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Large Ensemble Flute,Oboe,Piano Accompaniment,Soprano Recorder,Tenor Recorder,Violin - Level 1 - Digital Download SKU: A0.842570 Composed by Antonio Vivaldi, CLARKE, Christoph Willibald Von Gluck, Francesco Onofrio Manfredini, Franz Joseph Haydn, Henry Purcell, Johann Sebastian Bach, Ludwig van Beethoven, Luigi Boccherini, and Wolfgang Amadeus Mozart. Arranged by B.Brennan. Baroque,Classical,Concert,Romantic Period,Standards. Score and parts. 47 pages. Bl_music #6610035. Published by bl_music (A0.842570). Classical Music For Recorders in CThis is a collection of favourite pieces from the Baroque, Classical and Romantique era. Arranged for slightly advanced beginners. Highly suitable for school concerts, performances at private events or just for fun (and/or busking?).Trumpet Tune                                 Henry Purcell (1659 – 1695)Minuetto                                          Luigi Boccherini (1743 – 1805) Menuett                                           J.S. Bach (1685 – 1750) Air                                                   J.S. Bach (1685 – 1750) Ecossaise                                       Ludwig van  Beethoven (1770 – 1827) Trumpet Voluntary                         Jeremiah Clarke (1674 – 1707) Dance of the Blessed Spirits         C. W. Gluck (1714 – 1787) Ave Verum                                     W.A. Mozart (1756 – 1791) Le Quattro Stagioni                       Antonio Vivaldi (1678 – 1741) - Primavera - Primavera Siciliana - Summer - Autumn - Winter Pastorale Siciliana                        Francesco Manfredini (1688 – 1740) Serenade                                      Joseph Haydn (1732 – 1809)
Classical Music For Recorder in C

$17.99 15.34 € PDF SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-32394 By Franz Joseph Haydn and quoting from Wolfgang Amadeus Mozart's Alleluia. Arranged by David Williams. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Classical; Easter; Sacred; Spring. Part(s). 30 pages. H. W. Gray #00-32394. Published by H. W. Gray (JX.00-32394). English. Words by Christopher Wordsworth; Joseph Barlowe.In this festive Easter anthem, David E. Williams combines both Haydn's beloved hymn tune Austria and portions of Mozart's Alleluia. The effect is thrilling. Optional brass sextet (3/3) and tympani make this anthem one that, though not difficult, will stay with choir and congregation long after the Alleluia! has faded.
Canticle for Easter
Franz Joseph Haydn and quoting from Wolfgang Amadeus Mozart's Alleluia Arranged by David Williams
$30.00 25.58 € PDF SheetMusicPlus

Level 3 - Digital Download SKU: A0.1141686 Composed by Franz Joseph Haydn. Arranged by Nelson Ramos. Classical. 22 pages. Published / Arranged by Nelson Ramos #742049. Published by Published / Arranged by Nelson Ramos (A0.1141686). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.Contact me for the parts PDF, and having been shown proof of acquisition, I will gladly send them.I adapted/arranged this Piano Concerto, by Franz Haydn, for a Mixed Ensemble, with Piano Solo, constituted by Organ, Piano, Soprano and Alto Saxophone, Flute, Clarinet in Bb, Trombone and French Horn, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes. If required, separate parts can be sent via email, if shown purchase proof.
Piano Concerto in D – Hoboken XVIII/11, Rondo all'Ungarese - Score Only

$20.00 17.06 € PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph Haydn. Arranged by F Matthews. Classical. Score and part. 3 pages. Atlas Nash #3663237. Published by Atlas Nash (A0.1031107). This is a lively arrangement of the Allegro theme taken from the 1st movement of Haydn's Symphony No. 104 - one of Haydn's London symphonies. The allegro is arranged here for flute and piano, but can easily be played on violin or other instruments suited to the range. The range of the flute part is from C-sharp5 (octave above middle C), to a high E (E6) - a range that would approximately suite a flautist at Grade 3 level - upper end of easy/beginner. The piano accompaniment has been arranged to be at the higher end of easy - with some more complex elements including octave and running quaver passages. Dynamics and articulation have been added in as a guide only. This download includes a score and separate flute part. The original work was written in 1795 while Haydn was living in London and was premiered to great acclaim. It remains a popular choice today for concerts around the world. This arrangement could work nicely alongside an arrangement of the second movement - or as part of a medley of short pieces in a concert. The expected duration of the piece is likely to be between 1.5 to 2 minutes long, though the arrangement can be played at a tempo suiting the individual performer. Some professional performances of this work would be more in the range of one minute only! I hope you enjoy this arrangement and I'd welcome any feedback by email to franmatt100@gmail.com. 
Symphony No. 104 - Allegro from the 1st movement
Flûte traversière et Piano

$1.99 1.7 € Flûte traversière et Piano PDF SheetMusicPlus

Acoustic Guitar,Flute,Viola - Level 3 - Digital Download SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stokes #906057. Published by Nick Stokes (A0.1317395). This arrangement is of a light 2 movement piano trio by Haydn. It goes for about 10 to 15 minutes (depending on if you do repeats). It has a number of delightful and catchy tunes and has plenty of energy in the presto movement.   It is for what I think is the best combination of instruments involving guitar in chamber music - flute , viola & guitar. the level of difficulty is probably in that order too , with the flute doing the lion’s share of the tunes, the viola doing a fair amount of double stops and some secondary tunes and the guitar not too hard but involving some grand barres and half barres and requires tuning the low string down to Eb.  This version has a many tone colours to explore and is very light in the bass which I find makes for a sparkling sound . All the players are busy and get to have solos, which is sometimes a complaint of cellists playing Haydn piano trios where the requirement at the time seemed to be to make the music work with or without the cello being there.   I hope other guitarists and amateur musicians find it fun and worthwhile putting the time in to learn and perform it. I feel the best of Haydn will never sound old and the basic structure is so solid that it has been used for centuries since he was alive and creating. Maybe this arrangement will allow a fresh listen to this particular piece.
Trio for flute, viola and classical guitar (arrangement of XV:10)

$10.00 8.53 € PDF SheetMusicPlus

Cello Duet Cello - Level 5 - Digital Download SKU: A0.1242950 Composed by F. Grutzmacher, Franz Joseph Haydn, Georg Mertens,, J. Duport, M Monn, M. Bruch, O.Sevcik, Traditional Japanese, and W.H. Squire. Arranged by Georg Mertens. Chamber,Classical,Instructional. Score. 42 pages. Georg Mertens #838001. Published by Georg Mertens (A0.1242950). Volume 6 - of My Cello Method - introduces Thumb Position, Treble clef, octave paralells and artificial harmonics. On 41 pages (No 131 to 143) the cello player will be guided by photos and pinpointed exercises in preparation to pieces of concert performance.The music chosen are:No. 132  Grutzmacher - Study No 1No. 133  Japanese Trad. MokkoNo. 135  W.H. Squire - TarantellaNo. 136  M. Monn - Cello Concerto G minor, 1st mov.No. 137  Mertens & Sevcik StudiesNo 138/9 Octave parallels & artificial HarmonicsNo 140  Frere Jacques in artificial HarmonicsNo 141  J. Duport Study No 6 (Berteau)No 142  J. Haydn - D maj Cello Concerto, 2nd mov (Cadenza Mertens)No 143  M. Bruch - Kol NidreiEvery piece comes with a link to:an online video lesson on patreon & a Cello Duo recording on youtube.(links interactive on tablet, phone, computer)The 6 Volumes of My CELLO METHOD: from Twinkle, twinkle to Haydn Cello Concerto.Volume 1     - 1st Position unextendedVolume 2    - The Extensions in 1st Position ( b & # )Volume 3    - Half, 2nd, 3rd & 4th Positions Volume 4    - Gems from the vast repertoire of cello music within Positions 1 - 4Volume 5     - Mastering Positions 5 - 7                                  Volume 6     - The Thumb Position & Treble Clef 
"My CELLO METHOD" Volume 6 - Thumb Position & Treble Clef
2 Violoncelles (duo)

$13.99 11.93 € 2 Violoncelles (duo) PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Orchestre d'harmonie

$45.00 38.38 € Orchestre d'harmonie PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harpe et Piano

$40.00 34.11 € Harpe et Piano PDF SheetMusicPlus






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