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Guitar Ensemble Guitar - Level 1 - Digital Download

SKU: A0.955445

Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,Jazz. Score and parts. 22 pages. Neal Fitzpatrick Editions #6272289. Published by Neal Fitzpatrick Editions (A0.955445).

This set of exercises is for guitar quartet and can be played by both classical/nylon guitars and steel string guitars or a combination of both. These exercises can be a great introduction to score and ensemble reading using primary rhythms and notation. Each exercise is multi-dimensional in that each player can try every part. By doing this the student hones important skills such as entering and the piece, sight and score reading, listening to musical partners, counting through the rests, as well as enhancing the corresponding technical skills that accompany proper execution off the exercises.   Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
https://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag




Guitar Ensemble Exercises 1-10 For Guitar Quartet
4 Guitares (Quatuor)
doing this the student hones important skills such as entering and the piece, sight and score reading, listening to musical partners, counting through the rests, as well as enhancing the corresponding technical skills that accompany proper execution off the exercises    Guitarist Neal Fitzpatrick has a B
$11.99 10.86 € 4 Guitares (Quatuor) PDF SheetMusicPlus

Guitar - Level 3 - Digital Download

SKU: A0.1393936

Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Guitar Tab. 3 pages. Danny Crocome Music #977403. Published by Danny Crocome Music (A0.1393936).

These info sheets show guitarists 10 different ways to approach playing a I V vi IV chord progression:

1. The basic pattern
2. Strumming pattern
3. Arpeggios
4. Embellishing the chords
5. Rhythmic twists
6. Power chords
7. Barre chords and funkier rhythms
8. Fingerpicking with alternating bass and chord inversions
9. Syncopated reggae-style rhythms and chord voicings
10. Higher chord voicings, open strings and passing chords.

A really useful resource for guitarists looking for fresh ways to play old patterns. Also, a handy reference resource for classroom and guitar teachers working with guitar students.

10 Ways to Play a Common Chord Progression (in the key of G Major)
Guitare notes et tablatures

$5.00 4.53 € Guitare notes et tablatures PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 1 - Digital Download

SKU: A0.1047465

By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465).

Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.

Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Dan Jones (www danjonesguitarist
$4.95 4.48 € Guitare notes et tablatures PDF SheetMusicPlus






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