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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #949422. Published by Socrates Arvanitakis (A0.1365116). GENERAL PREFACE – ΓΕΝΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS97   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 1 (The Kleftic Lads 1)98   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 2 (The Klephtic Lads 2)99   ΚΟΒΩ ΜΙΑ ΚΛΑΡΑ (I Cut One Branch)100 ΚΟΛΟΚΟΤΡΩΝΑΙΟΙ ΟΙ 1(The Kolokotronis Clan 1)101 ΚΟΛΟΚΟΤΡΩΝΑΙΟΙ ΟΙ 2 (The Kolokotronis Clan 2)102 ΚΟΛΟΚΟΤΡΩΝΑΙΟΙ ΟΙ 3  (The Kolokotronis Clan 3)103 ΚΟΝΤΟΥΛΑ ΛΕΜΟΝΙΑ (Short Lemon Tree)104 ΚΟΡΗ ΑΝΤΡΕΙΩΜΕΝΗ (Brave Maiden)105 ΚΟΡΗ ΚΑΙ ΒΑΣΙΛΙΑΣ (Maiden and The King)106 ΚΟΡΗ ΜΑΛΑΜΑΤΕΝΙΑ 1 in A (Golden Maiden 1)107 ΚΟΡΗ ΜΑΛΑΜΑΤΕΝΙΑ 2 in E (Golden Maiden 2)108 ΚΟΣΤΙΛΑΤΑ (Kostilata Water Springs)109 ΚΟΥΚΟΣ Ο (The Cuckoo)110 ΚΟΦΤΗΝ ΕΛΕΝΗ ΤΗΝ ΕΛΗΑ (Helen, Cut Your Beauty Spot)111 ΚΡΗΤΗ Η (Crete)112 ΚΥΡΑ ΔΑΣΚΑΛΑ (Η)  (Mrs Teacher)113 ΚΥΡ-ΑΝΑΓΝΩΣΤΑΙΝΑ Η (Mrs Anagnostena).
Duets For Violin & Violoncello 97-113 (vol. 7)
Violon, Violoncelle (duo)

$20.00 17.11 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1349553 Composed by Socrates Arvanitakis. 21st Century. 77 pages. Socrates Arvanitakis #934312. Published by Socrates Arvanitakis (A0.1349553). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS33  ΒΛΑΧΟΥΛΑ ΕΡΟΒΟΛΑΓΕ (A Little Wallachian Lass Was Rolling Down)34  ΒΡΕ ΝΙΚΟΛΟ (Hey You, Nikolo)35  ΓΑΛΑΖΑΝΗ Η (The Blue Eyed)36  ΓΑΛΑΖΙΑ ΠΟΥΝ' Η ΘΑΛΑΣΣΑ (How Blue is the Sea)37  ΓΑΜΗΛΙΟΝ 1 (Bridal 1)38  ΓΑΜΗΛΙΟΝ 2 (Bridal 2)39  ΓΑΜΗΛΙΟΝ 3 (Bridal 3)40  ΓΑΜΗΛΙΟΝ 4 (Bridal 4)41  ΓΑΜΗΛΙΟΝ 5 (Bridal 5)42  ΓΑΜΠΡΟΥ ΤΟΥ (Of The Bridegroom)43  ΓΑΡΓΑΛΙΑΝΙΩΤΙΣΣΑ (The Lass From Gargaliani)44  ΓΑΡΥΦΑΛΙΑ Η (The Carnation Bush)45  ΓΕΡΑΚΙΝΑ (Falconess)46  ΓΙΑ ΔΕΣ ΛΕΒΕΝΤΗΣ (Behold A Brave Man)47  ΓΙΑΝΝΑΚΗ ΑΣΗΜΑΚΗ ΤΟΥ (Of John Asimakis)48  ΓΙΑΝΝΟΥΛΑ Η (Joan).
Duets For Violin & Cello 33-48 (volume 3)
Violon, Violoncelle (duo)

$20.00 17.11 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1409341 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 80 pages. Socrates Arvanitakis #991966. Published by Socrates Arvanitakis (A0.1409341). GENERAL PREFACE – ΓΕΝΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS194 ΠΕΤΑ ΤΗ ΡΟΚΑ (Throw Away The Spindle)195 ΠΗΔΗΧΤΟΣ ΚΡΗΤΗΣ (Jumping Dance from Crete)196 ΠΗΛΙΟΡΕΙΤΙΚΟΣ  (Mount Pilion Dance)197 ΠΛΑΤΑΝΟΣ Ο (The Plane Tree)198 ΠΟΘΟΣ (Σαν Πας Πουλί Μου) (Craving)199 ΠΟΛΕΜΟΣ ΘΡΗΝΟΣ ΓΙΝΕΤΑΙ (War And Lament Is Happening)200 ΠΟΤΑΜΟΣ Ο 1 (The River 1) in D201 ΠΟΤΑΜΟΣ Ο 2 (The River 2) in G202 ΠΟΤΕΣ ΘΑ ΚΑΜΕΙ ΞΑΣΤΕΡΙΑ (when will the sky clear)203 ΠΟΥ ΝΑ ΒΡΩ ΓΩ ΒΑΣΙΛΙΚΟ (Where Should I Find A Basil)204 ΠΟΥΛΑΚΙ ΞΕΝΟ (Foreign Bird)205 ΠΩΣ ΤΟ ΤΡΙΒΟΥΝ ΤΟ ΠΙΠΕΡΙ (How They Grate The Pepper)206 ΡΗΝΑΚΙ ΤΟ 1 (Rinaki)207 ΡΙΝΑΚΙ ΤΟ 2 (Little Catherine-Rinaki 2)208 ΡΟΒΑΣ Ο (Rovas)209 ΡΟΔΙΤΙΚΟΣ (Dance from Rhodes Island).
Duets For Violin & Violoncello 194-209 (volume 13)
Violon, Violoncelle (duo)

$20.00 17.11 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #1026923. Published by Socrates Arvanitakis (A0.1447144). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS226 ??(?)???? (??????) (Soft Dance from Patmos)227 ???? ????? ??? ????? (Coachman, drive slowly the coach)228 ??? ???? ???? (I Told You, Mother)229 ???????? (????????????) (Soultana - Dance from Soufli)230 ?????? ?????? (Sousta Dance from Crete)231 ?????? ?????? (Seed of Paper)232 ??? ???????? (In Ioannina)233 ??? ???????? (In the Three Mountain Tops)234 ???? ????? ?????????? (In Up-Town Neighborhood)235 ???? ????????? ??? ????? (In Your Embroidered Apron)236 ??? '?? ??????? (I told you, Birbo)237 ???? ??? ?? ?????? (I will Descent to Hades)238 ???? ?????????? ???? ?????? (In The Mills Of Valtetsi)239 ?????????? ???? ???????? (It went cloudy on Mount Parnassus)240 ?????? ????????? (Syrtos Dance from Rhodes)241 ?' ?????????? ? ???? (Androutsos' Mother).
Duets For Violin & Violoncello 226-241 (volume 15)
Violon, Violoncelle (duo)

$20.00 17.11 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.977331 By Yo-yo Ma. By Benedicto Lacerda and Jorge Calandrelli. Arranged by Neemias Santos. Contemporary. Score. 4 pages. Neemias Silva Santos #5954637. Published by Neemias Silva Santos (A0.977331). Probably the best known Brazilian melody among Brazilian people, Carinhoso (with tenderness, would the closest translation) encompasses the Brazilian soul in music in many ways: the timeless ever involving melody, the intricate melody / rhythm pairing (even in a slow love song like this one), and generalization of sublime feelings (though Carinhoso is best known as a love song, love here is the more sublime and general feeling that unites families and friends).   .
Carinhoso
Piano, Voix et Guitare
Yo-yo Ma
$21.99 18.81 € Piano, Voix et Guitare PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1345242 Composed by Socrates Arvanitakis. 21st Century. 71 pages. Socrates Arvanitakis #930181. Published by Socrates Arvanitakis (A0.1345242). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.Separate parts have been included.Thematic Index and internal links for ease of navigation have been added.Youtube link has been added. CONTENTS1     ΑΓΑΠΗΤΙΚΟΣ Ο 1 (The Lover 1)2     ΑΓΑΠΗΤΙΚΟΣ Ο 2 (The Lover 2)3     ΑΓΓΕΛΩ (Angelo)4     ΑΓΓΙΝΑΡΑ ΜΕ Τ' ΑΓΚΑΘΙΑ (Artichoke with Thorns)5     ΑΓΙΕ ΜΟΥ ΓΙΩΡΓΗ ΣΚΥΡΙΑΝΕ (My Saint George, Skyrian)6     ΑΗ ΓΙΩΡΓΗΣ (St. George)7     ΑΗΤΟΣ Ο (The Eagle)8     ΑΘΑΝΑΣΙΟΥ ΔΙΑΚΟΥ ΤΟΥ (Of Athanasius Diakos)9     ΑΘΗΝΑ ΜΩΡ' ΑΘΗΝΑ (Athina, Hey You Athina)10   ΑΙΓΙΩΤΙΣΣΑ (The Lass From Aeghion)11   ΑΜΑΡΑΝΤΟΣ Ο (Amaranth)12   ΑΜΠΕΛΙ ΜΟΥ ΠΛΑΤΥΦΥΛΛΟ (My Wideleafed Vineyard)13   ΑΝΑΣΤΑΣΙΑ Η (Anastasia)14   ΑΝΔΡΟΥΤΣΑΙΟΙ ΟΙ (The Androutsos Clan)15   ΑΝΔΡΟΥΤΣΟΣ Ο (Androutsos)16   ΑΝΕΒΗΚΑ ΣΤΑ ΑΓΡΑΦΑ (I Climbed The Mountain Agrafa.
Duets For Violin & Violoncello 1-16 (vol.1)
Violon, Violoncelle (duo)

$20.00 17.11 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Large Ensemble Cello,Flute,Marimba,Oboe,Piano Duet,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.977332 By Yo-yo Ma. By Benedicto Lacerda and Jorge Calandrelli. Arranged by Neemias Santos. Contemporary. Score and parts. 4 pages. Neemias Silva Santos #5954647. Published by Neemias Silva Santos (A0.977332). Probably the best known Brazilian melody among Brazilian people, Carinhoso (with tenderness, would the closest translation) encompasses the Brazilian soul in music in many ways: the timeless ever involving melody, the intricate melody / rhythm pairing (even in a slow love song like this one), and generalization of sublime feelings (though Carinhoso is best known as a love song, love here is the more sublime and general feeling that unites families and friends).  .
Carinhoso
Yo-yo Ma
$21.99 18.81 € PDF SheetMusicPlus

Piano - Digital Download SKU: LV.12337 Patriotism, Wars, Campaigns and battles, Cityscapes, Crowds, Flags, Horses, Portraits--Military officers, Military regimes, Military uniforms, Battlefields, War damage. Lester S. Levy Collection. 14 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12337). La Battalla de Baylen. y Rendicion de el General Fupont al Exercito Espanol Patriotico al Mando de los Generales Castanos y Reding Piera Historica y Militar para el Piano forte. n. Published [n.d.] by P. Welson, No.64 Chapel Street in New York. Composition of multimovement work (1) Moderato; (2) Grave; (3) Furioso; (4) Conciliating; (5) Allegro; (6) Moderato; (7) Marcha de Fernando Septimo; (8) The Attack (allegro); (9) Grave; (10) Allegro. Contains descri with piano instrumentation. Subject headings for this piece include Patriotism, Wars, Campaigns and battles, Cityscapes, Crowds, Flags, Horses, Portraits--Military officers, Military regimes, Military uniforms, Battlefields, War damage . About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
La Battalla de Baylen
Piano seul

$5.99 5.12 € Piano seul PDF SheetMusicPlus

Banjo,Bass Guitar,Ukulele - Level 1 - Digital Download SKU: A0.913058 Composed by Andrei Lucian Dragoi. Instructional. 8 pages. Andrei-Lucian Dragoi #5741645. Published by Andrei-Lucian Dragoi (A0.913058). This paper proposes a sketch-version of a unifying beginners’ cost-effective teaching/learning method for any fretted string instrument (like ukulele, guitalele, mandolin and guitar) using the same 4-strings tuning which may be also used to teach/learn the basic music theory and practice elements: more specifically, the standard tuning of the central 4 strings of the guitar may be applied (non-standardly!) to all the other cited smaller (thus more portable) instruments (like ukulele, guitalele and mandolin) which may be used either independently/separately or as  preparatory instruments for the purpose of teaching guitar (and music theory) after that first teaching/learning phase on a smaller instrument (or on a 4-strings guitar). This unifying method may largely open the horizons of children (and beginners in general, to experience more than one instrument) and may also help poor children/persons (who don’t afford a guitar) to be taught the guitar basics (including important elements of music theory) on much cheaper (smaller) instruments (who are generally much more accessible): that is why this method also addresses to all music teaching systems from all poor countries worldwide. For those who have a guitar or a guitalele and want to apply this method, they may easily remove the 1st and the 6th guitar/guitalele strings (E4 and E2): the resting nucleus composed from the 4 central strings is sufficient to teach/learn all the basic theoretical and practical notions of guitar (or any other fretted string instrument) and music in general. This paper also contains some examples of songs (written in English and Romanian languages) with included chords (aka tabulatures), each song displayed in one tonality (C major or its relative A minor) or two tonalities (C major [/A minor] and G major [/ E minor]) which can then be altered by using a capodastro (aka capo) to fit any tonality and thus fit the ambitus and tessitura (the most acceptable and comfortable vocal range) of any child/adult voice. For a periodically-updated extensive online catalog of harmonized/ chorded songs see URL: http://dragoii.com/hcs This paper continues the work of other past articles/preprints of the same author in music.
Dragoi - A sketch-version of a unifying beginners' cost-effective METHOD for any fretted string inst

$3.00 2.57 € PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1223683 By George B Chave. By Claude Debussy. Arranged by George B Chave. 20th Century,Classical. 9 pages. BrassMagicMusic.com #819834. Published by BrassMagicMusic.com (A0.1223683). This arrangement features horn on the primary melody, and generally places the work in the lower and darker registers of the other instruments.  At the climax the first trumpet climbs out of the darkness and into the bright upper register.  As the theme is recalled/remembered at the end, trumpet with harmon mute lends a nostalgic feeling.  Combined with my arrangement of General Lavine and Heather, this would make a great recital set of Debussy's music.  Buy all three Debussy Preludes as a set (including Heather, The Girl With The Flaxen Hair, and General Lavine) and save over 14%. Just Search: Three Debussy Preludes (brass quintet).
The Girl With The Flaxen Hair (brass quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
George B Chave
$6.99 5.98 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano,Piccolo Trumpet - Level 5 - Digital Download SKU: A0.1404148 Composed by Dario Castello. Arranged by Quinten Schlücker. Chamber,Classical,Early Music,Historic,Renaissance. Score and part. 31 pages. Quinten Schlücker #987323. Published by Quinten Schlücker (A0.1404148). Bearbeitung von Dario Castellos (1602-1631) Sonata Prima à Sopran Solo aus Sonate concertate in stil moderno, libro secondo für Piccolo-Trompete in A.Inklusive vier Versionen für die Begleitung:-Zwei realisierte Generalbass-Stimmen-Ein bezifferter Generalbass-Einmal als PartimentoArrangement of Dario Castello's (1602-1631) Sonata Prima à Soprano Solo from Sonate concertate in stil moderno, libro secondo for piccolo trumpet in A.Includes four versions for the accompaniment:-Two realized basso continuo parts-One figured basso continuo-Once as a partimento
Sonata Prima Sopran Solo
Trompette, Piano

$1.99 1.7 € Trompette, Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1493082 By Eric Coates. By Eric Coates. Arranged by Kevin Riley. 20th Century,Patriotic. 91 pages. Kevin Riley #1069754. Published by Kevin Riley (A0.1493082). Music While You Work was a daytime radio programme of continuous live popular music broadcast in the United Kingdom twice daily on workdays from 23 June 1940 ]until 29 September 1967 by the BBC. Initially, the morning edition was generally broadcast on the BBC Home Service at 10:30am, with the afternoon edition at 3pm on the Forces/General Forces Programme - and after the war on the BBC Light Programme. Between August 1942 and July 1945, a third edition was broadcast at 10:30pm for night-shift workers.The programme began in World War II with the idea that playing non-stop popular/light music at an even tempo would help factory workers become more productive.[4][5] It originally consisted of live music (light orchestras, dance bands, brass and military bands and small instrumental ensembles). In order to make studios more available during the day, it was decided in 1963 that the shows would be pre-recorded (often in the evening or on Sundays).
Calling All Workers
Orchestre
Eric Coates
$70.00 59.87 € Orchestre PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549381 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and parts. 9 pages. Jmsgu3 #3492259. Published by jmsgu3 (A0.549381). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Bassoon & Piano
2 Bassons (duo)

$32.95 28.18 € 2 Bassons (duo) PDF SheetMusicPlus






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