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Guitar - Level 3 - Digital Download SKU: A0.1408429 Composed by Georges Bizet. Arranged by Dan Jones www.danjonesguitarist.com. 19th Century,Classical,Opera. 21 pages. DanJonesGuitarist #991016. Published by DanJonesGuitarist (A0.1408429). Habanera (L'amour est un oiseau rebelle)by Georges Bizet. Arranged for Four Guitars by Dan Joneswww.danjonesguitarist.comI have provided a score with notes and TAB, a score with notes only (to facilitate directors' page turns) and all parts with notes and TAB or just notes.L'amour est un oiseau rebelle (Love is a rebellious Bird) or Habanera is one of opera's most popular arias. The melody was actually written by the Spanish musician Sebastián Iradier. Bizet mistakenly believed it to be a folk melody but was quick to credit the original author upon being informed of its origin.  Iradier had a gift for creating popular melodies as he also wrote the beautiful La Paloma. This arrangement employs a variety of timbres and the full range of the instruments. Guitars 3 & 4 are tuned to D and Guitar 1 has the option of playing up to a high A (fret 17), although this passage is equally effective played an octave lower (see note in score). I have provided a score with notes and TAB, a score with notes only (to facilitate directors' page turns) and all parts with notes and TAB or just notes. A video performance of this arrangement is available on YouTube or at www.danjonesguitarist.comFor a huge range of writings, arrangements, compositions and much more, for guitarists of all levels of experience, please visit www.danjonesguitarist.comI hope you enjoy playing Habanera as much as I have enjoyed arranging and performing it.
Habanera 'L'amour est un oiseau rebelle' from Carmen

$6.95 5.97 € PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1290937 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. 5 pages. Rocco Di Pietro #881623. Published by Rocco Di Pietro (A0.1290937). The Genealogy of the “Being†PiecesBeingOn a poem by Georges Bataille called “God†in which Bataille states that “if God knewhe was God he would cease to be God. Therefore God is a-theist, profoundly so.†ForSATB mixed chorus, a capella. (Los Angeles, CA. 2004).Being MirrorThe Bataille text is hidden with only a few fragments left due to the generalimpossibleness of choral ensembles worldwide. For men’s chorus and chamberensemble. (Palo Alto, CA. 2014).PrayerAs the third movement of the cello symphony The Art of Imaginal Listening. Bataille’stext is renounced, the chorus reduced to syllables. For women’s chorus and orchestra.(Clarence Center, N.Y. 2014).Lost PrayerSince the text cannot be revealed, the Prayer is lost. The choral element is renouncedcompletely. For string orchestra or string quintet. (Clarence Center, N.Y. 2016).Lost Prayer2Expanding on all the possible choral and instrumental timbres, the cycle continues forwind instruments. For concert wind band. (Columbus, OH. 2019).Being3The last work in the cycle for a solo player, completes the project ending in agnosis. Forsolo violin. (Columbus, OH. 2021).
BEING3 (2021) for solo violin
Violon

$12.00 10.31 € Violon PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.1273479 By George Curiel Ãvila. By Jorge Luis Curiel Ãvila. 21st Century,Chamber,Classical,Contemporary,Pop. Score. 2 pages. George Curiel Ãvila #865617. Published by George Curiel Ãvila (A0.1273479). And It's a New Start is a piece for piano and electronics composed and produced by mexican composer George Curiel Ãvila. Jorge Luis Curiel Ãvila (b. 2001) is a composer based in Ciudad Satélite, State of Mexico. His music inside the popular movement broaches Curiel's own life, as he describes it as a diary, but in music. He's actually studying a Bacherlor's Degree in Composition at Centro de Investigación y Estudios de la Música (CIEM) at Mexico City and improving his musical skills at Núcleo Integral de Composición (NICO).
And It's a New Start
Piano seul
George Curiel Ãvila
$2.99 2.57 € Piano seul PDF SheetMusicPlus

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 134. George Kaplan #3twZIB0zYvsynuaepMfK1d. Published by George Kaplan (A0.1081182). Key: F# major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
Mysticism

$9.99 8.58 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1004008 Composed by George C. Hugg. Arranged by Adriel Verçosa. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 25 pages. Adriel Verçosa #3451779. Published by Adriel Verçosa (A0.1004008). Cristo, O Fiel Amigo é o hino nº 08 da Harpa Cristã com música composta por George C. Hugg. Sua versão em inglês é chamada No, Not One (Não, nenhum), sendo o começo de sua primeira estrofe There's not a friend like the lowly Jesus (Não há amigo como o humilde Jesus).Este arranjo foi feito em uma estrutura simples de duas partes com repetição, podendo ser repetido por três vezes, sendo a sendo a última parte executada só pelo instrumental, com a congregação entrando no refrão, e finalizando. O arranjo é de fácil execução, possui uma riqueza harmônica muito grande.Instrumentação: banda musical.Para outros tons ou formações, contate meu email: adrielvall@hotmail.comCristo, O Fiel Amigo is the hymn No. 08 of the brazilian hymnal Harpa Cristã with music composed by George C. Hugg. The English version is called No, Not One, and the first verse is There's not a friend like the lowly Jesus.
Cristo, O Fiel Amigo - 08 HC / No, Not One (There's not a friend like the lowly Jesus)
Orchestre d'harmonie

$3.99 3.43 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
Damerons Dance

$9.99 8.58 € PDF SheetMusicPlus

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 43. George Kaplan #2BWqBfGRvuUa7JVZpWXsgL. Published by George Kaplan (A0.1081131). Key: C major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
Adjustment

$9.99 8.58 € PDF SheetMusicPlus

Cello,Flute,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1217094 Composed by George S. Schuler. Arranged by Esaú Flores Carreño. Chamber,Christian,Religious,Sacred,Singer/Songwriter. 24 pages. Esaú Flores Carreño #813630. Published by Esaú Flores Carreño (A0.1217094). The original music is by George S. Schuler (1882-1973) with an arrangement of mine that was originally for flute and piano only (you can see it here: https://youtu.be/rh-yyjxNVOg) they asked me for this adaptation for flute, string quartet and piano; I know that in many places there is no viola so it includes a violin part III that covers the viola.Algunos lo conocen como Usa mi vida. Según el himnario Himnos Majestuosos se llama Hazme una fuente de bendiciones, por su título original en inglés Make Me a Blessing. La música original es de George S. Schuler (1882-1973) con un arreglo mío que originalmente era solo para flauta y piano (lo puedes ver aquí:    https://youtu.be/rh-yyjxNVOg) pero me pidieron esta adaptación para flauta, cuarteto de cuerdas y piano; se que en muchos lugares no hay viola así que incluye una parte de violín III que cubre a la viola.
Make me a blessing (Hazme una fuente de bendiciones)

$19.90 17.1 € PDF SheetMusicPlus

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
The Sophisticated Hippy

$9.99 8.58 € PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.22042 Composed by J.N. Sporle. Civil War--Union, Patriotism, George Washington, Andrew Jackson, George Brinton McClellan. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22042). The Days of Glorious Washington. A New National Song. [Harding's Musical Treasury No. 13]. Words by J.F. Poole. Music by J.N. Sporle. Published 1862 by Burnton's, 241 Hudson St. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, George Washington, Andrew Jackson, George Brinton McClellan. First line reads In the days of glorious Washington, a long time ago, our fathers true a Union made, to last through weal or woe.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Days of Glorious Washington. A New National Song
Piano, Voix

$5.99 5.15 € Piano, Voix PDF SheetMusicPlus


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