Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013754 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791373. Published by Na-Mara (A0.1013754). Muiñeira del Año Nuevo: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a muiñeira from Galicia (Spain). A jig-like dance tune, written in 6/8 time in the key of Dm, Muiñeira del Año Nuevo can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with our self-penned tune Schottische de Dimanche and finishing with the Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences.  This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia:  mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/  

Woodwind Ensemble - Digital Download SKU: A0.1013019 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5970335. Published by Na-Mara (A0.1013019). 'S Toigh Leam Fhìn Buntàta: this is a traditional Strathspey folk tune from Scotland, transcribed and arranged for two melody instruments, and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. In the key of D, 'S Toigh Leam Fhìn Buntàta can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from an album by the Scots-Gaelic singer Julie Fowlis, and the song she sings is all about liking butter and potatoes. Performance tips: this is beginner / intermediate level piece played Allegro or at a moderate fast speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Make sure the rhythm of the characteristic ‘Scotch snap’ is crisp and clean. The guitar accompaniment can be played with broken chords, or arpeggio style. This tune works well included as part of a ‘Ceilidh’ set.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences.  This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia:  mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/  

Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013009 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778641. Published by Na-Mara (A0.1013009). Entemediu de la Piedra: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 3/4 waltz time in the key of G, Entemediu de la Piedra can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from the playing of our friend, Asturian musician, Alberto Ablenado. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Look at varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with broken chords, or arpeggio style. This is a nice opener for a set of tunes, and we sometime follow the Entemediu de la Piedra, of our own arrangement of a Spanish Asturian or Galician Muiñeira.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences.  This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia:  mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182913 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782662. Published by Helene Schulthess (A0.1182913). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182139 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 6 pages. Helene Schulthess #781905. Published by Helene Schulthess (A0.1182139). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #779544. Published by Helene Schulthess (A0.1179563). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182889 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #782637. Published by Helene Schulthess (A0.1182889). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Piano Solo - Level 3 - Digital Download SKU: A0.986006 Arranged by Melissa Marie-Julie, Jean-Michel Marie-Julie. 20th Century,World. Score. 6 pages. Always In Love #6418549. Published by Always In Love (A0.986006). Mo Li Hua (茉莉花) is a popular Chinese folk song from the Jiangnan region. The song dates back to the 18th century. Over time, many regional variations were created, and the song gained popularity both in China and abroad. This piano solo arrangement combines the original folk song melody and the arrangement made by Giacomo Puccini.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182926 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #782679. Published by Helene Schulthess (A0.1182926). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182134 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781898. Published by Helene Schulthess (A0.1182134). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.888069 By Irene Cara. By Michael Gore. Arranged by Mike Taylor. Contemporary. Octavo. 6 pages. Mike Taylor #4354099. Published by Mike Taylor (A0.888069). Ladies barbershop arrangement in 4 parts (SSAA or TnLdBrBs)Regional song of Sweet Adelines Region 31 - Quartet of Nations .

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182923 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 8 pages. Helene Schulthess #782677. Published by Helene Schulthess (A0.1182923). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182918 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782667. Published by Helene Schulthess (A0.1182918). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182888 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #782636. Published by Helene Schulthess (A0.1182888). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179565 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #779546. Published by Helene Schulthess (A0.1179565). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.