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Piano Solo - Digital Download SKU: A0.958735 Composed by Francisco Yoni y Edmundo Arias. Arranged by Juan Carlos Cortés A. Christmas,Concert,Latin,Standards,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6117911. Published by Juan Carlos Cortés Aguirre (A0.958735). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la grabación fonográfica original de: EDMUNDO ARIAS Y SU ORQUESTA, acompañando a la Argentina Lita Nelson en el porro: ALGO SE ME VA. Lita Nelson (MANUELITA FERNANDEZ NELSON), cantante argentina y quien se radicó en Colombia en el año de 1958, dando inicio a su carrera musical.- Edmundo Dante Arias Valencia (Tuluá, Valle del Cauca, 5 de diciembre de 1925 - Medellín, 28 de enero de 1993), hijo del compositor antioqueño Joaquín Arias, fue un multi-instrumentista y compositor de música colombiana --destacado en el género de la cumbia--, creador de piezas musicales, difundidas principalmente a través de su grupo musical, la Orquesta de Edmundo Arias. De 67 años de edad, falleció en el Hospital Universitario San Vicente de Paúl de la ciudad de Medellín, a causa de una uremia sobreviniente a un procedimiento de vesícula biliar.Francisco Yoni (Francisco Fortunato Silva) el autor de SON COSAS MÃAS, vino a Medellín en la década del 50, a fines de ella, y se acreditó como periodista. Mantuvo un gran programa tanguero en la Voz de Antioquia y dentro de él una sección que bautizó El Tango Poemizado. Se trataba de versos suyos sobre un conocido tango. Esa sección gustó mucho y circula un LP con doce temas de Yoni en esa tónica.Algo Se Me VaPorro Son por: Francisco Yoni y Edmundo AriasINTRODUCCIÓN:Cuando tú me besas algo se me va,Se me va la fuerza de la voluntad,Cuando tú me besas algo se me va,Se me va la fuerza de la voluntad.Me tiemblan las piernas, quedo sin razón,Es inexplicable toda esta emoción,Me da un cosquilleo y lo siento aquí,Me da un cosquilleo y lo siento acá.Ay papi, no beses así,Tengo, suficiente ya,Basta, basta de una vez,Ay mira, me voy a caer.Mami, yo soy muy feliz,Mira, besándote así,Mami, yo soy muy feliz,Mira, besándote así.Papi, no beses así,Tengo, suficiente ya,Basta, basta de una vez,Ay mira, me voy a caer.INTERLUDIO:Cuando tú me besas algo se me va,Se me va la fuerza de la voluntad,Cuando tú me besas algo se me va,Se me va la fuerza de la voluntad.Me tiemblan las piernas, quedo sin razón,Es inexplicable toda esta emoción,Me da un cosquilleo y lo siento aquí,Me da un cosquilleo y lo siento acá.Ay papi, no beses así,Tengo, suficiente ya,Basta, basta de una vez,Ay mira, me voy a caer.Mami, yo soy muy feliz,Mira, besándote así,Mami, yo soy muy feliz,Mira, besándote así.Papi, no beses así,Tengo, suficiente ya,Basta, basta de una vez,Ay mira, me voy a caer.CODA.
Algo se me va. Porro Son por Francisco Yoni y Edmundo Arias Piano seul

$7.99 6.88 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.784701 Composed by Sebastian Temple. Arranged by P. F. Tillen. Contemporary. Score. 2 pages. PFTMusic #6076913. Published by PFTMusic (A0.784701). Make Me a Channel of Your Peace (The Prayer of St. Francis), in a lovely arrangement for solo piano. Simple, elegant, and gentle, the melody of this beloved hymn is highlighted with lush chords and a flowing eighth note accompaniment. You may want to use this in church around the feast of Francis of Asissi, October 4. Suitable for an ambitious intermediate or advanced player, this arrangement can be used for worship or recital. Please check for more piano music, sacred and secular choral and vocal selections, here and at pftmusic.com.
Make Me A Channel Of Your Peace (prayer Of St. Francis) Piano seul

$6.99 6.02 € Piano seul PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1243909 Composed by Francis Cunningham Woods (1862-1929). Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship. 19 pages. Andrew Lamb #838881. Published by Andrew Lamb (A0.1243909). This arrangement of 'Allegretto' by Francis Cunningham Woods for Brass quintet is a captivating musical piece that will enchant both performers and listeners alike. Perfect for a variety of occasions, this arrangement serves as an ideal introductory voluntary, setting the tone with its charming melodies and dynamic harmonies. Immerse yourself in the rich brass textures and experience the timeless beauty of 'Allegretto' in a new and captivating way with this captivating quintet arrangement.
Allegretto (by Francis Cunningham Woods, arr. Brass Quintet) Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$7.00 6.03 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
Missa Millennia in Honor of St. Francis (SATB) Chorale SATB

$10.00 8.61 € Chorale SATB PDF SheetMusicPlus






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