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Concert Band - Level 4 - Digital Download SKU: A0.1011734 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449671. Published by Peter's Publishing House (A0.1011734). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.The 1st Tenor Trombone Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty.
Themes from the Beach 1st Tenor Trombone
Orchestre d'harmonie

$3.99 3.41 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.868696 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 7 pages. Really Good Music, LLC. #4403482. Published by Really Good Music, LLC. (A0.868696). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (D#4 – F5) for low voice. .
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", arranged for Voice and Pian
Chorale 3 parties

$5.95 5.08 € Chorale 3 parties PDF SheetMusicPlus

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.839068 Composed by Edvard Grieg. Arranged by Jeremy Crosmer. Children,Romantic Period. 2 scores. 29 pages. Jeremy Crosmer #6047581. Published by Jeremy Crosmer (A0.839068). Three excerpts from the incidental music Peer Gynt by Edvard Grieg (1843-1907), arranged for duo as part of the Music for Health Project. 1. Morning Mood 2. Anitra's Dance 3. In the Hall of the Mountain King   Music for Health duets were designed to be performed in hospital lobbies, cancer centers, and in assisting licensed Music Therapists in neuro-rehab centers. They are short and recognizable, and have a lot of character. For a complete list of arrangements, visit jeremycrosmer.com   This version is for Clarinet (Bb or A) / Clarinet (Bb, A or Bass) duet. Versions are also available for: Violin/CelloViola/Viola Oboe/Bassoon Flute/Double Bass Versions are interchangeable: e.g. Flute/Cello duets will work.   Jeremy Crosmer is a cellist with the Detroit Symphony Orchestra. He has degrees in Cello, Composition, Music Theory Pedagogy and Mathematics, and received his DMA from the University of Michigan in 2012.
Grieg: "Morning Mood, Anitra's Dance, and In the Hall of the Mountain King" from Peer Gynt - Music f
2 Clarinettes (duo)

$4.99 4.26 € 2 Clarinettes (duo) PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581898 Composed by Peter Ilyich Tchaikovsky. Arranged by John Gibson. Romantic Period. 89 pages. JB Linear #3109195. Published by JB Linear (A0.581898). Tchaikovsky - March from the third movement of Symphony #6 (Pathetique) set for large clarinet choir Tchaikovsky certainly knew how to compose a stirring march. Look no further than The Nutcracker or Marche Slav and there is another sparkling march. His symphonies have them, too. Symphony 6 presents a fine march, begun by the clarinets that also shows off classic Tchaikovsky excitement.This setting for large clarinet choir by John Gibson runs about 8 minutes in length and requires some almost virtuoso playing from just about everyone. It is set for Eb Clarinet, Bb Clarinet 1-4, Alto Clarinet (with an alternate Bass part), Bass Clarinet, BBb/EEb Contra Clarinets.You may watch a You Tube video of the score at https://youtu.be/fbnJpBFzB8I .
March from Symphony #6 (Pathetique) for Clarinet Choir
Ensemble de Clarinettes

$22.00 18.78 € Ensemble de Clarinettes PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.   Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.13 € Saxophone Baryton, Piano PDF SheetMusicPlus

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108140 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710763. Published by Regis Bookshar (A0.1108140). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$28.00 23.9 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Instrumental Duet Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.839069 Composed by Edvard Grieg. Arranged by Jeremy Crosmer. Children,Romantic Period. Score and parts. 18 pages. Jeremy Crosmer #6047583. Published by Jeremy Crosmer (A0.839069). Three excerpts from the incidental music Peer Gynt by Edvard Grieg (1843-1907), arranged for duo as part of the Music for Health Project. 1. Morning Mood 2. Anitra's Dance 3. In the Hall of the Mountain King   Music for Health duets were designed to be performed in hospital lobbies, cancer centers, and in assisting licensed Music Therapists in neuro-rehab centers. They are short and recognizable, and have a lot of character. For a complete list of arrangements, visit jeremycrosmer.com   This version is for Flute/Double Bass duet. Versions are also available for: Violin/CelloViola/Viola Oboe/Bassoon Clarinet/Clarinet (or Bass Cl.) Versions are interchangeable: e.g. Flute/Cello duets will work.   Jeremy Crosmer is a cellist with the Detroit Symphony Orchestra. He has degrees in Cello, Composition, Music Theory Pedagogy and Mathematics, and received his DMA from the University of Michigan in 2012.
Grieg: "Morning Mood, Anitra's Dance, and In the Hall of the Mountain King" from Peer Gynt - Music f
Flûte, Contrebasse (duo)

$4.99 4.26 € Flûte, Contrebasse (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
2 Bassons (duo)

$32.95 28.13 € 2 Bassons (duo) PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    Register for free lifetime revisions and updates at www.jamesguthrie.co.
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano

$24.95 21.3 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.784818 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 22 pages. DF McCorkle Music and eBook Publications #11645. Published by DF McCorkle Music and eBook Publications (A0.784818). ACT ONE: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:5-6 - After that you shall come to the hill of God, where the garrison of the Philistines is located; and it shall come to pass, when you have come thither to the city, that you shalt meet a band of prophets coming down from the high place with harp, and frame-drum, and reed-pipe, and lyre, before them; and they will be prophesying. 6 And the spirit of Yahveh will come mightily upon you, and you shall prophesy with them, and shall be turned into another man.] As SAUL departs, SAMUEL tells him that he will meet a band of PROPHETS and be ‘changed into a different man’ by the encounter [Dance of the Prophets – Instrumental and Dance]. As foretold, SAUL meets up with the PROPHETS and is swept up in their ecstasy. Exhausted from the experience, he collapses into the back of a baggage cart that is heading back into town with a passing caravan of merchants. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
Dance of the Prophets (Instrumental) from "The Kings" - ACT 1:Song 5
Piano seul

$2.99 2.55 € Piano seul PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015918_H2 2nd F Horn. Composed by Maurice Ravel. Arranged by Brian Beck. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015918_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015918_H2). UPC: 038081449654.From Ravel's Mother Goose Suite, this piece tells the tale of a Chinese princess falling under a curse that transforms her into an ugly little girl. Laideronnette exiles herself from her family and land but is rescued by a green serpent. As their love grows for one another, the curse is lifted, and they live happily ever after on the island of the Pagodas. (3:30) This title is available in SmartMusic.Concert/Contest; Festival.
Laideronnette: Impératrice des Pagodes (from Ma mère l'oye ): 2nd F Horn
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1396899 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Early Music,Wedding. Score and part. 4 pages. Benzaiten Editions #980243. Published by Benzaiten Editions (A0.1396899). Hey there, fellow musician! Ready to master Johann Sebastian Bach's timeless Air in G String? Unlock the magic with our french horn & piano sheet music edition! 🎵 JS Bach • Air on the G String from Suite No. 3 BWV 1068 | french horn & piano sheet music   Benzaiten Editions' edition By purchasing our edition, You'll be able to download: Full score (french horn and piano accompaniment) French Horn part sheet music Key: C major Key: C major   About the song Air on the G String by J.S. Bach is a serene masterpiece from his Orchestral Suite No. 3 in D Major. Its gentle melody has made it a timeless favorite, epitomizing the elegance and charm of Baroque music. As a beloved choice for wedding ceremonies, its tranquil notes evoke an atmosphere of grace and romance.
JS Bach • Air on the G String from Suite No. 3 BWV 1068 | french horn & piano sheet music
Cor et Piano
purchasing our edition, You'll be able to download:

  • Full score (french horn and piano accompaniment)
  • French Horn part sheet music


Key: C major


Key: C major

 

About the song

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868971 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709677. Published by Really Good Music, LLC. (A0.868971). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (C#4 – G5) for low voice.
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", arranged for Voice and Pia
Voix Alto, Piano

$5.95 5.08 € Voix Alto, Piano PDF SheetMusicPlus






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