Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000302 Composed by Michael John LaChisua. Standard. 11 pages. Alfred Music - Digital Sheet Music #00-XS-0000302. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000302). ISBN 9780739074046. UPC: 038081403380.This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Mirac.

Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223613 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 16 pages. Regis Bookshar #819762. Published by Regis Bookshar (A0.1223613). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, as is associated with varioous attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from the Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and a Timpani. There is a version without the Timpani, if you would prefer. The parts may be doubled if needed. Included are a score and a complete set of parts (16 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composotion. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1167260 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fabio Eduardo de Oliveira. Pop,Wedding. Individual part. 2 pages. Fabio Eduardo #767638. Published by Fabio Eduardo (A0.1167260). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadFrom This Moment On is a song by Canadian singer Shania Twain. It was released as the fourth single from her third studio album, Come On Over (1997). The song was written by Twain, with additional production and songwriting by Robert John Mutt Lange. Twain has performed From This Moment On on every one of her tours. Both a duet with Bryan White as well as a solo version were released.

Flute Solo - Level 1 - Digital Download SKU: A0.1167266 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fabio Eduardo de Oliveira. Pop,Wedding. Individual part. 2 pages. Fabio Eduardo #767643. Published by Fabio Eduardo (A0.1167266). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadFrom This Moment On is a song by Canadian singer Shania Twain. It was released as the fourth single from her third studio album, Come On Over (1997). The song was written by Twain, with additional production and songwriting by Robert John Mutt Lange. Twain has performed From This Moment On on every one of her tours. Both a duet with Bryan White as well as a solo version were released.

Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.

Concert Band - Digital Download SKU: AX.00-PC-0014388_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Peter Ilyich Tchaikovsky. Arranged by Michael Story. Classical. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014388_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014388_WPTN1BC). UPC: 038081380490.Peter Ilyich Tchaikovsky composed the ballet The Nutcracker in 1891--1892. Based on Alexandre Dumas' adaptation of E. T. A. Hoffmann's story, The Nutcracker and the Mouse King. Before the premiere, Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, Op. 71a, which became an immediate success and contains some of the most recognizable and best-loved holiday music. Scenes from The Nutcracker contains four numbers from Tchaikovsky's The Nutcracker Suite, Op. 71a.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492165 Composed by Franz Joseph Haydn. Arranged by Kan Saito / Japan Duo Notes. 19th Century,Classical,Film/TV,Holiday,Opera. Score. 12 pages. Japan Duo Notes #1068837. Published by Japan Duo Notes (A0.1492165). Title: Andante from Symphony No. 101 The Clock by Joseph Haydn – Flute Duet ArrangementDescription:Elevate your flute duet repertoire with this elegant arrangement of the Andante from Joseph Haydn’s Symphony No. 101, famously known as The Clock. Renowned for its charming and rhythmic motifs that resemble the ticking of a clock, this movement exemplifies Haydn's mastery of melodic development and orchestral texture. Adapted for two flutes, this version captures the grace and intricacy of the original, offering flutists a refined and engaging piece suitable for various performance settings.Key Features:Composer: Joseph HaydnArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 6 pages, 3 pages for each part The Andante from Symphony No. 101 is characterized by its gently swinging rhythms and lyrical melodies, which are beautifully rendered in this flute duet arrangement. This adaptation provides flutists with an opportunity to explore Haydn’s distinctive style and the intricate interplay between the two flute parts, making it an excellent choice for chamber music concerts and educational settings.Why Choose This Arrangement?Classic Haydn Elegance: Experience the refined and rhythmic charm of Haydn’s Andante, now arranged for a sophisticated flute duet.Intermediate Level: Perfect for flutists seeking a piece that combines musical elegance with moderate technical demands.Versatile Performance Piece: Ideal for recitals, educational performances, and chamber music ensembles where classical grace and precision are desired.Keywords: Andante flute duet, Haydn Symphony No. 101 flute arrangement, The Clock flute music, classical flute duet, intermediate flute music, elegant flute performance, chamber music for flute, Haydn Andante flute.

Easy Piano - Digital Download SKU: AX.00-PS-0015938 By Ed Sheeran. Arranged by Dan Coates. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015938. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015938). ISBN 9781470614669. UPC: 038081480572.With The Hobbit: The Desolation of Smaug, audiences worldwide were transported back to Middle-earth for more thrills and adventure. 12 pieces from Howard Shore's brilliant score have been arranged for Easy Piano. Pianists will have both classic and new themes from the epic journey right at their fingertips as they play. In addition to the piano arrangements, this beautifully produced souvenir folio features an array of colorful photos from the film. Titles: Erebor * Bree * Beorn * Bard, A Man of Lake-town * Bard and Family * Lake-town * Girion, Lord of Dale * Lake-town Bard * House of Durin * Smaug * I See Fire * Beyond the Forest.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

French Horn,Piano - Level 3 - Digital Download SKU: A0.549834 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3553495. Published by jmsgu3 (A0.549834). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.  

Concert Band - Digital Download SKU: AX.00-PC-0002313_WPTBETC (wp) E-flat Tuba T.C.. Composed by James Horner and John Dyke. Arranged by Ralph Ford. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002313_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002313_WPTBETC). UPC: 654979196549.From the smash box office hit, this arrangement of James Horner's Coming Home from the Sea combined with the regal Navy Hymn from the final scene of the movie is certain to be an awe-inspiring addition to your program. Scored at the concert band level, this arrangement is attainable by both high school and advanced middle school bands. Highly recommended!

Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Easy Piano - Digital Download SKU: AX.00-PS-0015928 Composed by Howard Shore. Arranged by Dan Coates. Classical. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015928. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015928). ISBN 9781470614669. UPC: 038081480572.With The Hobbit: The Desolation of Smaug, audiences worldwide were transported back to Middle-earth for more thrills and adventure. 12 pieces from Howard Shore's brilliant score have been arranged for Easy Piano. Pianists will have both classic and new themes from the epic journey right at their fingertips as they play. In addition to the piano arrangements, this beautifully produced souvenir folio features an array of colorful photos from the film. Titles: Erebor * Bree * Beorn * Bard, A Man of Lake-town * Bard and Family * Lake-town * Girion, Lord of Dale * Lake-town Bard * House of Durin * Smaug * I See Fire * Beyond the Forest.

Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.866329 Composed by Tim J Spencer. Musical/Show. 6 pages. Tim J Spencer/Green Panda Music #44885. Published by Tim J Spencer/Green Panda Music (A0.866329). 'Always through Always' is a song taken from the musical Berlin by UK Songwriter and musicals creator Tim J Spencer. The story of the show revolves around the times of the Berlin Wall from 1961 until 1989. In this song Gustav has just made it to the West but in the process his friend Beppo has been shot dead and his wife, Elin, who was making her way separately has not arrived. He sings of the longing to see them again and whether it was all worth it. The song is for a male tenor voice (the MP3 is the composer's voice and only there as a demo to show you how the song goes). This song is taken from the 'Tim Spencer Songbook'.