Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).

Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet,Voice - Level 1 - Digital Download SKU: A0.964441 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326889. Published by Leyandder Trustworthy (A0.964441). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1460569 By John Denver. By Jay Livingston and Ray Evans. Arranged by Will Corbin. Christmas,Pop. 11 pages. Will Corbin #1039485. Published by Will Corbin (A0.1460569). From Wikipedia: Silver Bells started out as Tinkle Bells. Songwriter Ray Evans said: We never thought that tinkle had a double meaning until Jay went home and his first wife said, 'Are you out of your mind? Do you know what the word tinkle is?'For those of younger years, tinkle was once a mother's favorite euphemism for the now generally accepted pee..

Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1268716 Composed by John Francis Wade. Arranged by Todd Marchand. Christian,Christmas,Sacred. 25 pages. Con Spirito Music #861244. Published by Con Spirito Music (A0.1268716). Perhaps the most often-sung processional or recessional hymn at Christmas services, O Come, All Ye Faithful is generally attributed to John Francis Wade (1711-1786), an English Catholic hymn-writer who authored both its Latin text and its tune, known as ADESTE FIDELES from the opening words of the text. Although more than two dozen English translations of Wade's text (c. 1743) by various writers exist, the 1841 translation by English Catholic priest Frederick Oakeley (1802-1880) is the most commonly used.In addition to the four verses-with-refrain in Wade's text and Oakeley's translation, other hymn-writers penned additional stanzas, and it is not uncommon to hear six or seven sung today. This accompaniment for organ, brass quintet, and timpani is based on the four original stanzas as translated by Oakeley, with all but the final verse employing the standard harmonization from The English Hymnal (1906). For performances of more than four verses, it is suggested that the organ-only accompaniment (Verse 1) be repeated/inserted at the discretion of the organist or music director.  Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-06E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.767057 Composed by Mike Lyons. 20th Century,Contemporary,Standards. Score and parts. 28 pages. Lyons Music Services #59305. Published by Lyons Music Services (A0.767057). This is a three movement work in celebration of and dedicated to my delightful colleagues at DHS; Carin and Rachel Johnson. Carin is a clarinettist and singer, Rachel is a flautist and this was the first piece I wrote for them. The movements are 1. Hustle Bustle, 2. A Sad Little Sarabande and 3. Giggle Jiggle.Each movement describes an aspect of their character and what it was like working with them. A great pair, life was generally quite exciting! A part is included to replace the Bb Clarinet with an Eb if you want to have that extra edginess to the sound.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1207129 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Chamber,Christian,Praise & Worship,Sacred. 9 pages. Sheet Music To Play Editions #805306. Published by Sheet Music To Play Editions (A0.1207129). Pie Jesu from Faure's Requiem, Op.48. Arrangement for Brass Quintet - Bb Trumpet 1, 2, French Horn, Trombone and Tuba. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play

Level 2 - Digital Download SKU: A0.1426200 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 11 pages. Paul Burnell #1006947. Published by Paul Burnell (A0.1426200). Extremitas, by Paul Burnell.Composed 2011 with amendments in 2023.For instruments.Duration 3.45 approx.The playing score is available in multiple transpositions.The dynamics may be devised ad lib., but throughout generally either very loud or very soft.Optional: the music may be octave doubled ad lib. with the low C doubled 2 octaves lower.Also optional: low drums (orchestral bass drum, timpani etc) double last four bars.Also optional:  Either before playing, or after the final notes, all whisper rapidly, and in own time, the following text:Instruments scatter sounds across mountains to the utmost borders of all areas.Programme note:This piece was  written for Dan Knight's bottle organ sound sculpture in 2011.  The bottle organ was exhibited at Lewisham Arthouse, London in 2011.   The composition was originally titled 'Lullaby - Last Breath'.Extremitas is a Latin word meaning 'extremity' or 'border' or 'ending'.

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1473026 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 4 pages. Sheet Music To Play Editions #1050654. Published by Sheet Music To Play Editions (A0.1473026). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723353 Composed by Conrad Kocher, Folliott Pierpont. Arranged by Garrett Breeze. Holiday,Praise & Worship,Sacred. Octavo. 6 pages. Lagom Music #6118549. Published by Lagom Music (A0.723353). This is a beautiful choral arrangement of For the Beauty of the Earth, one of the most recognizable hymns in all of Christendom. It is generally associated with Thanksgiving, but is sung frequently in many other contexts, including in concert settings. It begins with the first verse in unison, adds a harmony part for the second, and concludes with a key change and a verse full of harmony.Also available in:SAB: http://bit.ly/2LwPqSMSSA: http://bit.ly/3om3xbZTTB: http://bit.ly/3ooHG3zTwo-Part Choir: http://bit.ly/3pYPwl4Visit https://garrettbreeze.com to read my blog and discover new music!

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-37E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-37E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Cello,Harpsichord,Horn,Piccolo,Violin - Level 3 - Digital Download SKU: A0.1114128 Composed by Steven Kudlo. 20th Century,Chamber,Classical. 93 pages. Steven Mark Kudlo #716057. Published by Steven Mark Kudlo (A0.1114128). A chamber work for a harpsichord and two flutes, two horns, two violins, and a cello. It's in six movements, about 13 minutes long. The piano could be substituted for a harpsichord. Techniques used are polystylism and minimalism, but the overall impression is neoclassic. Generally tonal, with some piquant sections, it is probably intermediate in skill level. Each movement is different in form, though based on the first movement's form. Inspired by an engraving on the cover of this piece.

B-Flat Clarinet,Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.1205269 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Instructional. 29 pages. Sheet Music To Play Editions #803452. Published by Sheet Music To Play Editions (A0.1205269). 15 Inventions by Bach. Arrangement for Bb Clarinet and Bassoon. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only. Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1456594 Composed by Cindy Blevins. 21st Century. 2 scores. 9 pages. Cindy Blevins #1035668. Published by Cindy Blevins (A0.1456594). This duet is from my book Intermediate Clarinet Duets, Vol. II.  You receive the score and the separate parts.The Clarinet 2 part is generally easier. This duet is perfect for teacher/student, or two players of the same level of technical skill (or one player who isn't as technically advanced.) The book of 13 duets is also available.