B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.862412 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468892. Published by Musik Fabrik Music Publishing (A0.862412). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.534729 Composed by Clémence de Grandval. Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362077. Published by Musik Fabrik Music Publishing (A0.534729). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.534731 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and parts. 22 pages. Musik Fabrik Music Publishing #6362085. Published by Musik Fabrik Music Publishing (A0.534731). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe. 

2 (2. auch Picc.) · 2 (2. auch Engl. Hr.) · 2 · 2 - 4 · 2 · 3 · 0 - P. S. (Trgl. · Schellentr. · kl. Tr. · gr. Tr. m. Beck.) - 2 Hrf. - Str. orchestra - Digital Download SKU: S9.Q21372 On the critical edition by Robert Didion. Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21372. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21372). German • English • French.'Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop. Nevertheless, the opera very quickly gained acceptance at all major theatres, bringing in its wake countless arrangements of some particularly beautiful music numbers, among them the Carmen Fantasia for violin and orchestra by the Spanish violin virtuoso Pablo de Sarasate. It was, in all probability, Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. The missing singing voices were replaced by instruments, as was common practice in such cases. In addition to the two pocket scores, full score and orchestral parts are available as hire material.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362081. Published by Musik Fabrik Music Publishing (A0.534730). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

2 (beide auch Picc.) · 2 (2. auch Engl. Hr.) · 2 · 2 - 4 · 2 · 3 · 0 - S. (P. · Trgl. · Beck. · Tamb. · kl. Tr. · gr. Tr. · Kast.) (3 Spieler) - 2 Hfn. - Str. Bühnenmusik: 2 Pistons · 3 Posaunen - Digital Download SKU: S9.Q49525 Opéra comique in 4 Acts. Composed by Georges Bizet. This edition: vocal/piano score. Oper - Theater - Aufführung. Downloadable, Piano reduction. Duration 180' 0. Schott Music - Digital #Q49525. Published by Schott Music - Digital (S9.Q49525). French • German.This new edition aims to present the correct text of the version arrived at during preparation and rehearsals for the first performance, this being the only version authorised by both the authors, composer as well as librettist. This definite text has been based on manuscript sources and early printed editions supervised by the authors.

English Horn,Piano - Level 4 - Digital Download SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Digital Download SKU: S9.Q1874 Oper in 3 Bildern. Composed by Erich Wolfgang Korngold. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 12. Duration 145' 0. Schott Music - Digital #Q1874. Published by Schott Music - Digital (S9.Q1874). German.Der Klavierauszug von Korngolds Oper Die tote Stadt setzt unsere Reihe der mit farbigem Sondercover ausgestatteten Klavierauszüge großer Opern fort. Der sorgfältige, hervorragend lesbare Notensatz ermöglicht ein vertieftes Verständnis dieses Schlüsselwerks der 20er Jahre. Die tote Stadt war von Anfang an ein durchschlagender Erfolg. Bei der Uraufführung 1920 war der Komponist Korngold, der später in Hollywood Karriere als Filmkomponist machte, gerade einmal 23 Jahre alt. Das Libretto, ein vielschichtig gebrochenes, morbides Liebesdrama zwischen dem um seine verstorbene Frau Marie trauernden Paul und Maries Ebenbild Marietta, beruht auf dem symbolistischen Kultroman Burges-la-Morte von Georges Rodenbach von 1892.3 (2. u. 3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 · Basstrp. · 3 · 1 - P. S. (Glsp. · Xyl. · Trgl. · hg. Beck. · Tamt. · Tamb. · kl. Tr. · gr. Tr. m. Beck. · Ratsche · Rute) (1 Spieler) - Mand. · 2 Hfn. · Cel. · Klav. · Harm. - Str. - Bühnenmusik: 2 Es-Klar. - 2 Trp. - S. (7 tiefe Gl. · Trgl. · Beck. · kl. Tr. · gr. Tr. · Tamb. · Windmasch.) - Org. - Erhöht aufgestellt (über dem Orchesterraum): 2 Trp. · 2 Pos. (jeweils möglichst mehrfach besetzt).

Piano - easy to intermediate - Digital Download SKU: S9.Q780202 Selection from opus 123 & opus 126. Composed by Cecile Chaminade. Women composer - Melodienvielfalt - Pädagogische Klaviermusik. Schott Student Edition - Repertoire. These charming pieces, selected from the collections Op. 123 and Op. 126 by this timeless composer, are a real discovery, perfect for young pianists and lovers of piano music. Delve into a world of childlike imagination. Downloadable, Piano score. Schott Music - Digital #Q780202. Published by Schott Music - Digital (S9.Q780202). German • English.Let yourself be enchanted by the extraordinary music of Cécile Chaminade! In her ‘Album des enfants’, the celebrated composer and pianist presents an exquisite selection of 12 piano pieces that are suitable for both lessons and recitals. Each piece is a small masterpiece that delights with clear forms, catchy melodies and colourful harmonies. Cécile Chaminade, whom Georges Bizet called ‘My little Mozart’, was a pioneer of her time. Her music not only appeals to the heart, but also stimulates the imagination - ideal for teaching young people and adults. With teaching tips and suggestions regarding character, tempo and dynamics, so that playing remains fun and challenging at the same time. ‘Album des enfants’ is a wonderful alternative to the classical youth albums by Schumann, Tchaikovsky and Debussy. Delve into the melodies, the story and the unforgettable charm of Cécile Chaminade!

2 (auch 2 Picc.) · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. S. (Trgl. · Schellentr. · gr. Tr. m. Beck.) - Str. orchestra - Digital Download SKU: S9.Q21192 On the critical edition by Robert Didion. Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Duration 24 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21192. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21192). German • English • French.Carmen ist eine der beliebtesten und weltweit meist aufgeführten Opern. Ihr Komponist Bizet hat die Uraufführung, die ein Misserfolg war, nicht mehr erlebt. Die Oper setzte sich jedoch rasch an allen großen Bühnen durch und zog unzählige Bearbeitungen einiger besonders schöner Musiknummern nach sich, darunter die Carmen-Phantasie für Violine und Orchester des spanischen Violinvirtuosen Pablo de Sarasate. Höchstwahrscheinlich war es Bizets enger Freund und Studienkollege Ernest Guirauds, der insgesamt 12 Nummern der Oper in zwei Orchester-Suiten zusammenfasste. Die fehlenden Singstimmen hat er, wie es in solchen Fällen üblich war, durch Instrumente ersetzt. Neben den beiden Taschenpartituren sind Dirigierpartitur und Orchesterstimmen als Leihmaterial erhältlich. Der Notentext basiert auf unserer wissenschaftliche Neuausgabe der Oper, herausgegeben von Robert Didion.

Full Orchestra - Level 2 - Digital Download SKU: A0.896910 Composed by Frederic Chopin, Georges Bull, Johann Sebastian Bach, and Marcelo Torca. Arranged by Marcelo Torca. 20th Century,Baroque,Children,Instructional,Romantic Period. Score and parts. 330 pages. Marcelo Torca #2548813. Published by Marcelo Torca (A0.896910).   Piano Musical – Projeto                         Projeto de música onde tem por objetivo ensinar música lendo partitura, formar conjuntos e inserir o piano nos conjuntos formados.                           O repertório utilizado contém músicas: Barroca; Clássica; Romântica; Moderna; Contemporânea; Brasileira.                          Os instrumentos que fazem parte do conjunto formado são: Piano; Teclado; Bandolim; Flauta-Doce; Cavaquinho; Bateria; Baixo elétrico; Guitarra; Violão; Viola Caipira; Percussão.                          Os arranjos são organizados em três níveis:                          *Primeiro Nível consiste em fazer acompanhamento simples utilizando notas musicais de ritmo simples de acordo com o instrumento a ser aprendido;                          *Segundo Nível consiste em fazer acompanhamento e partes do solo da música, o ritmo já é mais elaborado;                          *Terceiro Nível consiste em fazer solo da música, com um ritmo elaborado.                            As aulas para o primeiro nível e segundo são em grupo de até cinco pessoas, a do terceiro nível são individuais tendo a duração de uma hora por semana. Os três níveis fazem ensaios semanais juntos, formando conjuntos, a duração do ensaio é de uma hora.                          O repertório tem a função de introduzir o som do piano em conjunto, levar o conhecimento de um repertório pianístico ao conhecimento do público, dar uma noção de música de todos os tempos e valorizar músicas brasileiras, composta por autores brasileiros podendo ser erudita ou popular.

Cello Solo - Level 3 - Digital Download SKU: A0.1351135 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 19 pages. Clara Obsidian #935974. Published by Clara Obsidian (A0.1351135). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsFranz Schubert : Ständchen Serenade, D.957, No. 4Georges Bizet: Farandole from L'Arlesienne Suite No.2, IVGabriel Fauré: Après un rêve from Trois mélodies Op. 7 n°1Marin Marais: La Folia Selections from Les Folies d'EspagneCharles Gounod: Meditation on the 1st prelude of J. S. Bach Ave MariaJ. S. Bach: Menuett (Minuet) Suite no.1 in G MajorBernhard Romberg: Allegro Sonata no. 1 in Bb MajorJohann Strauss I: Radetzky March P. I. Tchaikovsky: Theme from Swan Lake Camille Saint-Saëns: Danse Macabre Other Collections also available!---------------------------

Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.534728 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362071. Published by Musik Fabrik Music Publishing (A0.534728). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.