Piano Solo - Level 2 - Digital Download SKU: A0.1400457 By Future. By Aubrey Graham, Darius Hill, Mathias Daniel Liyew, Nayvadius Wilburn, Ozan Yidirim, and Ozan Yildirim. Arranged by Future. Multicultural,World. Score. 2 pages. Mr. Lu Lai #983651. Published by Mr. Lu Lai (A0.1400457). Life Is Good Piano score.

Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.510161 Composed by words and music by Glyn Lehmann. Graduation,Pop,R & B. Octavo. 9 pages. Glyn Lehmann #3507841. Published by Glyn Lehmann (A0.510161). A song to celebrate school graduation. Suitable for elementary, junior, primary, middle, senior and secondary graduations. A celebration of the successes, struggles and friendships of the school years - with hopes for a bright future!May be sung in unison, 2 or 3 parts.In a modern gospel/soul feel, sure to move the hearts and minds of both singers and audience.Gonna Shine Our Light (Graduation Song)Words and music by Glyn LehmannCHORUSWe’re moving on now The time is right We’re gonna shine Shine our light Learning from experience Living for today Looking to the futureEach in our own wayVERSE 1We’ve come a long way you and meSince we first learned our ABCThink of all the changes we’ve been throughThe good times and the badAll the memories we have VERSE 2There’s something we all want to sayTo those who’ve helped along the way We’re so glad you came into our lives So thanks for being thereFor your friendship and your careCHORUSBRIDGESometimes it seems we lose our wayNot sure which way to turn There’s so much more to learnAnd every day new challenges we faceAnd through it all we grow We’re here to let you knowCHORUSrepeat VERSE 1CHORUSOUTROWe’re gonna shine, shineShine our lightWe’re gonna make it, make itMake it bright We’re gonna shine, shineShine our lightWe’re gonna make it, make itMake it bright Â© 2014 Glyn Lehmann. All rights reserved. 

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1091764 By John Botts. By John Botts. Arranged by John Botts. Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 6 pages. John A. Botts #695919. Published by John A. Botts (A0.1091764). This anthem is a plea for the Holy Spirit to prepare the way before us as we Christians move forward in the uncertainties and opportunities of the future. This work was prompted by the emergence of the Global Methodist Church being formed by some congregations disaffiliating from the United Methodist Church. Yet, the call for guidance from the Holy Spirit can apply to any Christian congregation or organization having a desire to be guided by the Holy Spirit into the future. The lyrics provide a vision for church renewal.

Concert Band - Level 4 - Digital Download SKU: A0.886109 Composed by Jason McChristian. Contemporary. Score and parts. 193 pages. Jason Gary McChristian #238155. Published by Jason Gary McChristian (A0.886109). ​ In May 2015, a solar sail was launched into space by the publicly funded organization The Planetary Society. The construction of the sail consisted of a box the size of a loaf of bread (known as a CubeSat), metal booms, and four incredibly thin triangular Mylar sails. The vehicle was propelled by light from the Sun and in future projects; the sail would continue to gain momentum, ultimately accelerating to high speeds, allowing for travel along limitless distances. ​ Luminous Travels - The Journey of LightSail-A tells the account of this space-faring vessel in four major musical scenes. The first scene, UNFOLDING, features a lyrical melody first heard on the solo trombone then carried off by of the ensemble. The second scene, COMPUTING, depicts the inner-workings of the CubeSat. This new theme is rhythmic and aggressive, suggesting the hazards to come. The third scene, BLACKOUT, represents the communication blackouts that occurred during the flight that left the project in peril. This scene marks the cadenza of the work and depicts the lonely and frigid environment of space. Eventually, the unease is assuaged bringing hope back to the project. With a new sense of optimism, the final scene, ACCELERATING, represents the increase in speed that will occur in future solar sail space projects. The music from the earlier sections returns and changes, and as the music presses forward; the solo trombone rises into its highest register at breakneck speed as the solar sail crosses along infinite space. ​ The piece is dedicated to Keith Hunter, who has been a champion of my music and for whom Luminous Travels is dedicated. ​.

Level 2 - Digital Download SKU: A0.1029730 Composed by Focus Solomon. Arranged by Focus Solomon. Praise & Worship,Sacred,Spiritual. 2 pages. Focus Solomon #5361227. Published by Focus Solomon (A0.1029730). The song is mainly for those who knows and understand that their future, tomorrow and all that they will ever be is in the hands of God. how do you then know how to, or how secured your future is? That you will discover in the song. The song is composed under the auspices of Focus on Music Concept which is a subsidiary of Focus Universal Concept. May God keep you secured.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloise�, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                                                     Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.

Cello,Piano - Digital Download SKU: A0.883503 Composed by Robert Burns and Joseph Taffs. Arranged by Garry Anderson. Celtic,Folk,World. Score and part. 2 pages. Garry Anderson #3213489. Published by Garry Anderson (A0.883503). Written in 1794 by Robert Burns, whose goal was to preserve traditional Scottish songs for the future. The song describes love that is both fresh and long lasting. This simple arrangement is for cello and piano. It has been kept simple, much like Burn's aim, to keep traditional Scottish music simple and alive for future generations. .

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1012157 Composed by Carter Bashor. New Age. Score and parts. 6 pages. Carter Dillon Bashor #4280875. Published by Carter Dillon Bashor (A0.1012157). Hello!  I am a hopeful future composer, and I have worked very hard on getting this piece to come together.  If anyone would like to submit a recording of this piece in the future, please send it to Dogton6@gmail.com.  Thanks, and I hope you enjoy!

Alto Saxophone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Horn,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1454789 By Future Of The Purple. By Alexander Kresovich, Brendon Urie, Jacob Sinclair, Samuel Hollander, and Suzanne Shinn. Arranged by David Whitaker. Pop. 16 pages. David Whitaker #1033859. Published by David Whitaker (A0.1454789). King of the Clouds by Panic! At the Disco ft. Future of hte Purple. Parts included: Lead (Tenor), Lead (Baritone), Alto Sax, Tenor Sax, Horn in F, Trumpet in Bb, Trombone, Violin (2), Viola, Cello, String Bass, Electric Guitar (2), Bass Guitar, Piano (Organ), Hand Clap, and Drumset.This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our Youtube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!

Marching Band - Level 4 - Digital Download SKU: A0.1277231 By Future. By Kendrick Lamar Duckworth, Leland Wayne, Nayvadius Wilburn, and Tommy Butler. Arranged by Nick Dakis. 21st Century,Hip-Hop,Instructional,Multicultural,R & B,World. Score and Parts. 9 pages. Nick Dakis #868927. Published by Nick Dakis (A0.1277231). Flute, Drumline, and Choir collaboration arrangement by Nick Dakis, inspired by Mask Off By Future.

Brass Ensemble - Level 4 - Digital Download SKU: A0.973052 Composed by Francis Kayali. Concert,Graduation,Holiday,Wedding. Score and parts. 45 pages. Francis Kayali #6353591. Published by Francis Kayali (A0.973052). Vers l’avenir (French for Toward the Future) was a commission from Saint Anselm College (Manchester, New Hampshire) for the inauguration of its tenth president. The title, which echoed the college’s recently-announced Faith in the Future campaign, announces the mood of the piece: energetic, festive, with open and bold harmonies, but also incorporating more lyrical, reflective sections. I rarely set out to emulate a particular composer, but familiar voices or sounds do often emerge. To me, this piece has echoes of Giovanni Gabrieli, Leoš Jana�ček, Maurice Ravel, Igor Stravinsky , Eric Ewazen, and Sonny Rollins, among others.