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Piano Solo - Level 2 - Digital Download SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Tero. Christian,Holiday,Religious,Sacred,Traditional. Score. 29 pages. Amanda Tero #957915. Published by Amanda Tero (A0.1373611). Do you need Valentine's Hymns for church services in February? These 5 hymns cover God's love to us, Jesus's love to us, and our love to Him.Written in the key of C, these 5 early intermediate piano solos have simple patterns that are easy for the intermediate pianist to sightread.These early intermediate hymn solos are equivalent to most Level 2 and 3 curricula.Ideal for church services (especially in February), Valentine’s banquets, conferences, recitals, and more!Arranged to be simple yet tasteful in style.Here is all the information you’ll need to decide if this collection of early intermediate sheet music is the level you’re looking for:·         All in the Key of C (What Wondrous Love is This? is in A Dorian—no accidentals in key signature)·         No key changes·         Basic format: intro, verse/chorus, interlude, verse/chorus, ending·         2 verses each·         Single-note melody in the right hand (brief LH melody in The Love of God)·         Mostly broken 5ths and triads in the left hand·         Repetitive patterns for easy learning·         Similar chords between verses·         Note reading up to 2 ledger lines·         Rhythm not faster than eighth notes·         Just 1 page turn each (exception: Oh, How I Love Jesus has 2) Jesus Loves Me is an old favorite, often seen as a “children’s song.” However, the words to this hymn of love are just as important for adults as for children. While a simple arrangement, this is not a childish sounding arrangement.·         Features an “echo” melody written 8va·         Left hand in treble clef for portions·         Ends with hand crossing My Jesus, I Love Thee begins unexpectedly with colorful chords that finally release tension into a calm first verse. There are slight jazz textures in this arrangement but also classical elements with scales and Alberti bass.·         Rich chord textures (just a hint of jazz/dissonance)·         Accidentals·         Right hand scales (ascending & descending) Oh, How I Love Jesus is a cheerful arrangement with just a hint of cinematic-style melodies. The chords are very similar between verse 1 and 2 in this arrangement, making it especially easy for the pianist to learn.·         6/8 meter·         Cinematic elements·         Chords repeat: open 5ths and 6ths or filled in triads/chords The Love of God starts with left hand melody, making this different from all the other arrangements. The goal is for this to be a seamless melody transition between the hands while the non-melody hand supports at a slightly lower volume.·         Left hand melody for part·         Right hand chords for part·         Left hand repeats in different octaves for broader sound What Wondrous Love is This? is a haunting conclusion to the collection. It is predominantly arranged with open 5ths in the left hand and repeating patterns in the right hand. It ends with slow, four-note chords that are very hymn-like.·         A Dorian mode·         Very easy left hand (repeating open 5ths)·         Sounds harder than it really is.
5 Valentine's Hymns - Boundless Love
Piano seul

$14.99 12.88 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1509089 By MRK Studio & Publisher. By Pietro A. Yon. Arranged by Mikhail Rimsky-Korsakov. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 28 pages. MRK Studio #1084340. Published by MRK Studio (A0.1509089). Ges Bambino is an Italian Christmas carol composed by Pietro Yon in 1917. The melody was used by Frederick H. Martens in his English language carol When Please Blossoms Flowered 'mid the Snows. The melody and lyrics of the chorus are derived from the chorus of Adeste Fideles (O Come All Ye Faithful).Read more: https://en.wikipedia.org/wiki/Ges%C3%B9_bambinoThis song was commissioned by a South African Baritone Soloist to be performed by a Tenor, Baritone Soloists, Glockenspiel, Violin & Piano. All parts are included in the sale.My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. So, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire at: mikhailrimskykorsakov@gmail.com for Arrangements / Composition or Publishing requests.
Gesù Bambino
MRK Studio & Publisher
$7.00 6.01 € PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1024376 Composed by Christian Moehrle, H. Owen Reed, and Winifred Lee Brent Lyster. Arranged by Christian Moehrle. Children,Christmas,Contemporary,Folk. Score and parts. 29 pages. Christian Frederick Moehrle #5001315. Published by Christian Frederick Moehrle (A0.1024376). Another selection from my Steam Locomotive Songbook, this ballad was meant to musically describe the official state steam locomotive of Michigan, the Pere Marquette #1225, which is owned and operated by the Steam Railroading Institute in Owosso, MI. Most people should recognize this easily, as it starred as the titular train in the 2004 animated movie The Polar Express, starring Tom Hanks. And seeing that the #1225 is the real-life version of said Christmas train, that runs holiday-themed excursions based upon the original Chris Van Allsburg story, I'd thought it is appropriate to give it a Christmas theme. Again, much of this is my own work, although it also recycles material from the official Michigan State University Alma Mater, MSU Shadows, and the traditional German Hymn turned official Michigan State Song O Tannebaum/Michigan my Michigan. With all that being said, I also do not own the Pere Marquette railroad. 
Pere Marquette #1225, Op. 2
Orchestre

$7.65 6.57 € Orchestre PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre Cordes

$9.99 8.58 € Orchestre Cordes PDF SheetMusicPlus


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