SKU: A0.847041

This arrangement was intended for a local Youth Orchestra, but keeps quite faithfully to the original spirit. Haydn's original parts can be added if required, as it is in the same key and time. The original oboe part is divided between the clarinets and flute. The upper bassoon part has been put on the clarinet and the trumpet changed to a Bflat instrument. The string parts are more challenging but all should be playable for an intermediate/upper intermediate group.

SKU: A0.1164761

This is taken from the popular theme from Haydn's Surprise Symphony!

I have added a piano part.

Download include the score and both of the parts.

SKU: A0.657680

Haydn-Piano Sonata in Bâ™­ major, Hob.XVI.2(Piano).

SKU: A0.657693

Haydn-Piano Sonata in D major, Hob.XVI.4(Piano).

SKU: A0.657681

Haydn-Piano Sonata in Bâ™­ major,Hob.XVI.18(Piano).

SKU: A0.1164777

This is taken from the popular theme from Haydn's Surprise Symphony!

This mostly in first position but could be useful for practice moving down the string to higher positions.

Download include the score and both of the parts.

SKU: A0.540591

Haydn wrote many trios for baryton, viola and cello. Employed by the Esterhazy family in the 1760’s, he was encouraged to compose chamber music  that included baryton, Prince Nikolaus’s instrument. This is an arrangement of one of his charming, spirited trios, for three violins.

SKU: A0.552721

Haydn wrote many trios for baryton, viola and cello. Employed by the Esterhazy family in the 1760’s, he was encouraged to compose chamber music that included baryton, Prince Nikolaus’s instrument. This is an arrangement of one of his charming, spirited trios, for two violins and viola. All three movements are included.

SKU: A0.1278281

Opus/Catalog Number: Hob. XVI:4, movement 2
Key/Tone: D Major
Movements/Sections: 2/2 Menuet - Trio
Year/Date of Composition: 1765?
Difficulty: Grade 6/12 (Intermediate)
Obs.: This sonata, also called Divertimento, was originally composed for the harpsichord, but it can be played on the piano.
This score contains suggestions for playing the turns, trills and appoggiaturas in accordance with the performance practice of the Classical period.
Trills, turns and appoggiaturas begin ON the beat, and trills begin on the upper auxiliary note.
Haydn advices that, when employed with a dotted note, the turn shall stand over the dot. Leaving some space between the note and the dot will make this clear.
This arrangement contains only the second movement of this Sonata, you can order the first movement separately or all movements in one piece.