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Piano,Trumpet - Level 3 - Digital Download

SKU: A0.587710

Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810609. Published by David McKeown (A0.587710).

Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.

This arrangement transcribes the orchestral score as a Solo for Trumpet with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.

Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

Pie Jesus, from Fauré's Requiem, for Trumpet and Piano Trompette, Piano

$4.60 4.38 € Trompette, Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download

SKU: A0.551616

Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #5324393. Published by jmsgu3 (A0.551616).

Gabriel Fauré: Nocturne, Op. 104, Molto moderato
Nocturne is a musical composition inspired by or evocative of the night. The Irish composer John Field first used the term in the early 19th century to describe a type of character piece for piano intended to be played in the evening or at night. The term was later adopted by other composers, including Chopin and Fauré, who used it to describe their compositions. In the case of Fauré's Nocturne Op. 104, the title nocturne refers to the fact that it is a piece of music intended to be played at night or evocative of the night. The piece is characterized by its modal, incantatory theme, which seems to hark back to the plainchant that Fauré studied at the Niedermeyer School. Like other nocturnes in the set, it explores one predominant mood.

Fauré's Nocturne Op. 104 and Chopin's nocturnes share some similarities, but they also have some differences. Fauré greatly admired the music of Chopin and was happy to compose in forms and patterns established by the earlier composer. Fauré's early nocturnes employ the same basic textures as Chopin's nocturnes, but Fauré's later works abandon this in favor of increasingly contrapuntal writing. Fauré also adopted ternary form as an essential form for the piece from Chopin. However, Fauré's melodies often show a rigorous motivic construction not found in Chopin. Fauré's nocturnes are, after Chopin's, among the most beautiful and beloved in music literature. In summary, while Fauré's nocturnes were influenced by Chopin's, they also have unique qualities that set them apart.

Fauré: Nocturne Op. 104 for French Horn & Piano Cor et Piano

$32.95 31.36 € Cor et Piano PDF SheetMusicPlus






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