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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.739433 Composed by David Catherwood. Praise & Worship,Sacred. Octavo. 8 pages. Opus 3 Music #3499713. Published by Opus 3 Music (A0.739433). A new melody to some old well loved words by Robert Lowry.For SATB choir with piano accompaniment (The download contains a separate 2 page vocal score and a 6 page full score containing both vocal and piano. The gently flowing melodic line will be easily learnt and the simple, yet effective, accompaniment provides interest and colour with a few delicate references to the original gospel tune.(The Mp3 recording above is just two verses and has been taken from the computer program that generates the printed music so consequently sounds rather 'computerised' but hopefully will give some indication of the general effect when performed!)
Nothing but the blood of Jesus (SATB music by David Catherwood)
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.23 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.23 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

SATB chorus, Unison chorus - Digital Download SKU: C7.CGA938 Composed by Thomas H Troeger. General. With Organ, handbells (4 octaves), 2 Bb trumpets, 2 trombones, and French horn. Sacred Anthem. Full score. 40 pages. Chorister's Guild - Digital #CGA938. Published by Chorister's Guild - Digital (C7.CGA938). UPC: 749193007662.Using the text of a beautiful poem by Shirley Erena Murray, this anthem for intergenerational choirs (children, youth, and adults) features a gently flowing melody that later joins a secondary tune. The piece culminates as both melodies occur simultaneously, leading to a quiet, reflective ending. Adults singers can be substituted in the absence of children and youth choirs. This anthem was commissioned by Choristers Guild for the 2002 Choristers Guild Summer Seminars in Kansas City, Missouri and Grand Rapids, Michigan.
Too Splendid for Speech, but Ripe for a Song - Full Score
Chorale SATB

$10.00 8.62 € Chorale SATB PDF SheetMusicPlus

Piano - Digital Download SKU: LV.12337 Patriotism, Wars, Campaigns and battles, Cityscapes, Crowds, Flags, Horses, Portraits--Military officers, Military regimes, Military uniforms, Battlefields, War damage. Lester S. Levy Collection. 14 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12337). La Battalla de Baylen. y Rendicion de el General Fupont al Exercito Espanol Patriotico al Mando de los Generales Castanos y Reding Piera Historica y Militar para el Piano forte. n. Published [n.d.] by P. Welson, No.64 Chapel Street in New York. Composition of multimovement work (1) Moderato; (2) Grave; (3) Furioso; (4) Conciliating; (5) Allegro; (6) Moderato; (7) Marcha de Fernando Septimo; (8) The Attack (allegro); (9) Grave; (10) Allegro. Contains descri with piano instrumentation. Subject headings for this piece include Patriotism, Wars, Campaigns and battles, Cityscapes, Crowds, Flags, Horses, Portraits--Military officers, Military regimes, Military uniforms, Battlefields, War damage . About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
La Battalla de Baylen
Piano seul

$5.99 5.16 € Piano seul PDF SheetMusicPlus

SATB, opt. Children, opt. Orchestra - Digital Download SKU: C6.841132 Composed by Jonny Robinson and Rich Thompson Colin Buchanan. Arranged by Terry D. Taylor. General, Modern Hymn, Multigenerational, Christ the King. MP3. Celebrating Grace - Digital #841132. Published by Celebrating Grace - Digital (C6.841132). A new worship ballad from CityAlight is arranged for SATB choirs and optional children’s choir by Terry D. Taylor. Carefully crafted so the accompaniment does not overpower, this simple, modern hymn explores the theme of God’s supremacy over all things. Close harmonies as well as simple unison sections make this piece very accessible and rewarding. The incorporation of This is My Father’s World is a special feature. The piece concludes quietly with lush harmonies in a reverent feel. Optional children’s part included. Available separately: Score and parts for Flute, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, String Bass, Acoustic Guitar, Electric Guitar, Bass, Drum Set, and Piano.
God Is Over All Split Track MP3
Chorale SATB

$14.99 12.92 € Chorale SATB PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.23 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 8 in F major
Trio à Cordes: violon, alto, violoncelle

$49.00 42.23 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.19384 Composed by J. S. Portraits, Railroads, Railroad stations, Steamships, Poor persons, Ruins, Generosity, Wealth, Ethics, Memorial works. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19384). Jim Fisk, or, He Never Went Back on the Poor. Written and Composed by J.S. Published 1874 by F.W. Helmick, 278 West Sixth St. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Railroads, Railroad stations, Steamships, Poor persons, Ruins, Generosity, Wealth, Ethics, Memorial works. First line reads If you'll listen a while I'll sing you a song, Of this glorious land of the free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Jim Fisk, or, He Never Went Back on the Poor
Chorale SATB

$5.99 5.16 € Chorale SATB PDF SheetMusicPlus






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