Worship. Score and parts. 17 pages. Nancy Frese Tabb #643744. Published by Nancy Frese Tabb (A0.1038766). This timely arrangement of God Bless the USA is a great addition to any patriotic gathering. This Flute and Violin duet also includes a piano accompaniment. This arrangement includes a master score as well as individual parts (Flute, Violin, Piano). This piece can be performed in just a few rehearsals and is enhanced by a key change for the last refrain. This piece is perfect for a patriotic gathering, concert or church service.
God Bless The U.s.a.
Flûte, Violon, Piano
American Idol Finalists
$4.99 4.34 € Flûte, Violon, Piano PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1038354 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Country,Patriotic,Pop,Praise & Worship. Score and parts. 17 pages. Nancy Frese Tabb #643301. Published by Nancy Frese Tabb (A0.1038354). This timely arrangement of God Bless the USA is a great addition to any patriotic gathering. This Clarinet and Cello duet also includes a piano accompaniment. This arrangement includes a master score as well as individual parts (Bb Clarinet, Cello, Piano). This piece can be performed in just a few rehearsals and is enhanced by a key change for the last refrain. This piece is perfect for a patriotic gathering, concert or church service.
God Bless The U.s.a.
American Idol Finalists
$4.99 4.34 € PDF SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1040924 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Contest,Country,Festival,Patriotic,Pop,Praise & Worship. Score and parts. 8 pages. Nancy Frese Tabb #645679. Published by Nancy Frese Tabb (A0.1040924). This timely arrangement of God Bless the USA is a great addition to any patriotic gathering. This Flute and Oboe duet also includes a piano accompaniment. This arrangement includes a master score as well as individual parts (Flute, Oboe, Piano). This piece can be performed in just a few rehearsals and is enhanced by a key change for the last refrain. This piece is perfect for a patriotic gathering, concert or church service.
God Bless The U.s.a.
Hautbois, Flûte
American Idol Finalists
$4.99 4.34 € Hautbois, Flûte PDF SheetMusicPlus

String Ensemble Cello - Level 5 - Digital Download SKU: A0.876552 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 13 pages. JoeCopio Music LLC #2101599. Published by JoeCopio Music LLC (A0.876552). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethovenâ??s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. Whatâ??s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethovenâ??s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethovenâ??s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Masterâ??s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethovenâ??s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the worldâ??s most valuable, breathtaking and beautiful music. In truth, Beethovenâ??s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethovenâ??s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of Godâ??s creation. What comes to mind immediately is Beethovenâ??s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of Godâ??s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 8
2 Violoncelles (duo)
Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethovenâ??s 9 Symphonies These duets are unique
$9.99 8.69 € 2 Violoncelles (duo) PDF SheetMusicPlus






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