Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone - Early Intermediate - Digital Download SKU: A0.510115 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 29 pages. Published by Andrea La Rose (A0.510115). • Melody and four-part harmony parts for bass clef instruments: bassoon, trombone, euphonium, cello, bass.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!

Large Ensemble Alto Recorder,Baritone Recorder,Flute,Oboe,Soprano Recorder,Tenor Recorder,Viola,Violin - Level 2 - Digital Download SKU: A0.510112 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 77 pages. Andrea La Rose #5742127. Published by Andrea La Rose (A0.510112). • Melody and four-part harmony parts for C instruments: recorder, flute, oboe, violin, viola, or mallets.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Early Intermediate - Digital Download SKU: A0.510113 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 90 pages. Published by Andrea La Rose (A0.510113). • Melody and four-part harmony parts for Bb instruments: clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.

Viola Duet Viola - Level 5 - Digital Download SKU: A0.1372266 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956545. Published by Sophia Mackson (A0.1372266). This work for two violas features soaring melodic lines and moments of fast paced demisemiquavers. It is ideal for advanced players who would like to add a piece that is very unique to their repetoire or program. A foreword from the composer:“First and foremost, this work is dedicated to Kristen Scott. It stands as a reminder of a lifelong friendship, and how strong that friendship is. Thank you for supporting me and being so wonderful.This work I began writing in May of this year, and initially it was just an improvisation for one viola. I had then realised after trying to write for Solo Viola how difficult it was, since it is such a unique instrument. I wanted to make the most of the technical and musical capabilities of the instrument, so I added another Viola. With that addition, each motif seemed to make more sense and the music just flowed. Centre is based on the concept of centring oneself, but also the beauty in being surrounded by motion; by seeing things happening around you and being able to observe. Just being allowed to exist, in a way.I’ve always been inspired by Australian composers, especially since I have been lucky enough to be surrounded by their music at different points in my life. My teacher Patricia Pollett, has been actively involved in advocating for Australian composition for the viola, including commissions, recording and performances. So, being able to take my work to our lessons was hugely thought provoking and inspiring. The insights she gave helped to access more depth and meaning within the work.� - Sophia Mackson.

Cello Duet Cello - Level 3 - Digital Download SKU: A0.1039439 Composed by Georg Goltermann. Arranged by Aaron Sinnett. Baroque,Children,Classical,Instructional,Traditional. Score. 7 pages. Aaron Sinnett #644417. Published by Aaron Sinnett (A0.1039439). The Nocturne in D minor was originally composed for Cello solo and Piano accompaniment. This Cello Duet arrangement distills the piano part down to one line in cello 2. It is not as sparse as you might think. Take a listen to the duet version excerpt by me, the arranger, and hear for yourself. It has a satisfying simplicity, yet coaxes warm sonority from only two cellos. I hope you will enjoy this duet. This arrangement is part of a larger project. Its aim is to reduce pieces written for cello and piano to cello duet. I have played many works with piano, which were great experiences, thinking how great they would sound as cello duets. Once you begin playing music as cello duets you will be enamored with the homogeneous and resonant sounds emanating from your two instruments (you and your friend, that is). Or, perhaps you would like to make a duet video with yourself and post it on social media like in the video linked here, which is done with the original instrumentation, Cello and piano.

Full Orchestra - Level 5 - Digital Download SKU: A0.1251990 Composed by Claude Debussy. Arranged by Arianna Cunningham. Classical,Romantic Period. 51 pages. Arianna Cunningham #846171. Published by Arianna Cunningham (A0.1251990). Recently, my piano teacher recommended me to learn Clair de Lune sometime, after she demonstrated it to me during one of my lessons. I couldn't get this beautiful romantic-like piece out of my head, so I've decided to make an orchestra arrangement.Not only I'm sharing this arrangement vfor you all, but I'm also gathering a few of my friends to make a more live version, hence most of them are multi-instrumentalists and can cover most of the parts available.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1182550 By Kai (Kevin) Gilbert. By Kai (Kevin) Gilbert. Arranged by Jay Jordan. Jazz,Pop,Rock,Singer/Songwriter. Score and Parts. 67 pages. Pro Creations Music #782250. Published by Pro Creations Music (A0.1182550). Originally written by Grammy award winner Kevin Gilbert (Toy Matinee, Tuesday Night Music Club, and the solo records Thud, and Shaming of the True), Simpler Times was part of an unreleased collection of 1985 recordings by Kevin under the title Decent Exposure. During a period when Kevin was going by the name of Kai Gilbert he wrote, produced, and played all the instruments on three separate albums that have recently been formally released as part of the boxed set Call Me Kai.  Kevin was a music student of mine at Serra high School in San Mateo, CA (yes, the same high school attended by Tom Brady) and remained a dear friend until his untimely passing in 1996 at the young age of 29. The Kevin Gilbert Estate, under the name GPP, serves as manager for all of Kevin's intellectual property and they have granted me permission to create this arrangement for jazz band and pursue its publication. Unlike the original dance-oriented track, I've reimagined Simpler Times as a medium tempo, straight 8th rock ballad featuring alto sax.

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47102 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of parts. Downloadable, set of parts. Duration 16 minutes. Schott Music - Digital #Q47102. Published by Schott Music - Digital (S9.Q47102). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell).

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).

Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068914 Composed by Lars Ek. Folk,World. Full Performance. Duration 199. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924321. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068914). This album that you hold in your hand is a continuation of the idea of using acoustic instruments (accordion, guitar and bass) try to convey such an authentic sound reproduction possible. Very helpful techniques have Gert Palmcrantz been through that he, in his special way emphasizes the instruments lifelike sounds. Friends Bengt Sjöberg and Karl Erik Holmgren has meant a lot to me. They have made recordings and tours in Scandinavia for many years. During this time we have become a close-knit bunch, which we all contribute to the result. With the hope of a nice music time! Greetings Lars Ek.

Accordion,Guitar,Voice - Digital Download SKU: A0.1068919 Composed by Lars Ek. Folk,World. Full Performance. Duration 187. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924337. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068919). This album that you hold in your hand is a continuation of the idea of using acoustic instruments (accordion, guitar and bass) try to convey such an authentic sound reproduction possible. Very helpful techniques have Gert Palmcrantz been through that he, in his special way emphasizes the instruments lifelike sounds. Friends Bengt Sjöberg and Karl Erik Holmgren has meant a lot to me. They have made recordings and tours in Scandinavia for many years. During this time we have become a close-knit bunch, which we all contribute to the result. With the hope of a nice music time! Greetings Lars Ek 1983.