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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767107 Composed by Andrea Gabrieli. Arranged by Mike Lyons. Baroque,Christmas,Easter,Holiday. Score and parts. 30 pages. Lyons Music Services #2930491. Published by Lyons Music Services (A0.767107). Transcribed for brass, this is a great, if little aired example of Andrea Gabrieli's polychoral music. It is written for two choirs, one of 4 and one of 3 voices with all the polyphony and 'stereo effects' that would conjour in St Mark's Cathedral in Venice - or any large space. As always, this music transfers onto brass very well indeed. Baroque music like this is always redolent of Christmas, even if the music itself may have been written for other occasions.A great addition to any programme.Parts are supplied as follows:Part 1 in BbPart 2 in BbPart 3 in Bb, Eb, FPart 4 in Eb, FPart 5 in Bb, C (Bass Clef)Part 6 in Bb, Eb, C (Bass clef)Part 7 in Bb, Eb, C (Bass clef)
Tirsi Morir Volea (Brass Septet)
Flûte, Hautbois, Clarinette, Basson

$25.00 21.49 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - Digital Download SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 105 pages. Jmsgu3 #913046. Published by jmsgu3 (A0.1324834). The Brass Canzona holds significant importance in music history as it influenced the development of instrumental music and later musical genres. The Canzona, derived from the Franco-Flemish and Parisian chansons, was an instrumental form characterized by livelier, rhythmic material and distinct sections. Brass canzonas, such as Giovanni Gabrieli's La Spiritata, were composed to maximize the resonance of instruments and the performance space, often performed by various combinations of trombones and trumpets. These canzonas influenced the evolution of the fugue in the Baroque era and were direct ancestors of the 17th-century sonata da chiesa. Additionally, the ensemble canzonas of Gabrieli and Girolamo Frescobaldi led the way to the trio sonata, a dominant chamber genre of the Baroque era. Therefore, the Brass Canzona's significance lies in its influence on the evolution of instrumental music and its contribution to the development of later musical forms. While modern renditions may encounter challenges related to the range of parts and achieving a balanced sound with the organ or other instruments, they continue to provide valuable insights into Canzona's historical context and musical qualities. Therefore, modern Brass Canzonas are essential for preserving and interpreting this influential musical form, contributing to the development of instrumental music and later musical genres.
Guthrie: Canzona a6 for Brass Sextet

$39.95 34.34 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.883061 Composed by Giovanni Gabrieli. Arranged by Emiliano Bernagozzi. Renaissance,Standards,World. 16 pages. Emiliano Bernagozzi #6871545. Published by Emiliano Bernagozzi (A0.883061). Canzona Seconda è stata originariamente composta da Giovanni Gabrieli .... per sonare con ogni sorte di stromenti....; Emiliano Bernagozzi lo ha trascritto per Quartetto di Ocarine,  l' organico consigliato è ocarine:  AG, BC, BG, CBC. Organico alternativo: SG, AC, AG, BC.Il quartetto di ocarine è un ensemble molto duttile che dà ampio spazio al virtuosismo dei singoli artisti e allo stesso tempo offre un'ampia varietà timbrica ed espressiva grazie all'utilizzo di diverse ocarine.
Quartetto di Ocarine - CANZONA SECONDA
Flûte, Hautbois, Clarinette, Basson

$15.00 12.89 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.870393 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. Steinberg #1985497. Published by Randy A. Steinberg (A0.870393). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is the 27th Canzona published around 1608 for 3 trumpets and 5 trombones to be played as a single ensemble. A variety of substitute parts are also included to handle the trombone parts with any combination of cornets, French horns or tuba. This piece presents a wonderful dance-like chanson in 3/4 time that leads to a triumphant finish. A nice showpiece for the brass!
Canzon XXVII a 8 - No. 190
Ensemble de cuivres

$15.00 12.89 € Ensemble de cuivres PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
Canzon Duodecimi Toni a 10, Ch. 177
Ensemble de Flûtes

$10.99 9.45 € Ensemble de Flûtes PDF SheetMusicPlus

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792814 Composed by Giovanni Gabrieli. Arranged by Russell McKinney. Baroque,Classical,Renaissance. Score and parts. 14 pages. Gordon Cherry #6641859. Published by Gordon Cherry (A0.792814). Gabrieli's Sonata Pian 'e Forte for 8-part Antiphonal Trombone Ensemble has been beautifully arranged (down a fifth from the original key) by Russel McKinney. The work (Ch.175) is part of the 1597 Sacrae symphoniae, published posthumously which contains sixty-three choral and instrumental works, many in multi-choir formations. This 8-part Sonata is in two choirs....a high one and a low one (in this case choir II uses three bass trombones with an optional Contrabass Trombone!)The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.The dramatic performance of the sound sample is by the arranger himself, Bass Trombonist Russell McKinney playing both tenor and bass trombones.The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.
Sonata Pian ‘e Forte for 8-part Antiphonal Trombone Ensemble

$22.50 19.34 € PDF SheetMusicPlus

Brass Ensemble,Trombone Ensemble Trombone - Level 5 - Digital Download SKU: A0.1514862 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,Early Music. 88 pages. Marc Donatelle #1089356. Published by Marc Donatelle (A0.1514862). Giovanni Gabrieli (c.1557-1612) was one of the most influential composers of his time.Known for his compositions using antiphonal style, this Sonata XX a22 would have fit well in St. Mark’s Basilica in Venice.This is perhaps the largest ensemble for the time using 22 instruments in 5 choirs. It was published posthumously in 1615 and shows a great transition from the Renaissance to Baroque style.This advanced arrangement is for a choir of 22 trombones, with alternate trumpet and French horn parts forthe top voices.
Sonata XX a 22

$30.00 25.79 € PDF SheetMusicPlus


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