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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809 Composed by Giovanni Gabrieli. Arranged by Fabrizio Bugani. Baroque,Classical,Renaissance. Score and parts. 57 pages. Gordon Cherry #6623467. Published by Gordon Cherry (A0.792809). Canzon in Echo Duodecimi Toni á 10 was published as part of Gabrieli's Sacre Symphoniae of 1597, a collection of pieces including motets, canzonas, and sonatas for various instrumental groups. Gabrieli used the layout of his musical home, the San Marco Church in Venice with its two choir lofts facing each other, to create the first spatial or antiphonal music for early brass instruments, cornetti, and sackbuts.Maestro Fabrizio Bugani has done a wonderful job of editing this almost 4-minute work for a double brass choir of 10 instruments (two brass quintets). Included are numerous substitute parts which include Trumpets in C, Horns, and Alto Trombones. If one wishes a pure cylindrical choir; that can be achieved by using the Alto Trombones in place of the conical Horns.This edition is appropriate for moderately advanced performers and is pitched in the key of B-flat, down a step from the original.Instrumentation is for double brass quintets of 4 B-flat Trumpets, 2 Horns and 4 Trombones.
Canzon in Echo Duodecimi toni a 10 for Brass Ensemble
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$30.00 26.14 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1156911 Composed by Giovanni Gabrieli. Arranged by Yves Bouillot. Religious,Renaissance. 25 pages. Yves Bouillot #757255. Published by Yves Bouillot (A0.1156911). Gabrieli's version constantly and classically balances two contrasting vocal choirs while maintaining its elegant proportions. Gabrieli divides his text into three unequal parts; each receives a musical section of roughly equal length. The opening phrase is sung three times: once by the first choir, once by the slightly lower second choir, and a third time in full climactic polyphony. The second phrase of the text takes up the same tripartite structure, with a temporal enlargement in triple rhythmic groups. The composer packs the most text into the third section. The radiant conclusion of his motet comes in a fourth section, a long, jubilant “hallelujahâ€. A series of three-meter syncopated antiphonal statements gradually give way to a broad eight-voice tutti. Whether the two choirs braved the logistical challenges of physical separation or simply sang in close alternation, the effect added great sparkle to the Venetian liturgy.
O Magnum Mysterium
Quatuor de Cuivres

$15.00 13.07 € Quatuor de Cuivres PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
Canzon Duodecimi Toni a 10, Ch. 177
Ensemble de Flûtes

$10.99 9.58 € Ensemble de Flûtes PDF SheetMusicPlus

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich Schütz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which Schütz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli.   Schütz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available.  As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass.  Also, the choirs might be placed some distance apart.  The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses.  (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland.  Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman.  At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell.  He holds a Master’s in Musicology from The American University.  See www.peabody.jhu.edu/David Fetter.
Psalm 1 for Trombone Quartet or Organ and Brass
Quatuor de cuivres: 4 trombones

$22.50 19.61 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792119 Composed by Giovanni Gabrieli. Arranged by Chasanov, Elliot. A Cappella,Baroque,Christmas,Classical,Renaissance. Score and parts. 24 pages. Gordon Cherry #3548209. Published by Gordon Cherry (A0.792119). Hodie Christus natus est (Today Christ is Born) is an a cappella double-choir choral motet from Gabrieli’s famous Sacrae symphoniae of 1597. Mr. Chasanov has arranged this music beautifully for a eight-part Trombone Choir/Ensemble of two four-part choirs. The music is full of remarkable rhythmic counterpoint demanding full concentration from the performers. The four-minute arrangement is appropriate for moderately advanced performers. This is an ideal choice to be used for general recitals or as a jubilant work for the Christmas period.Instrumentation: 6 Tenor Trombones and 2 Bass Trombones.
Hodie Christus Est for 8-part Trombone Choir

$30.00 26.14 € PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - Digital Download SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 105 pages. Jmsgu3 #913046. Published by jmsgu3 (A0.1324834). The Brass Canzona holds significant importance in music history as it influenced the development of instrumental music and later musical genres. The Canzona, derived from the Franco-Flemish and Parisian chansons, was an instrumental form characterized by livelier, rhythmic material and distinct sections. Brass canzonas, such as Giovanni Gabrieli's La Spiritata, were composed to maximize the resonance of instruments and the performance space, often performed by various combinations of trombones and trumpets. These canzonas influenced the evolution of the fugue in the Baroque era and were direct ancestors of the 17th-century sonata da chiesa. Additionally, the ensemble canzonas of Gabrieli and Girolamo Frescobaldi led the way to the trio sonata, a dominant chamber genre of the Baroque era. Therefore, the Brass Canzona's significance lies in its influence on the evolution of instrumental music and its contribution to the development of later musical forms. While modern renditions may encounter challenges related to the range of parts and achieving a balanced sound with the organ or other instruments, they continue to provide valuable insights into Canzona's historical context and musical qualities. Therefore, modern Brass Canzonas are essential for preserving and interpreting this influential musical form, contributing to the development of instrumental music and later musical genres.
Guthrie: Canzona a6 for Brass Sextet

$39.95 34.81 € PDF SheetMusicPlus


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