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Concert Band - Level 4 - Digital Download SKU: A0.1434508 By Skillet. By Gavin Brown and John Cooper. Arranged by Jeffery Bowen. Christian,Contest,Festival,Rock. 58 pages. Music Arrangement Services Inc. #1014671. Published by Music Arrangement Services Inc. (A0.1434508). Performed by Skillet.  This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about feeling like a monster on the inside.  The song refers to a secret side, no control, ugly beast, scratching walls, hiding under the bed, a nightmare, wanting to be saved, darkness, razor-sharp teeth, no one to hear a scream.  This arrangement includes vocal features and a dance break.  This arrangement is designed for high school or college show choir, concert choir or community choir.  SATB/Piano Score also available.  Performance time is approximately 2:45.
Monster
Orchestre d'harmonie
Skillet
$49.99 45.92 € Orchestre d'harmonie PDF SheetMusicPlus

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).
After the Requiem

$18.99 17.44 € PDF SheetMusicPlus






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