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1 ....151 166 181 196 211 ....301

Handbell - Digital Download

SKU: A0.862096

Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6099481. Published by Headless Mallets (A0.862096).

When Morning Dawns is an 8-Bell Handbell arrangement of the hymn tune CONSOLATION (sometimes alternately referenced as MORNING SONG) utilizing bells F#5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement builds in the anticipation of Advent with eighth note movement. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (spaces for the left hand and lines for the right hand) under the title When Morning Dawns (Alternate Key). Common hymn titles associated with this tune are: The King Shall Come When Morning Dawns, and O Holy City, Seen of John, and Song of Mary (Magnificat). Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing.

When Morning Dawns
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus

Handbell - Digital Download

SKU: A0.862100

Composed by Nikolaus Herman. Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6139849. Published by Headless Mallets (A0.862100).

A Glorious Light Have Seen is an 8-Bell handbell arrangement of the hymn tune LOBT GOTT, IHR CHRISTEN utilizing bells F5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This is a bright arrangement utilizing eighth notes for a festive sound. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title A Glorious Light Have Seen (Alternate Key). The hymn texts most commonly associated with this tune are: The People That in Darkness Sat (Epiphany), Let All Together Praise Our God (Christmas), and O Happy Day When We Shall Stand. All notes are rung and no tables are needed. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM028.

A Glorious Light Have Seen
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus

Handbell - Level 3 - Digital Download

SKU: A0.862113

Composed by William Owen. Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #6283161. Published by Headless Mallets (A0.862113).

The Sight is Glorious is an 8-Bell handbell arrangement of the Welsh hymn tune BRYN CALFARIA utilizing bells F#5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Ascension, this tune is often associated with the hymns Look Ye Saints, the Sight is Glorious and Lord, Enthroned in Heavenly Splendor. This arrangement is joyful with melodic ornamentation developing as the piece progresses. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title The Sight is Glorious (Alternate Key). All notes are rung and no tables are needed. 

Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM041.

The Sight Is Glorious
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus

Bass Guitar TAB - Level 3 - Digital Download

SKU: A0.1478341

By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1055722. Published by Tracy Dean McCallum (A0.1478341).

https://tracymccallum.com/

Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.
Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.
Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.
Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:

Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.
Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.
Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.
Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.

Larry Duncan Basse electrique
Tracy Dean McCallum
$5.55 5.05 € Basse electrique PDF SheetMusicPlus

Handbell - Digital Download

SKU: A0.862094

Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #5801709. Published by Headless Mallets (A0.862094).

God Loved The World So That He Gave (in Bb) is an 8-Bell handbell arrangement of the hymn tune ST CRISPIN utilizing bells F5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement utilizes a lot of step-wise movement and blending of sound. This arrangement allows a quartet to ring with standard position assignments (spaces LH and lines RH). An alternate key version is available under the title God Loved the World So That He Gave that uses bells G5-G6.

Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May not be duplicated for multiple groups. Headless Mallets Publishing HM022.

God Loved The World So That He Gave (in Bb)
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861960

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960).

Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-I

Wind Parts (score and parts available)

Music by Mark O’Connor

164 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

  

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre

$80.00 72.77 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861961

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961).

Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-P

Brass Parts (score and parts available)

Music by Mark O’Connor

162 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre

$80.00 72.77 € Orchestre PDF SheetMusicPlus

Handbell - Level 3 - Digital Download

SKU: A0.862116

Composed by William Owen. Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #6283179. Published by Headless Mallets (A0.862116).

The Sight is Glorious (Alternate Key) is an 8-Bell handbell arrangement of the Welsh hymn tune BRYN CALFARIA utilizing bells E5-F6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Ascension, this tune is often associated with the hymns Look Ye Saints, the Sight is Glorious and Lord, Enthroned in Heavenly Splendor. This arrangement is joyful with melodic ornamentation developing as the piece progresses.  This arrangement allows a quartet to ring with mostly standard position assignments (spaces in the left hand and lines in the right hand). An alternate key version is available under the title The Sight is Glorious that uses bells F#5-G6. All notes are rung and no tables are needed. 

Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM042.

The Sight Is Glorious (Alternate Key)
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861959

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959).

Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164A

Score (parts available)

Music by Mark O’Connor

86 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre

$40.00 36.38 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861963

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963).

Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-Z

String Parts (score and parts available)

Music by Mark O’Connor

163 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. 

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre

$80.00 72.77 € Orchestre PDF SheetMusicPlus

Handbell - Level 1 - Digital Download

SKU: A0.862115

Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #6283187. Published by Headless Mallets (A0.862115).

Baptized Into Your Name, Most Holy is an 8-Bell handbell arrangement of the hymn tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) utilizing bells G5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Baptism, this tune is often associated with the hymn texts Baptized Into Your Name, Most Holy and By Grace I’m Saved. This simple arrangement is a playful and joyful setting in 3/4. This arrangement is available in an alternate key for those who prefer to play the piece with a different option of handbell assignment positions in respect to spaces in the left hand and lines in the right hand under the title Baptized Inro Your Name, Most Holy (Alternate Key). All notes are rung and no tables are needed. 

Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM043.

Baptized Into Your Name, Most Holy
Cloches
Grace I’m Saved
This simple arrangement is a playful and joyful setting in 3/4
$7.00 6.37 € Cloches PDF SheetMusicPlus

Handbell - Digital Download

SKU: A0.862102

Arranged by Lauran Delancy. Christian,Easter,Sacred. Score. 4 pages. Headless Mallets #6189105. Published by Headless Mallets (A0.862102).

Stricken, Smitten and Afflicted is an 8-Bell handbell arrangement of the hymn tune O MEIN JESU, ICH MUSS STERBEN utilizing bells G5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Lent or Holy Week, this piece is contemplative handbell arrangement of the hymn centering on Isaiah 53:3-6.

This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title Stricken, Smitten and Afflicted (Alternate Key). This hymn tune is also paired with the text Spirit, Come, Dispel Our Sadness. All notes are rung and no tables are needed. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM030.

Stricken, Smitten and Afflicted
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus

Handbell - Digital Download

SKU: A0.862110

Composed by Johann Sebastian Bach. Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #6247535. Published by Headless Mallets (A0.862110).

How Good, Lord, To Be Here (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune POTSDAM utilizing bells F5-F6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Transfiguration, this piece utilizes triplets, eighth notes, and the swing technique to paint a sense of growing awe. This arrangement allows a quartet to ring with standard position assignments (spaces in the left hand and lines in the right hand). An alternate key version is available under the title How Good, Lord, To Be Here that uses bells G5-G6. All notes are rung and no tables are needed.

 

Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM035.

How Good, Lord, To Be Here (Alternate Key)
Cloches

$7.00 6.37 € Cloches PDF SheetMusicPlus


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