Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1349553 Composed by Socrates Arvanitakis. 21st Century. 77 pages. Socrates Arvanitakis #934312. Published by Socrates Arvanitakis (A0.1349553). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS33  ΒΛΑΧΟΥΛΑ ΕΡΟΒΟΛΑΓΕ (A Little Wallachian Lass Was Rolling Down)34  ΒΡΕ �ΙΚΟΛΟ (Hey You, Nikolo)35  ΓΑΛΑΖΑ�Η Η (The Blue Eyed)36  ΓΑΛΑΖΙΑ ΠΟΥ�' Η ΘΑΛΑΣΣΑ (How Blue is the Sea)37  ΓΑΜΗΛΙΟ� 1 (Bridal 1)38  ΓΑΜΗΛΙΟ� 2 (Bridal 2)39  ΓΑΜΗΛΙΟ� 3 (Bridal 3)40  ΓΑΜΗΛΙΟ� 4 (Bridal 4)41  ΓΑΜΗΛΙΟ� 5 (Bridal 5)42  ΓΑΜΠΡΟΥ ΤΟΥ (Of The Bridegroom)43  ΓΑΡΓΑΛΙΑ�ΙΩΤΙΣΣΑ (The Lass From Gargaliani)44  ΓΑΡΥΦΑΛΙΑ Η (The Carnation Bush)45  ΓΕΡΑΚΙ�Α (Falconess)46  ΓΙΑ ΔΕΣ ΛΕΒΕ�ΤΗΣ (Behold A Brave Man)47  ΓΙΑ��ΑΚΗ ΑΣΗΜΑΚΗ ΤΟΥ (Of John Asimakis)48  ΓΙΑ��ΟΥΛΑ Η (Joan).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1409338 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arvanitakis #991962. Published by Socrates Arvanitakis (A0.1409338). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS178 ΠΑΙΔΙΑ ΣΑ� ΘΕΛΤΕ ΛΕΒΕ�ΤΙΑ (Lads, Since You Want Some Valour)179 ΠΑΛΙ ΜΕΘΥΣΜΕ�ΟΣ ΕΙΣΑΙ (Again You're Drunk)180 ΠΑ�ΑΓΙΩΤΙΣΣΑ (The Girl From Panaghia)181 ΠΑ�ΤΡΕΥΟΥ� ΤΗ� ΑΓΑΠΗ ΜΟΥ (They Wed My Love to Someone Else)182 ΠΑ�Ω ΣΕ ΨΙΛΗ ΡΑΧΟΥΛΑ (On Top Of A High Mountain Ridge)183 ΠΑΠΑΔΙΕΣ ΟΙ (The Priests' Wives)184 ΠΑΠΑΚΙ (Little Duckling)185 ΠΑΠΑΛΑΜΠΡΑΙ�Α (Priest Lambro's Wife)186 ΠΑΡΑΠΟ�ΙΑΡΙΚΟ (The Little complainer)187 ΠΑΡΑΣΚΕΥΟΥΛΑ (Paraskevoula)188 ΠΑΡΕ ΜΑΡΙΩ ΤΗ ΡΟΚΑ ΣΟΥ (Mary, Take Your Distaff)189 ΠΑΤΡΙ�ΙΑ (The Lass from Patras)190 ΠΕ�ΤΟΖΑΛΗΣ (Five Steps Dance - Pentozalis-Crete)191 ΠΕΡΔΙΚΟΥΛΑ Η (The Little Partridge)192 ΠΕΡΙΒΟΛΙ ΤΟ (The Orchard )193 ΠΕΡΙΒΟΛΙ� ΕΙΧΑ (I Had An Orchard).

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1317721 By Gli Sconcertati. By M.J. Trotta. Arranged by MB. Christian,Contemporary,Praise & Worship,Sacred,Soul. 17 pages. Marco Borsoi #906401. Published by Marco Borsoi (A0.1317721). Edit & Layout by MB Ubi Caritas featured simple four-part singing, conservative ranges, and straightforward rhythms create a tapestry of sound for the solo chant line which may be sung by a soloist, performed by solo organ stop, or a C instrument.Suitable for general use, during Holy Week, general use, or in a concert setting.  -  Ubi Caritas è caratterizzato da una melodia semplice armonizzata a quattro voci miste, su un range adatto alla maggior parte delle voci e con un ritmo lineare che creano un tappeto sonoro per la linea del canto solista che può essere cantato, eseguito da un piccolo gruppo, dall'organo o da uno strumento a C.Adatto per l'uso generale, durante la Settimana Santa o in un concerto.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #1026923. Published by Socrates Arvanitakis (A0.1447144). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS226 ??(?)???? (??????) (Soft Dance from Patmos)227 ???? ????? ??? ????? (Coachman, drive slowly the coach)228 ??? ???? ???? (I Told You, Mother)229 ???????? (????????????) (Soultana - Dance from Soufli)230 ?????? ?????? (Sousta Dance from Crete)231 ?????? ?????? (Seed of Paper)232 ??? ???????? (In Ioannina)233 ??? ???????? (In the Three Mountain Tops)234 ???? ????? ?????????? (In Up-Town Neighborhood)235 ???? ????????? ??? ????? (In Your Embroidered Apron)236 ??? '?? ??????? (I told you, Birbo)237 ???? ??? ?? ?????? (I will Descent to Hades)238 ???? ?????????? ???? ?????? (In The Mills Of Valtetsi)239 ?????????? ???? ???????? (It went cloudy on Mount Parnassus)240 ?????? ????????? (Syrtos Dance from Rhodes)241 ?' ?????????? ? ???? (Androutsos' Mother).

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.977331 By Yo-yo Ma. By Benedicto Lacerda and Jorge Calandrelli. Arranged by Neemias Santos. Contemporary. Score. 4 pages. Neemias Silva Santos #5954637. Published by Neemias Silva Santos (A0.977331). Probably the best known Brazilian melody among Brazilian people, Carinhoso (with tenderness, would the closest translation) encompasses the Brazilian soul in music in many ways: the timeless ever involving melody, the intricate melody / rhythm pairing (even in a slow love song like this one), and generalization of sublime feelings (though Carinhoso is best known as a love song, love here is the more sublime and general feeling that unites families and friends).   .

Piano - Digital Download SKU: LV.12337 Patriotism, Wars, Campaigns and battles, Cityscapes, Crowds, Flags, Horses, Portraits--Military officers, Military regimes, Military uniforms, Battlefields, War damage. Lester S. Levy Collection. 14 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12337). La Battalla de Baylen. y Rendicion de el General Fupont al Exercito Espanol Patriotico al Mando de los Generales Castanos y Reding Piera Historica y Militar para el Piano forte. n. Published [n.d.] by P. Welson, No.64 Chapel Street in New York. Composition of multimovement work (1) Moderato; (2) Grave; (3) Furioso; (4) Conciliating; (5) Allegro; (6) Moderato; (7) Marcha de Fernando Septimo; (8) The Attack (allegro); (9) Grave; (10) Allegro. Contains descri with piano instrumentation. Subject headings for this piece include Patriotism, Wars, Campaigns and battles, Cityscapes, Crowds, Flags, Horses, Portraits--Military officers, Military regimes, Military uniforms, Battlefields, War damage . About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1345242 Composed by Socrates Arvanitakis. 21st Century. 71 pages. Socrates Arvanitakis #930181. Published by Socrates Arvanitakis (A0.1345242). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.Separate parts have been included.Thematic Index and internal links for ease of navigation have been added.Youtube link has been added. CONTENTS1     ΑΓΑΠΗΤΙΚΟΣ Ο 1 (The Lover 1)2     ΑΓΑΠΗΤΙΚΟΣ Ο 2 (The Lover 2)3     ΑΓΓΕΛΩ (Angelo)4     ΑΓΓΙ�ΑΡΑ ΜΕ Τ' ΑΓΚΑΘΙΑ (Artichoke with Thorns)5     ΑΓΙΕ ΜΟΥ ΓΙΩΡΓΗ ΣΚΥΡΙΑ�Ε (My Saint George, Skyrian)6     ΑΗ ΓΙΩΡΓΗΣ (St. George)7     ΑΗΤΟΣ Ο (The Eagle)8     ΑΘΑ�ΑΣΙΟΥ ΔΙΑΚΟΥ ΤΟΥ (Of Athanasius Diakos)9     ΑΘΗ�Α ΜΩΡ' ΑΘΗ�Α (Athina, Hey You Athina)10   ΑΙΓΙΩΤΙΣΣΑ (The Lass From Aeghion)11   ΑΜΑΡΑ�ΤΟΣ Ο (Amaranth)12   ΑΜΠΕΛΙ ΜΟΥ ΠΛΑΤΥΦΥΛΛΟ (My Wideleafed Vineyard)13   Α�ΑΣΤΑΣΙΑ Η (Anastasia)14   Α�ΔΡΟΥΤΣΑΙΟΙ ΟΙ (The Androutsos Clan)15   Α�ΔΡΟΥΤΣΟΣ Ο (Androutsos)16   Α�ΕΒΗΚΑ ΣΤΑ ΑΓΡΑΦΑ (I Climbed The Mountain Agrafa.

Unison chorus - Digital Download SKU: C7.CGA777 Composed by Jane M Marshall. General. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA777. Published by Chorister's Guild - Digital (C7.CGA777). UPC: 749193004708.Unison/GeneralThe music of this original anthem is written in an easy, swing style. The composerAEs original text reminds all to be thankful for the many good things received as gifts from God.

Large Ensemble Cello,Flute,Marimba,Oboe,Piano Duet,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.977332 By Yo-yo Ma. By Benedicto Lacerda and Jorge Calandrelli. Arranged by Neemias Santos. Contemporary. Score and parts. 4 pages. Neemias Silva Santos #5954647. Published by Neemias Silva Santos (A0.977332). Probably the best known Brazilian melody among Brazilian people, Carinhoso (with tenderness, would the closest translation) encompasses the Brazilian soul in music in many ways: the timeless ever involving melody, the intricate melody / rhythm pairing (even in a slow love song like this one), and generalization of sublime feelings (though Carinhoso is best known as a love song, love here is the more sublime and general feeling that unites families and friends).  .

Banjo,Bass Guitar,Ukulele - Level 1 - Digital Download SKU: A0.913058 Composed by Andrei Lucian Dragoi. Instructional. 8 pages. Andrei-Lucian Dragoi #5741645. Published by Andrei-Lucian Dragoi (A0.913058). This paper proposes a sketch-version of a unifying beginners’ cost-effective teaching/learning method for any fretted string instrument (like ukulele, guitalele, mandolin and guitar) using the same 4-strings tuning which may be also used to teach/learn the basic music theory and practice elements: more specifically, the standard tuning of the central 4 strings of the guitar may be applied (non-standardly!) to all the other cited smaller (thus more portable) instruments (like ukulele, guitalele and mandolin) which may be used either independently/separately or as  preparatory instruments for the purpose of teaching guitar (and music theory) after that first teaching/learning phase on a smaller instrument (or on a 4-strings guitar). This unifying method may largely open the horizons of children (and beginners in general, to experience more than one instrument) and may also help poor children/persons (who don’t afford a guitar) to be taught the guitar basics (including important elements of music theory) on much cheaper (smaller) instruments (who are generally much more accessible): that is why this method also addresses to all music teaching systems from all poor countries worldwide. For those who have a guitar or a guitalele and want to apply this method, they may easily remove the 1st and the 6th guitar/guitalele strings (E4 and E2): the resting nucleus composed from the 4 central strings is sufficient to teach/learn all the basic theoretical and practical notions of guitar (or any other fretted string instrument) and music in general. This paper also contains some examples of songs (written in English and Romanian languages) with included chords (aka tabulatures), each song displayed in one tonality (C major or its relative A minor) or two tonalities (C major [/A minor] and G major [/ E minor]) which can then be altered by using a capodastro (aka capo) to fit any tonality and thus fit the ambitus and tessitura (the most acceptable and comfortable vocal range) of any child/adult voice. For a periodically-updated extensive online catalog of harmonized/ chorded songs see URL: http://dragoii.com/hcs This paper continues the work of other past articles/preprints of the same author in music.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1223683 By George B Chave. By Claude Debussy. Arranged by George B Chave. 20th Century,Classical. 9 pages. BrassMagicMusic.com #819834. Published by BrassMagicMusic.com (A0.1223683). This arrangement features horn on the primary melody, and generally places the work in the lower and darker registers of the other instruments.  At the climax the first trumpet climbs out of the darkness and into the bright upper register.  As the theme is recalled/remembered at the end, trumpet with harmon mute lends a nostalgic feeling.  Combined with my arrangement of General Lavine and Heather, this would make a great recital set of Debussy's music.  Buy all three Debussy Preludes as a set (including Heather, The Girl With The Flaxen Hair, and General Lavine) and save over 14%. Just Search: Three Debussy Preludes (brass quintet).

Piano,Piccolo Trumpet - Level 5 - Digital Download SKU: A0.1404148 Composed by Dario Castello. Arranged by Quinten Schlücker. Chamber,Classical,Early Music,Historic,Renaissance. Score and part. 31 pages. Quinten Schlücker #987323. Published by Quinten Schlücker (A0.1404148). Bearbeitung von Dario Castellos (1602-1631) Sonata Prima à Sopran Solo aus Sonate concertate in stil moderno, libro secondo für Piccolo-Trompete in A.Inklusive vier Versionen für die Begleitung:-Zwei realisierte Generalbass-Stimmen-Ein bezifferter Generalbass-Einmal als PartimentoArrangement of Dario Castello's (1602-1631) Sonata Prima à Soprano Solo from Sonate concertate in stil moderno, libro secondo for piccolo trumpet in A.Includes four versions for the accompaniment:-Two realized basso continuo parts-One figured basso continuo-Once as a partimento

Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.576917 Composed by Traditional. Arranged by David Warin Solomons. Children,Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #519535. Published by David Warin Solomons (A0.576917). Donkey Riding is a traditional work song or sea shanty originally sung in Canada, Scotland and the North Eastern United States. It has also become popular as a children's song. The earliest written record of the song dates to 1857. It is generally assumed agreed that the donkey of the song title is a reference to the steam donkey, a kind of general-purpose steam engine. In this arrangement, each of the melody instruments takes a turn at playing a simple variation on the tune while the piano tinkles gracefully around the harmonies. The sound sample is an electronic preview. The pdf file contains score and parts (including a separate piano part) Versions are available for string trio and piano, wind trio and piano and saxophone trio and piano. There is also a simpler version for three part choir and piano on this site.

Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by Antonio Vivaldi. Arranged by Alan Edgar. Baroque. 86 pages. Alan Edgar Ted Moon #1006198. Published by Alan Edgar Ted Moon (A0.1425377). VIVALDI RV 443 PICC CONCERTO ARR FOR EB CLARINET AND CLARINET CHOIR.  Essential: Eb soloist, Bb1,2,3 or Alto, Bass.  Optional Contra-alto, Contrabass. This Concerto in C Major for flautino RV443 dates from1728-29. It was probably composed for the Ospedale della Pietà in Venice, the convent/orphanage with which he was affiliated.. The girls of the Pietà were famous throughout Europe for their musical performances. . Since the term “flautino” was not generally used in Vivaldi’s day, scholars have speculated ever since about what instrument Vivaldi had in mind. The leading candidate is the sopranino recorder. However, later in the 18th century the transverse flute replaced the recorder in general use, and a new edition of RV 443 was published for the piccolo, a member of the flute family.There are several passages with only the bass line accompanying, and no figures, so I have realised some of these. Some of the accompaniment rhythm patterns, originally for strings, seem too heavy-footed on clarinets, so I have made a few tiny modifications in them. The cadenza, all the articulations and dynamics are mine. 9 minutes if the soloist is very agile.