Level 3-4 - Digital Download SKU: HX.429094 By Aretha Franklin. Arranged by Paul Murtha. This edition: scorch. Pop,Rock,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.429094).

Level 3-4 - Digital Download SKU: HX.429098 By Aretha Franklin. Arranged by Paul Murtha. This edition: scorch. Pop,Rock,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.429098).

Large Ensemble Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1145517 By Blood Sweat and Tears. By Berry Gordy Jr., Brenda Holloway, Frank E. Wilson, and Patrice Holloway. Arranged by Joseph Pugh. Pop,Rock. Score and parts. 22 pages. Joseph Pugh #745758. Published by Joseph Pugh (A0.1145517). You've Made Me So Very Happy is a song written by Brenda Holloway, Patrice Holloway, Frank Wilson and Berry Gordy, and was released first as a single in 1967 by Brenda Holloway on the Tamla label. The song was later a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, and became a Gold record. This is an Octet arrangement by Joseph of that hit.

By Edwin Franko Goldman (1878-1956). Arranged by Calvin Custer. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music

By Edwin Franko Goldman (1878-1956). Arranged by Calvin Custer. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8080-E Composed by Frank Ferko. Funeral. 9 pages. Duration 3 minutes, 36 seconds. E. C. Schirmer Music Company - Digital #8080-E. Published by E. C. Schirmer Music Company - Digital (MQ.8080-E). French.Composed at the request of the choral ensemble Sospiri, the work is in three short movements:I. La Grace ExiléeII. Les Feux du BivouacIII. L'Adieu du CavalierThe 1915 texts are by the French poet Guillaume Apollinaire. Since he served in the French military, his poetry on the aspects of life in time of war is from first-hand experience. Graceful, charming, and varied, the music paints the text with elegance. A memorable concert piece for an a cappella SATB ensemble. Duration: 3:36.

SATB choir, optional keyboard - Medium - Digital Download SKU: MQ.8001-E Composed by Frank Pesci. 8 pages. E. C. Schirmer Music Company - Digital #8001-E. Published by E. C. Schirmer Music Company - Digital (MQ.8001-E). English.

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8152-E Composed by Frank Ferko. Easter, Good Shepherd Sunday. 11 pages. E. C. Schirmer Music Company - Digital #8152-E. Published by E. C. Schirmer Music Company - Digital (MQ.8152-E). English. Revelation 7:17.

SATB choir - Digital Download SKU: MQ.4994-E Composed by Frank Ferko. 10 pages. E. C. Schirmer Music Company - Digital #4994-E. Published by E. C. Schirmer Music Company - Digital (MQ.4994-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.

SATB Choir divisi - Digital Download SKU: MQ.4996-E Composed by Frank Ferko. Easter, Building Dedication. 10 pages. E. C. Schirmer Music Company - Digital #4996-E. Published by E. C. Schirmer Music Company - Digital (MQ.4996-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.

SATB Choir divisi - Digital Download SKU: MQ.4990-E Composed by Frank Ferko. Christmas. 9 pages. E. C. Schirmer Music Company - Digital #4990-E. Published by E. C. Schirmer Music Company - Digital (MQ.4990-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.

SATB choir and organ - Medium - Digital Download SKU: MQ.8213-E Composed by Frank Pesci. Mother, 21st Century. 12 pages. Duration 4 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #8213-E. Published by E. C. Schirmer Music Company - Digital (MQ.8213-E). English. Proverbs 31:25-30.Featuring a text from Proverbs 31:25–30, She That Feareth the Lord is a lyrical setting extolling the virtues of being a woman who is faithful to God. Useful for any service highlighting the role of women in the church and in our lives (Mother's Day, etc.). Duration: 4:50.

Choir and various instruments - Digital Download SKU: MQ.8559B-E Composed by Frank Ferko. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8559B-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559B-E). UPC: 600313600593.

SATB choir, organ - Digital Download SKU: MQ.4917-E Composed by Frank Ferko. Thanksgiving. 11 pages. E. C. Schirmer Music Company - Digital #4917-E. Published by E. C. Schirmer Music Company - Digital (MQ.4917-E). Psalms 9.

Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E Composed by James McCullough. Advanced/Collegiate. African American Heritage. Octavo. 8 pages. Duration 3 minutes, 9 seconds. E. C. Schirmer Music Company - Digital #8084-E. Published by E. C. Schirmer Music Company - Digital (MQ.8084-E). English. Psalms 35.Plead My Cause, O Lord was composed for my brother, Robert Louis McCullough, in 1971. It received its first performance by the Old South Church Choir, Copley Square, in Boston, during the Sunday Morning Service of March 7, 1972. Mr. Alfred Nash Patterson was the conductor, and the composer was the tenor soloist. Many other performances followed. A memorable one was given by The Marsh Chapel Choir of Boston University on Sunday, March 21, 1993. Julian James Wachner was the conductor and Frank Martinez was the tenor soloist. This piece uses the sprechstimme (or sprechgesang) technique appearing within an unaccompanied sacred work. This technique employs speech and singing without any specific pitch intonation. The first example of this technique appears in Pierrot Lunaire, the groundbreaking 1912 composition by Arnold Schoenberg (1874–1951). -James McCulloughDuration: 3:09.