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Piano and voice (solo and TTBB quartet) - Digital Download SKU: LV.7554 Composed by Jos. M. Daly. Carriages & coaches, Parties, Working classes, Recreation. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7554). At the Garbage Gentlemen's Ball. Words by Thos. S. Allen. Music by Jos. M. Daly. Published 1914 by Daly Music Publisher in Boston. Composition of strophic with chorus with piano and voice (solo and ttbb quartet) instrumentation. Subject headings for this piece include Carriages & coaches, Parties, Working classes, Recreation. First line reads There she sat with the old Tom Cat in the kitchen all alone.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
At the Garbage Gentlemen's Ball

$5.99 5.2 € PDF SheetMusicPlus

Viola Duet Viola - Level 3 - Digital Download SKU: A0.1095028 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Chamber,Classical,Comedy. Score. 5 pages. RayThompsonMusic #699111. Published by RayThompsonMusic (A0.1095028). Translated as (Duet with Two Obligato Eyeglasses) or k/a The Obligato/Eyeglass Duo. Originally written for viola and cello, here it is arranged for a viola duet. I have ONLY arranged the minuetto and trio This duet for viola and cello from 1796-1797 is believed to have been written for Beethoven's longtime frind, Baron Nikolaus Zmeskall. The Baron was an accomplished cellist, and Beethoven had played the viola back in Bonn. Both men wore spectacles at times, which is believed to be the genesis of the curious name. Apparently Beethoven wrote Zmeskall a letter containing these lines: Dearest Baron Garbage-truck driver, I am obliged to you for the weakness of your eyes. Perhaps Zmeskall lent Beethven his eyeglasses. Who knows? One thing is certain: the piece exudes a sense of sheer playfulness, similar in spirit (if not style) to Mozart's Duo for Violin and Viola in B-Flat.
Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (II.Menuetto) - viola duet
2 Altos (duo)

$7.95 6.9 € 2 Altos (duo) PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
A Night In Tunisia
Alto, Piano
Dizzy Gillespie
$8.99 7.81 € Alto, Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
A Night In Tunisia
Saxophone Tenor et Piano
Dizzy Gillespie
$8.99 7.81 € Saxophone Tenor et Piano PDF SheetMusicPlus

Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #414967. Published by RayThompsonMusic (A0.807933). Arranged standrard brass quartet: 2 tpts, tbn, tuba. Alt. horn in F for trombone. Transposed into Bb from original A to aid brass players.Melody and guitar break given to 1st trumpet. Trombone and 2nd take middle section. Tuba covers bass guitarGreat fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
Good Morning Good Morning
Quatuor de Cuivres
The Beatles
$17.95 15.59 € Quatuor de Cuivres PDF SheetMusicPlus


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