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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1210530 By Bob Dylan. By Ben Homer, Bud Green, and Les Brown. Arranged by Paul W. Allen. Blues,Historic,Jazz,Standards. Score. 13 pages. Allen/Myer Musicals #808315. Published by Allen/Myer Musicals (A0.1210530). This sultry, sad song was one of Les Brown's greatest hits.Ā  Repeats are optional, but are recommended when using other instruments.Ā  The key change halfway through adds spice to this rendition.Ā  This arrangement for six-octave handbell choir catches all the flavor and nuance of the original, and can be successfully played by the advanced handbell musicians as it is.Ā  If you wish, you may add flute and/or voice to the piece; a full score of all the instruments is also available.Ā  The price quoted allows for ten (10) copies of the handbell arrangement.
Sentimental Journey
Piano, Voix et Guitare
Bob Dylan
$49.99 42.45 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477351 Composed by Siu Tin Chi. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 6 pages. Musical Trio Ltd. (HK) #1054774. Published by Musical Trio Ltd. (HK) (A0.1477351). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.
2. Disconnected (from The Heart of Growth, a musical)
Piano, Voix et Guitare

$2.49 2.11 € Piano, Voix et Guitare PDF SheetMusicPlus

Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
Study: Secondary Dominance
Guitare

$1.99 1.69 € Guitare PDF SheetMusicPlus






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