Canto II - Digital Download SKU: S9.Q45332 Per sonare con ogni sorte di stromenti. Composed by Girolamo Frescobaldi. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q45332. Published by Schott Music - Digital (S9.Q45332).

Composed by Girolamo Frescobaldi (1583-1643). Arranged by Gil Garty. Baroque Period. Score, Set of Parts. 10 pages. Published by Gil Garty (S0.210351). - Score,Set of Parts - Baroque Period - Gil Garty

Part 4, Bass - intermediate to advanced - Digital Download SKU: S9.Q221 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q221. Published by Schott Music - Digital (S9.Q221). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Voice and piano - Digital Download SKU: XB.DNLB00344E Composed by Girolamo Frescobaldi. Score. 3 pages. Bells Publishing #DNLB00344E. Published by Bells Publishing (XB.DNLB00344E). E minor [Vocal range: F#4-G5].

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.647215 Composed by Girolamo Frescobaldi. Arranged by Nick Lacanski. Baroque. Score and parts. 13 pages. Theupperstaff #27365. Published by theupperstaff (A0.647215). From the Baroque period comes this three voice, multi section work arranged for two violins and cello. It may be performed as a trio or an ensemble.

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.862871 Composed by Girolamo Frescobaldi. Arranged by Jordan Grigg. Praise & Worship,Renaissance,Standards. Score and parts. 34 pages. Jordan Grigg #2069823. Published by Jordan Grigg (A0.862871).

Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - Digital Download SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 105 pages. Jmsgu3 #913046. Published by jmsgu3 (A0.1324834). The Brass Canzona holds significant importance in music history as it influenced the development of instrumental music and later musical genres. The Canzona, derived from the Franco-Flemish and Parisian chansons, was an instrumental form characterized by livelier, rhythmic material and distinct sections. Brass canzonas, such as Giovanni Gabrieli's La Spiritata, were composed to maximize the resonance of instruments and the performance space, often performed by various combinations of trombones and trumpets. These canzonas influenced the evolution of the fugue in the Baroque era and were direct ancestors of the 17th-century sonata da chiesa. Additionally, the ensemble canzonas of Gabrieli and Girolamo Frescobaldi led the way to the trio sonata, a dominant chamber genre of the Baroque era. Therefore, the Brass Canzona's significance lies in its influence on the evolution of instrumental music and its contribution to the development of later musical forms. While modern renditions may encounter challenges related to the range of parts and achieving a balanced sound with the organ or other instruments, they continue to provide valuable insights into Canzona's historical context and musical qualities. Therefore, modern Brass Canzonas are essential for preserving and interpreting this influential musical form, contributing to the development of instrumental music and later musical genres.

Part 2, Alto - intermediate to advanced - Digital Download SKU: S9.Q10772 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q10772. Published by Schott Music - Digital (S9.Q10772). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1044623 Composed by Girolamo Frescobaldi. Arranged by JORDI MARTI. Renaissance. Score and parts. 39 pages. Jordi Martí #649236. Published by Jordi Martí (A0.1044623).

Composed by Girolamo Frescobaldi (1583-1643). Arranged by JORDI MARTI. Renaissance. Score and parts. 13 pages. Jordi Martí #649233. Published by Jordi Martí

Part 3, Tenore, Violin Clef - intermediate to advanced - Digital Download SKU: S9.Q15560 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15560. Published by Schott Music - Digital (S9.Q15560). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 3, Tenore, Violin Clef oct. - intermediate to advanced - Digital Download SKU: S9.Q15558 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15558. Published by Schott Music - Digital (S9.Q15558). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Recorder - Level 3 - Digital Download SKU: A0.755763 Composed by Girolamo Frescobaldi. Arranged by Gil Garty. Baroque,Classical. Recorder Ensemble. 57 pages. Gil Garty #2025443. Published by Gil Garty (A0.755763). Arranged for 4 recorders (SATB).

Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version.  The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering.  The piece is difficult but very Human. It requires focused endurance and some practice on certain passages.  Once learned you will also be playing much better.  Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira