Piano Solo - Level 2 - Digital Download SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Panagiotis Theodossiou #2914377. Published by Panagiotis Theodossiou (A0.886642). 30 Short Children Pieces for Piano Solo (2007)The life of a child reveals and hides inside images and sentiments, sounds and experiences, questions and concerns. Parts of a world lost forever but treasured in the adult soul.From First Day, First Page of the diary and Sunday’s Joybells to the Bittersweet morning dances and the Calm of a Sunny Afternoon, from A Sudden Absence and a Strange Question to the Loneliness and Dream, from the imaginary Indian Dance to the Walkin’ on a Rainy Day and from March of the Goose to the Flowers’ Waltz, Lullaby and Farewell Song, these Diary of a Child pages unfold the thread of a very well known memory, a memory of us all.These 30 short piano pieces were composed between 2003 and 2007. Some of them are compositions of inspired children, composer’s pupils, like Orsaki Roussetou and Plato Tsoukatos-Pontikis.This collection is dedicated to all composer’s pupils and especially toy Nikos Karidis, the grown up child who gave me the opportunity to write most of the pieces presented. The work was recorded by Dimitra Mane on cd for the upcoming edition.. The artist performed parts of the work in composer's personal Portrait organized by Greek Composers Union at Hellenic Conservatory in Maroussi in 2010 and the whole collection at Mikros Horos Tehnis (Little Hall of Arts) in Glyfada, Attiki, in 2015. Parts of the work had been performed also by Eleni Papaspyrou students, from Herakleion Music School, in Theatrical Station, Herakleion, Crete and at Lillian Voudouri Library Hall in Athens Concert Hall in 2015.39. Jeux pour Deux for two pianos (2007)A work of neoclassical character with influences from jazz idiom. It is dedicated to the piano duo Dimitra Mane – Andy Miliory and to Maurice Ravel in the musical style of whom there are intentional references - by which was performed at Athenaeum Concert Hall Athens in 2008. The work have been secondly performed by Ting Ke and Chenshayang Huang at Boston University Concert Hall under Spring 14 Piano Ensemble Juries (K. Papadakis piano class) in 2014 and by Effie Agrafioti and Giorgos Kontrafouris in D. Mitropoulos Hall, Athens Concrt Hall in 2015.https://www.youtube.com/watch?v=jI62IN0xdA0

Piano Solo - Level 2 - Digital Download SKU: A0.1323238 Composed by Giovanni Rinaldi. Arranged by Gianluca Giovannetti. Classical. Score. 2 pages. Gianluca Giovannetti #911500. Published by Gianluca Giovannetti (A0.1323238).

Piano Solo - Level 1 - Digital Download SKU: A0.1285032 Composed by Giovanni Rinaldi. Arranged by Gianluca Giovannetti. Classical. Score. 2 pages. Gianluca Giovannetti #876158. Published by Gianluca Giovannetti (A0.1285032).

Piano Solo - Level 5 - Digital Download SKU: A0.1108224 By Panagiotis Theodossiou. By Panagiotis Theodossiou. 20th Century,Classical,Contemporary. Score. 1 pages. Panagiotis Theodossiou #707955. Published by Panagiotis Theodossiou (A0.1108224). Archanes was an ancient city of the Minoan era located on the Greek island of Crete. It used to be the summer palace of the Minoan Kings, but is also a mystic city of my imagination disclosing all its charms and mysteries throughout the time. From the ancient city itself and the palace with its imaginary king to the ancient necropolis, from the fountain and the medieval castle to the sacred mountain of Jiuchtas. seven images are unfolded in each part of the work. Seven landscapes before a fantastic visitor, who wanders among these imaginary landscapes... The parts: I. The old city from afar (Allegro semplice) II Night in the ancient palace (l' istesso tempo) III. King Archos (Allegro feroce) IV. The Ancient Necropolis (Adagio mystico) V. The Old Castle (lie a fanfare) VI. The Fountain (l'istesso tempo, flowing) VI. The Sacred Maountaiun (l' istesso tempo, maestoso, con forza) The composition process of the work 'Archanes for piano solo op.91 follows a mix of tonal and atonal elements. It is dedicated to pianist Konstantinos Papadakis (director of the Summer Piano Academy in Archanes, Crete,, Greece).

Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Composed by Monica Bergo. 20th Century. Score and parts. 54 pages. Monica Bergo #3234597. Published by Monica Bergo (A0.976827). 2017 Holiday Contest Entry                                IL SOLE E LA LUNA (aspettando l’eclissi)   Vorrei andarmene lontano In questi giorni senza te Vorrei sparire come un sogno Che se apri gli occhi più non c’è Vorrei tornare indietro al tempo In cui esistevi solo tu Ai bei momenti passati , le risate ed i baci Come il sole e la luna io e te   Ma poi ritorno al mio presente E la tua assenza brucia in me Così lontani e distanti Tu , come tutti quanti E gentili parole che svaniscono al sole   Noi siamo come sole e luna Che non si incontreranno  mai Eterna lotta nel tempo si corrono incontro Per non abbracciarsi mai E come il sole con la luna Noi  non ci sfioreremo mai Ti scaldo solo un istante Ma sei freddo, scostante Ed il giorno con me non vivi mai   Il sole e la luna Due amanti vaganti Tenuti distanti, dal caos degli eventi Scandiscono il ritmo il senso del tempo Il sole risplende La luna nasconde Ed è il girotondo Più antico del mondo È un tragico valzer Come questa mia danza senza te   Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te   Guarda la luna come illumina Tra mille stelle lei risplenderà Con il suo alone profondo Ti nasconde dal mondo Ed i tuoi segreti celerà   Ma guarda il sole come è magico Quando si alza e tutto brillerà Con i suoi mille colori, i tramonti ed i fiori  Ãˆ vita e tutto si rinnoverà   Nell’universo impenetrabile Questi 2 astri si rincorrono Ma non c’è senso nel sole Se non ha la sua luna Aspettando l’eclissi, arriverà   Aspetto l’eclissi Il tempo che passi Conservo il calore Per stringerti al cuore E penso all’istante Quel breve momento All’allineamento tra ombra e fulgore E fasi lunari, riflessi solari Tra stelle e pianeti È un eclissi del cuore senza te   Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te   E ballo sempre sola e triste è Questo mio valzer senza te Non lo hai saputo imparare come non sai amare Una donna come me   che preferisce volare non si vuole fermare al mondo e a tutti i vizi suoi perché gli orrori son tanti ma la luce del sole può placare il dolore   io sono il sole e tu la luna come raggiungerti non so Perché quest’anima vola Anche se è sempre sola Non si ferma un momento Non conosce il rimpianto   E proprio come il sole con la luna noi Siam destinati a non sfiorarci mai se mentre chiudo i miei.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk. Score and parts. 17 pages. Con Spirito Music #2958109. Published by Con Spirito Music (A0.726032). “On December Five-and-Twenty� brings together three folk tunes from different regions of Europe. The first, “Fum, Fum, Fum,� is a Catalan carol from northeastern Spain. The second, “Pat-a-Pan,� comes from the Burgundy region of east-central France. The third, “Touro-Louro-Louro!� comes from the Provence region of southeastern France.Each tune bears an onomatopoetic title (a word that phonetically imitates or suggests the source of the sound that it describes): The refrain “fum, fum, fum� in the Catalan carol is an onomatopoeia for the strumming of a guitar. “Pat-a-pan� — the title of the Burgundian carol — imitates the sound of a drum being struck. “Touro-louro-louro!� — the title of the Provencal carol — suggests the singing of birds. (A similar onomatopoeia, “turelurelu,� appears in “Pat-a-Pan,� suggesting the sound of a fife, or flute, being played.)This is a delightful arrangement that is enjoyable to play and pleasing to listeners. ©Copyright 2014 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.  ï»¿Instrumentation:  Soprano (Alto), Alto, Tenor, Baritone           ï»¿ Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              ï»¿Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              ï»¿Video: https://www.youtu.be/qR5PI78fGqM   .

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.   Instrumentation:  Part I (Soprano/Alto), Part II (Alto), Part III (Tenor)            Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N...                                Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.

Guitar - Level 4 - Digital Download SKU: A0.1015006 Composed by Vasil Belezhkov. Contemporary,Folk,World. Guitar Tab. 8 pages. Vasil Belezhkov #4602385. Published by Vasil Belezhkov (A0.1015006). I wrote this piece in February 2011 while experimentalizing with this unusual guitar tunning and the Bulgarian folklore from the region of the Rodopi mountain. The parts are: 01. 'The Whispering Lyre'; 02. 'The Forest King'; 03. 'Breadth' and each of them is inspired by a legendary Rodopean man (Orpheus, Captain Petko voyvoda* and Dafo Trendafilov** respectively).1. 'The Whispering Lyre'2. 'The Forest King'3. 'Breadth'*Captain Petko voyvoda (1844-1900): http://en.wikipedia.org/wiki/Petko_Vo... **Dafo Trendafilov (1919-2010) is one of the greatest Bulgarian folklore musicians; as a player, maker and teacher he dedicated his whole life to the instrument 'Kaba Gayda' (LOW or BIG bagpipe, which is only in the folklore region of the Rodopi mountain; not to be confuzed with the instrument 'Dzhura Gayda' which is HIGH or SMALL bagpipe and exists in all of the other folklore regions in Bulgaria)

Easy Piano - Level 1 - Digital Download SKU: A0.1256299 Composed by Sergio Bardotti and Vinicius De Moraes. Arranged by Sérgio Matias da Cunha. 20th Century,Children,Film/TV,Instructional,Traditional. Score. 1 pages. Sérgio Matias da Cunha #849770. Published by Sérgio Matias da Cunha (A0.1256299). Partitura acessível com figuras rítmicas maiores que a semicolcheia e marcações de cifra e dedilhado, apresentando um acompanhamento leve e harmonioso, buscando o melhor efeito com simplicidade e clareza. Arranjo caracterizada pela atenção para com as figuras negativas (pausa de semínima) na mão esquerda, sutilmente encontradas na primeira parte. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano - Level 3 - Digital Download SKU: A0.1295989 Composed by Chico Roque and Sergio Caetano. Arranged by Sérgio Matias da Cunha. 20th Century,Latin. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886256. Published by Sérgio Matias da Cunha (A0.1295989). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, linhas de oitava, quiálteras e tercinas, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em duas páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1292794 Composed by Carlos Roberto De Pa Moura, Jose Jorge Miquinioty, Luis Otavio De Melo Carvalho, Paulo Sergio Kostenbader Valle, Ribeiro Jose Francisco, and Ruy Maurity De Paula Afonso. Arranged by Sérgio Matias da Cunha. 20th Century,Christian,Christmas,Latin,Pop. 2 pages. Sérgio Matias da Cunha #883360. Published by Sérgio Matias da Cunha (A0.1292794). Arranjo claro, objetivo, conciso e acessível apresentando letra, marcação de cifra, notas sincopadas, figuras rítmicas maiores que a semicolcheia, distribuição vocal para coro misto (SATB), numeração de compassos, sinais de repetição e mudança de tom, buscando o melhor efeito com harmonia e equilíbrio. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano,Soprano Saxophone - Digital Download SKU: A0.886690 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and part. 48 pages. Panagiotis Theodossiou #3574279. Published by Panagiotis Theodossiou (A0.886690).  Sentiments for soprano saxophone and piano (2017).The parts:I.Longing (Cadenza adagio - Teneramente e appassionato)II.Sorrow (Sostenuto)III.Joy (Allegro swing)The work is written after a comission by Duo Macarons (Veronica Haitling - Riccardo Bozollo) to whom is dedicated. It is am adaption and development of three of 12 Little Studies for piano solo (Vol.1 - 2) (1998 - 2002).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.886735 Composed by Panagiotis Theodossiou. 20th Century,Christian,Concert,Standards. Octavo. 9 pages. Panagiotis Theodossiou #6016023. Published by Panagiotis Theodossiou (A0.886735). Phos Ilaron, for mixed choir op.1 (1984). The first, in chronological order, work of the composer, the result of his theological quest. It is a setting of an early Christian era hymn known as Epilihnios, which is in use today in the Orthodox ritual. Written in a rather chromatic style, having no relation with the melodic line of the traditional hymn, the work attempts to express the intense agony and passion at the beginning of one’s prayer, up to the final apatheia, the inner sense of fulfillment in his soul. A state of being without any passion as a consequence of divine energy, the action of divine light (phos). The Adagio for string orchestra (2005) is based in this work.