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Brass Ensemble - Level 4 - Digital Download SKU: A0.870406 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 50 pages. Randy A. Steinberg #1998507. Published by Randy A. Steinberg (A0.870406). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 10 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with tuba. Another nice Gabrieli work that exploits the antiphonal effects of the 2 brass choirs.
Canzon XIV a 10 - No. 207
Ensemble de cuivres

$9.99 8.71 € Ensemble de cuivres PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.734766 Composed by Joseph Hasper. Jazz. Score and parts. 61 pages. Joseph Hasper #2907353. Published by Joseph Hasper (A0.734766). Turn up the heat with this funk groove and turn the rhythm section loose. Scored for trumpet, sax (tenor sax with alto sax substitute part), trombone, guitar, piano, bass and drums. The sax part is scored for tenor sax but includes an alto sax substitute, so you can use either horn without sacrificing a thing. The rhythm section calls for guitar, piano, bass, and drums. On the recording I only went through the solo section once (with a sax solo), but open solo space is cued for each instrument.Bringing the guitar player more into the forefront of the jazz combo is something I've been working on all year, starting with charts like M Groove where the chart calls for a rock 'n roll type guitar sound. Three Hundred Thousand Degrees extends that concept, giving the guitar some extra room to growl and contribute a nice crunch to the combo.Includes a full score and all parts. 61 pages (24 pages score, 37 pages parts). Open solo space cued in all instruments. Duration: 4’45 (without repeating solo section). .
Three Hundred Thousand Degrees (trumpet, sax, trombone)

$12.99 11.32 € PDF SheetMusicPlus

B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1382232 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #966763. Published by Arezzo Music (A0.1382232). O'carolan bridget cruise Clarinet and Cello sheet music  In this rendition of O'Carolan's Bridget Cruise tailored for Clarinet and Cello, the melodic grace of Turlough O'Carolan's original Irish composition is elegantly conveyed. The clarinet takes the forefront, presenting the folk-inspired tune with its melodious and warm timbre, while the cello, resonant and deep, provides a rich harmonic backdrop. The interplay between the two instruments creates a captivating synergy, blending the clarinet's agility and sweetness with the cello's profound and sustained notes. This arrangement is not only accessible to musicians of varying expertise but also preserves the emotive essence of the original piece, offering a delightful musical narrative infused with Irish charm.  o'carolan bridget cruise Clarinet and Cello sheet music 
o'carolan bridget cruise Clarinet and Cello sheet music
Clarinette, Violoncelle (duo)
Turlough O'carolan
$3.99 3.48 € Clarinette, Violoncelle (duo) PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1515591 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 69 pages. Kevin G. Pace #1089947. Published by Kevin G. Pace (A0.1515591). This collection of 11 sacred Christmas lullabies celebrates the mother Maryand the only-begotten Son, the Christ-Child, Jesus. As you listen to or singeach sacred message, try to imagine those long-ago days when Mary wasrocking her own first-born child. Each has a special message that bringsthe true meaning of Christmas into the forefront of our minds. As we tryto envision how Mary might have felt on that first Christmas, a sacredfeeling of awe and reverence becomes our gift as the spirit of love andpurpose helps to praise and honor Jesus and our Father in Heaven whosent this very Baby to suffer, bleed and die for us so we can be with Themagain.Titles:Born As God's BabyHush, Sweet BabyJesus, My BabyLittle Wonder Mary's Christmas LullabyMary's Cradle Song My Baby, God's Son My Lullaby of Love Precious Baby Rocking My Baby Singing My Baby to Sleep.
Sacred Christmas Lullabies for Vocal Solo
Piano, Voix et Guitare

$14.99 13.06 € Piano, Voix et Guitare PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1138463 By Dr. Dre. By Andre Romelle Young, Melvin Bradford, Scott Spencer, and Shawn Carter. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Hip-Hop,Pop,R & B. 18 pages. Sarah Cellobat Chaffee #738800. Published by Sarah Cellobat Chaffee (A0.1138463). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO* Released as the lead single from Dr. Dre's multi-platinum second studio album, Still D.R.E. was a massive hit that helped put the rapper at the forefront of the hip-hop scene. After going seven years without releasing an album, Dre wanted to make a statement, announcing to the world that he was back and better than ever -- and it's safe to say that his statement was a success! The song received widespread critical and audience acclaim, and it has been featured in multiple movies, TV shows, and video games; and with the recent resurgence of 90's nostalgia, it's been more of a popular request than ever. So make sure to add this one to your gig books! This Cellobat arrangement for your violin/viola/cello trio features the driving beat, classic hooks, and musically notated rap lines of the original for a chart that's sure to get your audience dancing! This was originally written for a wedding, but it will also be perfect for cocktail hour, receptions, parties, events, and more. Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Still D.r.e.
Trio à Cordes: violon, alto, violoncelle
Dr Dre
$14.99 13.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
Almost May for Piano Solo
Piano seul
Heidi Savoie
$3.99 3.48 € Piano seul PDF SheetMusicPlus

Viola Duet Viola - Level 3 - Digital Download SKU: A0.1450711 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Score. 3 pages. Rodrigo Faleiros #1029964. Published by Rodrigo Faleiros (A0.1450711). Dive into the baroque elegance of Johann Sebastian Bach’s “Menuet” with this charming arrangement for two violas. Drawn from the treasured notebooks of Anna Magdalena, this piece has been thoughtfully adapted for players with intermediate skills. The arrangement encourages a duet of violas to gracefully navigate the beloved melodies, offering a new take on a historic composition. Key Features: Intermediate Level: Tailored for players with intermediate abilities, this arrangement respects Bach’s original work while presenting an enjoyable challenge. Duet Arrangement: Crafted for two violas, this arrangement fosters a dynamic exchange between players, reflecting the sophistication of the baroque period. Ideal for recitals, teaching moments, or the sheer pleasure of playing Bach’s music, this arrangement brings the finesse of the baroque era to the forefront with each note. Experience the collaborative joy of this viola duet and let the legacy of Bach’s Menuet resonate through your performance. ???? Check out my other arrangements clicking here! ????
Menuet (for 2 violas) - from the notebooks for Anna Magdalena
2 Altos (duo)

$4.99 4.35 € 2 Altos (duo) PDF SheetMusicPlus

Xylophone Duet Xylophone - Level 3 - Digital Download SKU: A0.1450716 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. 3 pages. Rodrigo Faleiros #1029971. Published by Rodrigo Faleiros (A0.1450716). Dive into the baroque elegance of Johann Sebastian Bach’s “Menuet” with this charming arrangement for two xylophones. Drawn from the treasured notebooks of Anna Magdalena, this piece has been thoughtfully adapted for players with intermediate skills. The arrangement encourages a duet of xylophones to gracefully navigate the beloved melodies, offering a new take on a historic composition. Key Features: Intermediate Level: Tailored for players with intermediate abilities, this arrangement respects Bach’s original work while presenting an enjoyable challenge. Duet Arrangement: Crafted for two xylophones, this arrangement fosters a dynamic exchange between players, reflecting the sophistication of the baroque period. Chord Symbols: The inclusion of chord symbols provides a foundation for harmonic exploration and accompaniment, enriching the overall musical experience. Ideal for recitals, teaching moments, or the sheer pleasure of playing Bach’s music, this arrangement brings the finesse of the baroque era to the forefront with each note. Experience the collaborative joy of this xylophone duet and let the legacy of Bach’s Menuet resonate through your performance. ???? Check out my other arrangements clicking here! ????
Menuet (for 2 xylophones) - from the notebooks for Anna Magdalena

$4.99 4.35 € PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.870415 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 77 pages. Randy A. Steinberg #2040179. Published by Randy A. Steinberg (A0.870415). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a wonderful Canzona published around 1615 for 10 brass with substitute parts for trumpets and trombones. The 4th Trombone part can also be played with Tuba if so desired. A great representative work of Gabrieli’s, this piece presents a 1 bar dance-like rhythm that is repeated and underscored throughout. After many variations, a chanson-like dance theme can be heard followed by a final presentation of the original melody that heads to a grand conclusion. An impressive and fun work for almost any church or concert setting.
Canzon XV a 10 - No. 208
Ensemble de cuivres

$9.99 8.71 € Ensemble de cuivres PDF SheetMusicPlus


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