String Quartet String Quartet,Violin - Digital Download SKU: A0.955440 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional. Score and parts. 28 pages. Neal Fitzpatrick Editions #6190319. Published by Neal Fitzpatrick Editions (A0.955440). This set contains exercises for violin quartet in all 12 major keys, also including F sharp and G flat. The object of the exercise is to have each player perform a different division of the beat. One part is made up of whole notes, one part of half notes, one part of quarter notes, and one part of sixteenth notes. It can be a focused exercise in ensemble playing while reinforcing the scale aspect of music theory. It can also function as an excellent warm up. Any number of players can participate at once or in turn and and can can take turns on each part. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1197657 By Rick Alexander. By Rick Alexander. Arranged by Rick Alexander. Classical,Contemporary. Score and parts. 12 pages. Rick Alexander #796838. Published by Rick Alexander (A0.1197657). Insouciance is a classical guitar duet. The title means happy, relaxed and without a care. The piece is a syncopated and upbeat with fast lines traded between the two guitarists. But it's also relaxed and languid in the centre as it builds up after a lull.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future� is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C� as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.� At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.

Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.

Composed by George Gershwin (1898-1937). Arranged by Roberto García. 20th Century, Ragtime, Repertoire. Score, Set of Parts. 12 pages. Published by apt4guitar (S0.111577). - Score,Set of Parts - 20th Century,Ragtime,Repertoire - apt4guitar

By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Publications - Digital Sheet Music

Guitar - Advanced - Digital Download SKU: ZY.DO-1544 Composed by Gilles Binchois. Arranged by Dusan Bogdanovic. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1544. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1544). The present collection of the twelve chansons by one of the greatest French 15th-century composers Gilles Binchois, was originally conceived for vocal upper voice over two instrumental tenors. In contrast to all the other pieces, the last two chansons were arranged for either voice and guitar or a guitar duo.Le présent recueil de douze chansons de l'un des plus grands compositeurs français du XVe siècle, Gilles Binchois, a été conçu à l'origine pour une voix supérieure vocale sur deux ténors instrumentaux. Contrairement à toutes les autres pièces, les deux dernières chansons ont été arrangées soit pour voix et guitare, soit pour un duo de guitares.

Guitar - Level 3 - Digital Download SKU: A0.1486690 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063757. Published by Danny Crocome Music (A0.1486690). This series teaches guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note B chords:1. B62. B minor 63. B major 74. B minor 75. B dominant 76. B diminished 77. B minor 7 flat 5 (a.k.a. B half diminished 7th)8. B minor major 79. B major 7 #510. B dominant 7 #511. B dominant 7 flat 512. B dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.

Guitar - Level 4 - Digital Download SKU: A0.1485401 Composed by Traditional. Arranged by Danny Crocome. Classical,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1062466. Published by Danny Crocome Music (A0.1485401). This 6-page product shows guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note B chords:1. B62. B minor 63. B major 74. B minor 75. B dominant 76. B diminished 77. B minor 7 flat 5 (a.k.a. B half diminished 7th)8. B minor major 79. B major 7 #510. B dominant 7 #511. B dominant 7 flat 512. B dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.

Guitar - Level 3 - Digital Download SKU: A0.1486697 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063764. Published by Danny Crocome Music (A0.1486697). This series teaches guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note D chords:1. D62. D minor 63. D major 74. D minor 75. D dominant 76. D diminished 77. D minor 7 flat 5 (a.k.a. D half diminished 7th)8. D minor major 79. D major 7 #510. D dominant 7 #511. D dominant 7 flat 512. D dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.

Guitar - Level 3 - Digital Download SKU: A0.1486695 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063762. Published by Danny Crocome Music (A0.1486695). This series teaches guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note C chords:1. C62. C minor 63. C major 74. C minor 75. C dominant 76. C diminished 77. C minor 7 flat 5 (a.k.a. C half diminished 7th)8. C minor major 79. C major 7 #510. C dominant 7 #511. C dominant 7 flat 512. C dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.

Guitar - Level 4 - Digital Download SKU: A0.1486634 Composed by Traditional. Arranged by Danny Crocome. Classical,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063698. Published by Danny Crocome Music (A0.1486634). This 6-page product shows guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note C chords:1. C62. C minor 63. C major 74. C minor 75. C dominant 76. C diminished 77. C minor 7 flat 5 (a.k.a. C half diminished 7th)8. C minor major 79. C major 7 #510. C dominant 7 #511. C dominant 7 flat 512. C dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.

Guitar - Level 3 - Digital Download SKU: A0.1486654 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063719. Published by Danny Crocome Music (A0.1486654). This series teaches guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note F chords:1. F62. F minor 63. F major 74. F minor 75. F dominant 76. F diminished 77. F minor 7 flat 5 (a.k.a. F half diminished 7th)8. F minor major 79. F major 7 #510. F dominant 7 #511. F dominant 7 flat 512. F dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.

Guitar - Level 4 - Digital Download SKU: A0.1486652 Composed by Traditional. Arranged by Danny Crocome. Classical,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063717. Published by Danny Crocome Music (A0.1486652). This 6-page product shows guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note D chords:1. D62. D minor 63. D major 74. D minor 75. D dominant 76. D diminished 77. D minor 7 flat 5 (a.k.a. D half diminished 7th)8. D minor major 79. D major 7 #510. D dominant 7 #511. D dominant 7 flat 512. D dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.