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3, 4, or 5 octaves handbells - Level 3 - Digital Download

SKU: C7.CGB852

Composed by Sondra K. Tucker. Arranged by Sondra K. Tucker. Epiphany. Score. 8 pages. Chorister's Guild - Digital #CGB852. Published by Chorister's Guild - Digital (C7.CGB852).

UPC: 749193020098.

The purpose of the Starting Point collection is to offer simple music to young or beginning musicians that will foster success and provide the building blocks to future ringing experiences through repetition, the limited use of techniques, and no page turns. The nine pieces in this collection range in difficulty from level 1- through 1+ and include selections from folk, classical, sacred and original repertoire. They are ideal for use in school, sacred, or festival settings. Some of the pieces have optional repeats to use as length of performance permits or as the director sees fit. Titles include: Down to the River to Pray, We Shall Overcome, Scarborough Fair and Rhapsody on a Theme of Paganini. * Contents: Reverie; Quietude; Trumpet Voluntary; Down to the River to Pray; Scarborough Fair; We Shall Overcome; Waltz in C; Nocturne; Rhapsody on a Theme of Paganini * Tunes: PRINCE OF DENMARK'S MARCH: SCARBOROUGH FAIR; African American spiritual; Frederic Chopin; Sergei Rachmaninoff; Traditional; Original.

We Three Kings
Cloches

$4.50 4.29 € Cloches PDF SheetMusicPlus

Oboe,Piano - Level 4 - Digital Download

SKU: A0.1178852

Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 72 pages. Austin Ralphson #778821. Published by Austin Ralphson (A0.1178852).

This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:

1. Nessun Dorma (Puccini)
2. Vocalise (Rachmaninoff)
3. The Swan (Saint-Saens)
4. Gymnopédie No.1 (Satie)
5. Träumerei (R. Schumann)
6. The Girl With The Flaxen Hair (Debussy)
7. Gnossienne No. 1 (Satie)
8. Sonata No.8 Pathetique, 2nd movement (Beethoven)
9. Clair De Lune (Debussy)
10. Largo from 'Xerxes' (Handel)

Free backing tracks are provided for each piece; these can be heard by visiting
https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.

COMPLETE Book of 10 Beautiful Oboe Solos for Fun - various levels with FREE BACKING TRACKS Hautbois, Piano (duo)

$14.99 14.28 € Hautbois, Piano (duo) PDF SheetMusicPlus

Small Ensemble French Horn,Piano - Level 3 - Digital Download

SKU: A0.564366

Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Score and part. 9 pages. Austin Ralphson #6516575. Published by Austin Ralphson (A0.564366).

This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds. Please note that the horn part is written in treble clef (in F) as would be expected.


Please also have a look at the 5 other pieces in this Christmas series, or purchase the whole collection of 6 pieces in one handy book at a reduced price! Simply search 'Solos for fun' on my publisher page.
God Rest Ye Merry Gentlemen for horn solo - with FREE BACKING TRACK and piano play along

$2.99 2.85 € PDF SheetMusicPlus

Cello - Digital Download

SKU: A0.1103915

By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 195. David Warin Solomons #707199. Published by David Warin Solomons (A0.1103915).

Composed originally as a vocal duo as I walked one day from Denning Point in the East End of London to sing at a service at St Michael's Cornhill around 1986, this version can be played on various instruments but preferably duos of the same instrument or at least instruments of the same range. The words of the original vocal duo are: I heard a happy song on a lonely city street; but it was a song of the past. It was a song from the days when the street was a meadow path; it was a song when the flowers on the window boxes had grass for company. It was a song when the Cathedral could be seen above the rooftops. I heard a happy song on a lonely city street; but it was a song from the future: song from the days when the street will dance with children It was a song when the flowers in the window boxes will learn to sing. It was a song when the rooftops won't be seen above the clouds. I heard a happy song on a lonely city street; and it is a song of now But it is a song I will sing from the rooftops to entrance the clouds. Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.

Rooftops for 2 cellos (mp3)
Violoncelle
Ölveti Mátyás and Mády-Szabó Eszter
$5.00 4.76 € Violoncelle PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download

SKU: A0.813836

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.

Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$15.00 14.29 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.738138

Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138).

A song about loss of love and the devastation it causes to our lives.
Lyrics:

1.       

My roots once clung to the earth,

The wind is calm the river still.

As if nothing else survives.

My world is empty, am I alive?

From my limbs a fruit was plucked,

Within its sheath my heart was tucked.

Its seeds contained my unknown future,

Inside a flesh so sweet and pure.

2.

Would my seeds find a place to fall?

Nice fertile ground so they'd grow tall.

Or would they find some barren ground.

Where no love or nurture can be found?

Without the fruit my limbs were bare.

An old tree nearby just stood and stared.

Why should it stop and help the tree

Who let its fruit be taken from thee.

3.

About the charmer who took the fruit?

Should he help to make them grow?

Instead he walked right off the land.

With barely a wave of his hand.

He bit the apple as he walked away.

Enjoying its flesh but did not stay.

No care at all for the damage he’d done

He took the heart from his loved one.

 

4.

So grow another fruit you say.

And yes that would be the logical way.

But some trees grow abundant fruit.

Small and nice without dispute.

Others instead grow one to perfection.

Round and sweet, on close inspection.

But once it’s gone then that is all.

Then no more shall ever fall.

 

5.

I sit here on the barren hill,

The wind is calm the river still.

As if nothing else survives.

The world is empty no soul survives.

 

 


I Sit Here On The Barren Hill
Piano, Voix

$4.99 4.75 € Piano, Voix PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download

SKU: A0.550481

Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641527. Published by jmsgu3 (A0.550481).

Sonata da Chiesa No. 4 in Bb Major for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.

Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.

Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.

Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.

Vivaldi: Sonata No. 4 for Soprano Sax & Piano
Saxophone Soprano et Piano

$32.95 31.4 € Saxophone Soprano et Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.1017072

Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072).

At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future.


Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.


Tombland Fanfare
Orchestre

$35.00 33.35 € Orchestre PDF SheetMusicPlus






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