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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.575814 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #2028397. Published by David Warin Solomons (A0.575814). From a series of duets for clarinet and guitar called The poem is the song The complete set, all available on the this site, comprise: Venus has left the building - inspired by the poem Venus by Gavin Ewart: a goddess has just checked out and left no forwarding address... Across a crowded room - inspired by the poem The worst of loves by Douglas Dunn: Where do they go, the faces... Being but men - inspired by the poem Being but men by Dylan Thomas: Being but men, we walked into the trees... Chantefable - based on the medieval song about Aucassin and Nicolette: Qui vauroit bons vers oïr del deport du viel antif (who would hear a fine poem from the olden days)... The Story of Henry King - inspired by the poem The chief defect of Henry King by Hilaire Belloc - The chief defect of Henry King was chewing little bits of string... Versions for flute and guitar are also available The pdf file contains score and parts. The sound sample is an electronic preview.
Being but men - for clarinet and guitar
Clarinette, Guitare (duo)

$7.00 6.68 € Clarinette, Guitare (duo) PDF SheetMusicPlus

Gavin Greenaway : Gladiator - Now We Are Free (niveau avancé, piano solo)
Piano seul
Téléchargez la partition Piano Gladiator - Now We Are Free (niveau avanc&eac…
4.99 € Piano seul PDF Tomplay

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).
After the Requiem

$18.99 18.12 € PDF SheetMusicPlus






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