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Flute Solo - Level 2 - Digital Download SKU: A0.964350 Composed by Ludwig van Beethoven. Arranged by Anderson Leal. Instructional,Romantic Period,Standards,World. Individual part. 8 pages. Leyandder Trustworthy #6231121. Published by Leyandder Trustworthy (A0.964350). The present collection was the result of research and dedication, in order to analyze and select well known and well executed works, for this instrument (flute), unfortunately, it was necessary to leave some better known works out of the collection, such as: Septet in E flat, Opus 20, and the themes of the Opera Fidelio, Opus 72b, as soon as, these are not so favorable for execution on wind instruments, as well as they are of high difficulty.The purpose of this work is for beginners and interediate practitioners on wind instruments, and it can be used effectively by teachers and musical educators who need a material of easy accessibility, as well as good reading and interpretation quality. This material also has the aid of a cipher to be used in accompaniment of a harmonic instrument, because there is not always the availability of a professional pianist to accompany the student. In view of the above-mentioned considerations, I conclude by saying that the inspiration for the fabrication of this work is due to the reality observed in many music schools that are in a precarious state, not only of musical instruments or basic teaching materials, but also the lack of good quality musical editions accessible to educators and students, so that they have access to the great works making our musical future guaranteed of good musical quality and accessible to all.FOR ELISE; WoO 59MINUET IN G MAJOR; WoO 10/2ODE TO JOY; Opus 125CONCERTO IMPERATOR; Opus 73SYMPHONY NO. 5 THEME; Opus 67TURKISH MARCH; Opus 113MOONIGHT SONATA; Opus 27SONATINA; Ahn. 5SYMPHONY NO. 7 THEME; Opus 92 VIOLIN CONCERTO; Opus 61
10 tunes for FLUTE of Beethoven
Flûte traversière

$6.99 6.01 € Flûte traversière PDF SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
Ensemble de Violons

$15.00 12.9 € Ensemble de Violons PDF SheetMusicPlus

Two-part chorus - intermediate - Digital Download SKU: C7.CGE244 General. Sing! With Descant. Octavo. 12 pages. Chorister's Guild - Digital #CGE244. Published by Chorister's Guild - Digital (C7.CGE244). UPC: 749193027462.An absolutely stunning setting of the reverent Israeli folk song which translates: Help us to return to you, God, then truly we will return. Make new our days as in the past. A soloist or unison choir initially states the melody followed by beautiful homophonic writing which frames the next section performed in a round. A contemplative, gorgeous ending of amens concludes this moving work about hope for the future and restoring faith. It is equally appropriate for concert or church use, and a pronunciation guide and translation are included for the Hebrew text.
Hashivenu
Chorale 2 parties

$2.45 2.11 € Chorale 2 parties PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3.01 € Flute (partie séparée) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1347261 By Jennifer Oleksy. By Lowell Mason. Arranged by Jennifer Oleksy. Christian,Christmas,Holiday,Praise & Worship,Religious. Score. 4 pages. Jennifer Oleksy #931742. Published by Jennifer Oleksy (A0.1347261). This intermediate/ advanced arrangement of Joy to the World intersperses original melody with the classic Christmas hymn.  It is meant to set the scene of a dark, anxious, and weary world desperate for the arrival of a Savior.  The original melody builds from sadness to hope, and at that moment the beautiful chords of Joy to the World begin, like the light of Christ's arrival breaking onto a dreary world.To me, Joy to the World perfectly reflects both the sentiments of Christ's birth AND His second coming - I wanted this arrangement to be relevant to people now.  So many of us are desperate for the saving, the peace, and the healing that only He can give.  The world feels dark and scary, represented by music mixed throughout the piece, but Christ's coming truly brings joy to the world - magnificent, majestic, and genuine joy.  It did then, it does now, and it will in the future.  This arrangement combines a sense of the world's darkness with the sense of Christ's triumph.  It is complex and majestic in parts, but sweet and simple in others.  And after a grandiose climax, the simple ending is meant to bring us back to where it all began - in the humble setting of a stable in Bethlehem.
Joy to the World
Piano seul
Jennifer Oleksy
$4.99 4.29 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370211 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954486. Published by Rodrigo Faleiros (A0.1370211). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of G Major: The arrangement is thoughtfully crafted in the key of G major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in G major
Piano, Voix

$2.99 2.57 € Piano, Voix PDF SheetMusicPlus

Chuck Berry : Retour vers le futur - Johnny B. Goode (niveau facile, piano solo)
Piano seul
Téléchargez la partition Piano Retour vers le futur - Johnny B. Goode (niveau facile, pian…
5.99 € Piano seul PDF Tomplay

Chuck Berry : Retour vers le futur - Johnny B. Goode (niveau facile, avec orchestre)
Piano seul
Téléchargez la partition Piano Retour vers le futur - Johnny B. Goode (niveau facile, avec…
5.99 € Piano seul PDF Tomplay






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