Alto Saxophone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Horn,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 3 - Digital Download

SKU: A0.1454789

By Future Of The Purple. By Alexander Kresovich, Brendon Urie, Jacob Sinclair, Samuel Hollander, and Suzanne Shinn. Arranged by David Whitaker. Pop. 16 pages. David Whitaker #1033859. Published by David Whitaker (A0.1454789).

King of the Clouds by Panic! At the Disco ft. Future of hte Purple. Parts included: Lead (Tenor), Lead (Baritone), Alto Sax, Tenor Sax, Horn in F, Trumpet in Bb, Trombone, Violin (2), Viola, Cello, String Bass, Electric Guitar (2), Bass Guitar, Piano (Organ), Hand Clap, and Drumset.

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Brass Ensemble Trumpet - Level 1 - Digital Download

SKU: A0.1079739

Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739).

I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down� and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1366668

Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668).

Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectet

Arranged double wind quintet/bass

Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. 

Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.

This is from the 2nd Book.

I have arranged all of these preludes from both books:

Book 1

Danseuses de Delphes
Voiles
Les sons et le parfums…..
Des pas sur le neige 
La fille aux cheveux de lin
La Cathédral engloutie
Minstrels

Bk.2

Bruyères
General Levine
Hommage à S.Pickwick Esq
Canope



As if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purity
aux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.

In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (ne�e Moyse), his future bride.

The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.

— Cortot

A peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structure
and the same diatonic transparency, time-signature and tempo provide a clear link.

— Harry Halbreich