Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1175707 Composed by Johann Pachelbel. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. 10 pages. Piacere Music Sheets #775828. Published by Piacere Music Sheets (A0.1175707). Opus/Catalog Number: P.37Key/Tone: D majorMovements/Sections: 1 (Canon)Year/Date of Composition: 1680~Difficulty: Grade 5/12 (Intermediate)Obs.: Pachelbel's Canon is the first of two movements in the composer's Kanon und Gigue für 3 Violinen mit Generalbaß, PWC 37, T 337, PC 358. It was originally composed for three violins and basso continuo.This score is an arrangement for Violin and Viola.Included: Full score and individual parts.

SKU: M2.MOS-91043 Hofkapellmeister und Komponist zwischen Renaissance und Barock. Composed by Siegfried Vogelsanger. Möseler Verlag #MOS 91043. Published by Möseler Verlag (M2.MOS-91043). ISBN 9783787730438.Die Lebenszeit von Michael Praetorius fallt in jene Jahrzehnte um 1600, die zu den spannendsten in der Musikgeschichte uberhaupt gehoren: Ende der Vokalpolyphonie und Beginn der generalbassgestutzten Barockmusik, Herausbildung der Mehrchorigkeit und des konzertierenden Stils, Entstehung von Monodie und Oper. Der stets neugierige und umtriebige Praetorius war nicht nur Augen- und Ohrenzeuge dieses gravierenden stilistischen Umbruchs, sondern auch der bedeutendste Musik-Enzyklopadist seiner Zeit. Neben dem autodidaktischen Studium aktueller Musikdrucke (Claudio Monteverdis Marienvesper etwa war ihm wohlbekannt), bezog Praetorius sein umfassendes Wissen aus zahlreichen Reisen im Auftrag oder im Gefolge des Wolfenbutteler Herzogs. Diese fuhrten ihn vor allem auch nach Prag, wo er am kaiserlichen Hof wichtige Kontakte zu fuhrenden Musikern knupfen konnte. So lernte Praetorius, obgleich er Norditalien nie besucht hat, den neuen italienischen Stil in allen Auspragungen kennen und stand ihm sehr aufgeschlossen gegenuber. Prag wurde sein Venedig, um es mit Siegfried Vogelsanger zu sagen. Das kompositorische Werk zeigt eindrucksvoll, wie eigenwertig und kunstvoll Praetorius mit dem stile nuovo umzugehen vermochte. Leider hat sich die Musikforschung mit Michael Praetorius nicht annahernd soviel befasst, wie mit seinem Zeitgenossen Heinrich Schutz. So blieben der musikhistorische Rang und vor allem die kompositorische Substanz des Wolfenbutteler Hofkapellmeisters bis heute unterbewertet. Um so verdienstvoller ist daher diese Monographie des in Wolfenbuttel ansassigen Praetorius-Forschers Siegfried Vogelsanger. Das unter Mitarbeit von Winfried Elsner aufschlussreich bebilderte Buch liefert bei einem uberschaubaren Gesamtumfang ein ausgezeichnetes Resumee des aktuellen Forschungsstandes und bietet somit die solide Basis fur weiterfuhrende Studien. Der in allgemeinverstandlicher Form abgefasste Text kann auf der Grundlage solider wissenschaftlicher Quellen sowohl dem Musikliebhaber als auch dem Musikstudierenden als reiches Kompendium dienen, sich uber Leben und Werk von Michael Praetorius zu informieren.

Descant recorder (flute, violin) and Generalbass (guitar) - Digital Download SKU: S9.Q5301 Aus Sonata concertante in stilo moderno, Venedig. Composed by Dario Castello. This edition: Sheet music. Original Music for Recorder. Downloadable. Schott Music - Digital #Q5301. Published by Schott Music - Digital (S9.Q5301).

Banjo - Level 3 - Digital Download SKU: A0.1511300 By Garth Brooks. By Dennis Linde. Arranged by Zander Wyatt. Country. Score. 4 pages. Zander Wyatt #1086475. Published by Zander Wyatt (A0.1511300). This is an arrangement of the classic song by New Grass Revival/ Garth Brooks.  The banjo part is generalized but follows the arrangement of the Garth recording.

Piano - Digital Download SKU: LV.13364 Campaigns & battles. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13364). The Battle of Waterloo, A Grand Descriptive Sonata for the Piano Forte, Composed in Commemoration of the glorious & decisive Victory obtained by the Allied Army, on the 18th of June 1815 Under the Command of Field Marshal the Duke of Wellington, aided by Prince Genl. Blucher. (Blewitt. Published [n.d.] by G.E. Blake, No. 13 S. 5th Street in Philadelphia. Composition of Multimovement, sectional programmatic piece, with descriptive headings (e.g., The commander in Chief gives orders to his Generals, Cries of the Wounded and Dying, etc.) with piano instrumentation. Subject headings for this piece include Campaigns & battles. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Viola Duet Viola - Level 3 - Digital Download SKU: A0.1175717 Composed by Johann Pachelbel. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score. 10 pages. Piacere Music Sheets #775838. Published by Piacere Music Sheets (A0.1175717). Opus/Catalog Number: P.37Key/Tone: D majorMovements/Sections: 1 (Canon)Year/Date of Composition: 1680~Difficulty: Grade 5/12 (Intermediate)Obs.: Pachelbel's Canon is the first of two movements in the composer's Kanon und Gigue für 3 Violinen mit Generalbaß, PWC 37, T 337, PC 358. It was originally composed for three violins and basso continuo.This score is an arrangement for two violas (1 and 2).Included: Full score and individual parts.

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the Müllersche Kunstgalerie, the wax art gallery and organ museum of Joseph Müller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.

Full Orchestra - Level 4 - Digital Download SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published by Arkady Leytush (A0.1378418). Albeniz completed only La Vega (on 26 January 1897) and the first 16 bars of Generalife. The score was written in piano solo format, and La Vega was later orchestrated. The orchestral version of La Vega was never published however, but the composer decided to publish the piano solo version after discarding the last three pages and writing a new, more developed version of the entire piece, with a reprise of the opening A section taking the place of the three discarded pages. This new expanded version was completed on 14 February 1897 and published that year. The piece lasts approximately 14 minutes. «La Vega» is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.

Piano Solo - Digital Download SKU: A0.958724 Composed by Celina González Zamora y Reutilio Domínguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 5 pages. Juan Carlos Cortés Aguirre #6116393. Published by Juan Carlos Cortés Aguirre (A0.958724). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.De la Guaracha San Lázaro compuesta e interpretada por Celina González Zamora (Nueva Luisa, Jovellanos, Matanzas 16 de marzo de 1928 - La Habana 4 de febrero de 2015) y Reutilio Domínguez Terrero (Guantánamo 1921 - 1971)Celina y Reutilio rompen con una vieja separación que existía entre la música guajira y la música afro, establecen una nueva fusión donde la métrica, o sea, la décima hispánica y el estilo del punto guajiro, se mantienen, pero la letra se refiere a temas del patrimonio cultural del continente negro. La acogida del público se debe no solo a lo novedoso de la tonada sino quizá a varias otras razones. El dúo combinaba la restallante voz de Celina, como se la ha llamado, con el sonido producido por Reutilio, que parecía provenir no de una sino de dos o más guitarras. Vale la pena ahondar un poco sobre esto último. En los tradicionales dúos y tríos de punto cubano y son montuno generalmente se utilizaban dos guitarras, o una guitarra y otro instrumento de cuerdas. Un músico tocaba la llamada guitarra prima, o sea, los tonos agudos, como es el caso de Miguel Matamoros en su trío, mientras que un segundo guitarrista ‘bordoneaba’, es decir, marcaba los tonos bajos, como hacía Rafael Cueto con sus famosos ‘tumbaos’ en el Trío Matamoros. Reutilio Domínguez reunía una desarrollada técnica, así como dedos, muñeca y antebrazo supremamente flexibles que le permitían tocar la prima y bordonear al mismo tiempo, de manera que el dúo de Celina y Reutilio sonaba como un trío.Vídeo You Tube Celina y Reutilio:https://www.youtube.com/watch?v=-mS0nW8HTzkTexto:San LázaroGuarancha por: Celina González Zamora y Reutilio Domínguez Terrero.Introducción:Babalú ayé mi mozo,babalú ayé ecua.Que Babalú ayé mi mozo,babalú aye ecua.Guaracha:Eh,eh, ecua,babalú ayé, ekua,Ecua, papa ecua,babalú ayé, ecua,Ecua, viejo ecua,babalú ayé, ecua,Ecua, papa ecua,babalú ayé, ecua,Que yo va subí y usted va bajá,con los zapato de chango te.De Chango te,mi chango ta,chango taito y obatalá.Ay, Babalú ayé,padre mío San Lazaro.Ay, padre mio aeh,padre mío San Lázaro.Ayudanos en nombre de Dios,padre mío San Lázaro.Ay, pero que sea de corazón,padre mío San Lázaro.Piano: Recitado:Ekua babalu aye,sacuapa asoñi,asujana papá,Eh...Son troni carará,Afilapa, osuo no pequeña toto.Piano: Guaracha:Chango te,de chango ta,chango taito y obatalá.Ay, babalú ayé,padre mío San Lázaro.Que yo quiero ser y un senserico,padre mío San Lázaro...Ay, pero que sea de corazónpadre mío San Lázaro...Que yo va subí y usted va bajá,con los zapato de chango te.De Chango te,de chango ta,chango taito de obatalá.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.962995 Composed by GenerallyWhite. Jazz. Score and parts. 52 pages. Yml #3430079. Published by Yml (A0.962995). Wanna Be My... is an original piece of music written for a big band or jazz ensemble.Adlib. Solo for Tenor Sax 1 (opt. Soprano Sax) - S.Sax in the recording.Run time - 3:11bpm = 210Approximate Level = High-school Jazz Ensemble (Grade 3)Sound created by Finale

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880968 By The Beatles. By John Lennon and Paul McCartney. Arranged by Marco Polo C. Ignacio. Rock. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6362255. Published by MARCO POLO IGNACIO (A0.880968). In My Life is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by John Lennon and Paul McCartney, who later disagreed over the extent of their respective contributions to the song. Lennon credited the harmony and bridge to McCartney, while McCartney claimed the entire musical structure. George Martin contributed the piano solo bridge, which was sped up to sound like a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he penned personal lyrics about his own life. The original version of the lyrics was based on a bus route he used to take in Liverpool, naming various sites seen along the way, including Penny Lane and Strawberry Field. Lennon discarded this lyrical idea in favour of a more generalized meditation on his past. He and McCartney later revisited those original references with their respective songs Strawberry Fields Forever and Penny Lane.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1175706 Composed by Johann Pachelbel. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. 10 pages. Piacere Music Sheets #775827. Published by Piacere Music Sheets (A0.1175706). Opus/Catalog Number: P.37Key/Tone: D majorMovements/Sections: 1 (Canon)Year/Date of Composition: 1680~Difficulty: Grade 5/12 (Intermediate)Obs.: Pachelbel's Canon is the first of two movements in the composer's Kanon und Gigue für 3 Violinen mit Generalbaß, PWC 37, T 337, PC 358. It was originally composed for three violins and basso continuo.This score is an arrangement for two violins (1 and 2).Included: Full score and individual parts.

Guitar - Level 3 - Digital Download SKU: A0.928068 Composed by Johann Pachelbel. Arranged by Vincent Ong. Baroque,Holiday,Renaissance,Wedding. Guitar Tab. 4 pages. Prima Acoustic Music #6619183. Published by Prima Acoustic Music (A0.928068). Pachelbel's Canon is an accompanied canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen it Generalbaß) (PWC 37, T. 337, PC 358). It is sometimes called Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.This arrangement is for guitar solo, with tabs and note in D major key, suitable doe intermediate level learner.