Composed by Gary Powell Nash. Contemporary Classical. Score, Set of Parts. 24 pages. Published by Gary Powell Nash (S0.61303). - Score,Set of Parts - Contemporary Classical - Gary Powell Nash

Composed by Gary Powell Nash. Contemporary Classical. Score, Set of Parts. 69 pages. Published by Gary Powell Nash (S0.283097). - Score,Set of Parts - Contemporary Classical - Gary Powell Nash

Composed by Gary Powell Nash. Contemporary Classical. Score, Set of Parts. 15 pages. Published by Gary Powell Nash (S0.61411). - Score,Set of Parts - Contemporary Classical - Gary Powell Nash

Composed by Gary Powell Nash. 20th Century. Set of Parts, Score. 80 pages. Published by Gary Powell Nash (S0.11776). - Set of Parts,Score - 20th Century - Gary Powell Nash

Composed by Gary Powell Nash. 20th Century. Set of Parts, Score. 23 pages. Published by Gary Powell Nash (S0.7929). - Set of Parts,Score - 20th Century - Gary Powell Nash

By Marvin Gaye. Arranged by Gary Powell Nash. Score, Set of Parts. 21 pages. Published by Gary Powell Nash (H0.227139-344795). - Score,Set of Parts - - Gary Powell Nash

Composed by Gary Powell Nash. 21st Century. Set of Parts, Score. 32 pages. Published by Gary Powell Nash (S0.7927). - Set of Parts,Score - 21st Century - Gary Powell Nash

Composed by Gary Powell Nash. 21st Century, Latin. Score, Set of Parts. 25 pages. Published by Gary Powell Nash (S0.163147). - Score,Set of Parts - 21st Century,Latin - Gary Powell Nash

By The Jackson 5. Arranged by Gary Powell Nash. Score, Set of Parts. 30 pages. Published by Gary Powell Nash (H0.142299-3134). - Score,Set of Parts - - Gary Powell Nash

By Deniece Williams. Arranged by Gary Powell Nash. Score, Set of Parts. 25 pages. Published by Gary Powell Nash (H0.236421-471700). - Score,Set of Parts - - Gary Powell Nash

By The Beatles. Arranged by Gary Powell Nash. Score, Set of Parts. 22 pages. Published by Gary Powell Nash (H0.127415-943309). - Score,Set of Parts - - Gary Powell Nash

By The Beatles. Arranged by Gary Powell Nash. Pop, Rock. Score, Set of Parts. 21 pages. Published by Gary Powell Nash (H0.124687-922260). - Score,Set of Parts - Pop,Rock - Gary Powell Nash

Small Ensemble Cello,English Horn,Viola,Violin - Digital Download SKU: A0.881261 Composed by Gary Powell Nash. Contemporary. Score and parts. 141 pages. Gary Powell Nash #5997423. Published by Gary Powell Nash (A0.881261). Gary Powell Nash has composed a total of four soulful works, which includes 2 trios and 2 quartets. Each of the soulful works are based on and inspired by an American popular musical genre, particularly either jazz, gospel, spirituals, rhythm and blues or some combination of those.  Soulful Quartet, No. 1 is the first work composed after that premise.  Furthermore, during the 2006-7 academic year, Nash took trips to Vietnam, Spain and Ghana and thus was inspired to compose music based on those experiences.  Soulful Quartet, No. 1 was the first composition written under that premise.   It consists of four movements.  Movement #1, titled The River is based on the song River in Judea as it begins with a slow introduction in compound duple meter and features harmonic progressions derived from the supporting tune.  This is juxtaposed with a song-like melody that is also reflective of the principal motive in River in Judea.  The following section features faster music, also in compound duple meter with cross-rhythms, derived from West African folk music.  Movement #2 is titled Reflections and is a slow movement in triple meter.  Movement #3, In One Lifetime is a fast, multi-metered work, mostly alternating 4/4 and 3/4.  Movement #4, Blue Mali begins with a slow introduction with a blues-like melody and transitions to faster music, also based on West African folk music.

Piano Solo - Level 5 - Digital Download SKU: A0.881230 Composed by Gary Powell Nash. Contemporary. Score. 31 pages. Gary Powell Nash #36467. Published by Gary Powell Nash (A0.881230). Three Ivory Magnolia Fantasies (2003) for piano solo is a three movement work largely inspired by Dr. Gary Powell Nash’s experiences in Mississippi as Associate Professor of Music at Mississippi Valley State University. Movement one, titled Buddy’s Path is a result of the two main premises of the movement which include blues riffs of Buddy Guy and Beethoven’s Pathetique Sonata. Buddy’s Path begins with a slow introduction and transitions to faster music. After section 2, the slow intro music returns and once again transitions to section 1 material, alluding to the formal structure from Movement 1 of the Pathetique Sonata. Movement two, titled Dedication, a slow movement is also ternary, with A, B, cadenza and A’. It begins with cadenza-like passages, using 32 note rhythms and then moves to slower paced music, with longer note values, although actually marked at a slightly faster tempo. The B section continues the slow paced music and progresses to a Chopin-like cadenza, which closes the B section. The A’ section returns to the slower paced music with longer note values. Movement three, titled Fast Blues on the Wall is based on a blues tune titled On the Wall, an upbeat and fast tempo tune demonstrating the barrelhouse blues tradition. Using a ternary design, the A and A’ sections of Fast Blues on the Wall feature a doubled twelve bar blues-like progression where the corresponding phrases in a standard twelve bar blues progression are doubled in regards to measure length.

Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.881224 Composed by Gary Powell Nash. 20th Century. Score and parts. 25 pages. Gary Powell Nash #2011729. Published by Gary Powell Nash (A0.881224). Deformation and Tranquility (1987) for B-flat clarinet and piano is Gary Powell Nash’s first musical work composed during his formal composition studies and it is one of his few compositions conceived before 1990 that continues to be consistently programmed on a regular basis. The title stems from what Nash describes as a deformed way of treating themes and motives, a contrasting tranquil section, a solo cadenza that immediately follows the tranquil section and a return of the deformed music. Deformation and Tranquility features many jazz-like harmonies, melodies and rhythms, with the rhythms consisting of fast, highly syncopated 16th note passages.