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String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
Gaúcho - Corta Jaca (Brazilian Music)
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.14 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Violin Duet Violin - Level 2 - Digital Download SKU: A0.1179027 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Jhonata Lino. Christian,Praise & Worship,Sacred,Spiritual,Wedding. 7 pages. Jhonata Lino #778995. Published by Jhonata Lino (A0.1179027). For ease of playability this duet is half a tone below the original pitch of Violin Duet Goodness Of God by Bethel Music is a worship movement that exists to bring people's hearts into deep experiences with God's presence that fuels personal, regional and global rebirth. - Bethel Music. In a single file, you will find the grid and the parts for the musical performance. It is always a pleasure to help you. Arranger Jhonata Lino.
Goodness Of God
2 Violons (duo)
Bethel Music and Jenn Johnson
$4.99 4.28 € 2 Violons (duo) PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0017364_SB String Bass. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_SB). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
Stone and Steel: String Bass
Orchestre à Cordes

$5.99 5.13 € Orchestre à Cordes PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725. Published by Musik Fabrik Music Publishing (A0.534346). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
David Hurd: Arioso and Finale for organ
Orgue

$11.95 10.24 € Orgue PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1383282 Composed by Kara Williams. Arranged by Kara Williams. Chamber,Classical,Contemporary. 26 pages. Kara Williams #967711. Published by Kara Williams (A0.1383282). Originally written for and recorded by the Regional New South Wales ensemble the 'Assai Quartet' (comprsing flute, violin, acoustic guitar, and bassoon), Allegro 'Assai' (titled after the ensemble) is one of Kara's first compositons chamber group, and combines a gentle pastural sensibility with quirky harmonic and melodic twists. The gentle interplay between the instruments weaves a joyous earworm that engages both performers and audience from start to finish.This arrangement for Woodwind Quintet is by the composer, Kara Williams; an Australian woodwind multi-instrumentalist and foundation member of the Assai Quartet (bassoon). Aimed at intermediate+ to more accomplished players, this 3'50 work is a perfect little addition to any program.
Allegro 'Assai'
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$25.00 21.43 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0017364_VN1 1st Violin. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_VN1). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
Stone and Steel: 1st Violin
Violon (partie séparée)

$5.99 5.13 € Violon (partie séparée) PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.882611 Composed by Paul Paviour. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Paul Paviour #3008999. Published by Paul Paviour (A0.882611). Music by Paul Paviour, Words are adapted from a poem by 16th century poet Edmund Spenser.  This adaption is suitable for either a soprano or tenor voice. Paul Paviour has been honored as a Fellow of the Australian Society of Musicology and Composition (F.A.S.M.C.). He has received the  Medal of the Order of Australia for his contribution to music and the Centenary Medal. He has been named the Director of Music Emeritus of Canberra-Goulburn diocese and the Concert Hall of Goulburn Regional Conservatorium has been named after him.2017 Sacred Music Contest Entry
Song for Easter Day
Piano, Voix

$3.99 3.42 € Piano, Voix PDF SheetMusicPlus

SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3613-E Composed by Kyle Pederson. Graduation. Instrument part. 10 pages. Galaxy Music Corporation - Digital #1.3613-E. Published by Galaxy Music Corporation - Digital (MQ.1.3613-E). UPC: 600313136139. English.Selected as a ï¬nalist in the 2019 Ithaca College Choral Festival and premiered there as part of the festival. This piece received its Midwest premiere at the ACDA North/North Central regional conference in 2020, performed by Roosevelt High School, directed by Robyn Starks Holcomb. The text of the piece is addressed to anyone facing struggles—and it presents an honest afï¬rmation that those struggles are real. Rather than deny the existence of problems or pain, the listener is encouraged to “lean into†the hardship, to name it—and to thereby reduce its power. Textually and musically, the listener is presented with the metaphor of a tree—being whipped by the wind—but built to bend in that wind and ultimately withstand the pressure-ï¬lled gales. The power of community is also afï¬rmed—as the listener is encouraged to walk alongside—to bend along with—their neighbor.
Bend (Downloadable)
Chorale SATB

$2.65 2.27 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
David Hurd: Sonata for Alto Saxophone and Organ
Saxophone et Orgue

$25.95 22.24 € Saxophone et Orgue PDF SheetMusicPlus






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