Guitar - Level 3 - Digital Download SKU: A0.1002338 Composed by Beautiful things. Contemporary. Guitar Tab. 3 pages. Beautiful things #6786859. Published by Beautiful things (A0.1002338).

Guitar - advanced - Digital Download SKU: S9.Q4870 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4870. Published by Schott Music - Digital (S9.Q4870).

Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 15 pages. John A. Dempsey #680431. Published by John A. Dempsey (A0.1076277). A celebrated Baroque work, Pachelbel's Canon in D exudes warmth, beauty, and serenity, all in a stylishly flowing, timeless way.  A favorite for concerts, recitals and especially weddings (as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional), this peaceful arrangement is a guitar trio.  Also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  11 pages of music (includes score and parts for guitar 1, guitar 2 and guitar 3).

Guitar - Level 2 - Digital Download SKU: A0.556492 Composed by Enrico Toselli. Arranged by PianoSheetNow. 20th Century,Classical,Contemporary,Romantic Period. Guitar Tab. 3 pages. PianoSheetNow #3603595. Published by PianoSheetNow (A0.556492). Serenata Rimpianto Op.6 No.1, by Enrico Toselli, Count of Montignoso (March 13, 1883 – January 15, 1926).For Classical Guitar solo (or acoustic Guitar with nylon strings, fingerstyle). With tablature. With simple downloadable mp3 just for audio help.Early intermediate Guitar. Pages: 3 pages, 49bars, 2:50 min.

Solo Guitar - Level 3 - Digital Download SKU: A0.1211957 Composed by Aleksander Wilgos. Classical,Contemporary. Individual part. 15 pages. Aleksander Wilgos #809497. Published by Aleksander Wilgos (A0.1211957). 10 Studies in a Minimal Style for Guitar by Aleksander WilgosI came to the idea of composing this set of  studies because I wanted to enrich educational guitar repertoire with some modern sounding pieces. I also wanted to keep them simple, yet interesting for young people.Minimal style is great for both tasks. My students already played those studies with engagement and joy.Tehnical and musical difficulty is between beginner and intermediate. Studies are designed in a progressive mode, so the last study is probably the most difficult to play.More about me:www.facebook.com/wilgos.guitarwww.youtube.com/@wilgos.guitar

Guitar - Level 3 - Digital Download SKU: A0.556877 Composed by Edvard Grieg. Arranged by PianoSheetNow. Classical,Opera,Romantic Period. Guitar Tab. 2 pages. PianoSheetNow #6099611. Published by PianoSheetNow (A0.556877). In the Hall of the Mountain King is a piece of orchestral music composed by Edvard Grieg (15 June 1843 - 4 September 1907) in 1875 as incidental music for the sixth scene of act 2 in Henrik Ibsen's 1867 play Peer Gynt. Guitar solo. Early Intermediate. Guitar in drop D tuning (low E to D).With downloadable mp3 just for audio help.

Guitar - Level 4 - Digital Download SKU: A0.975726 Composed by Johann Sebastian Bach. Arranged by Pete Downes. Baroque,Concert,Sacred,Standards. Guitar Tab. 5 pages. Pete Downes #6410737. Published by Pete Downes (A0.975726). This is an arrangement of the Sarabande from Bach's Cello Suite III BWV 1009. It is considered a Grade 6 piece by ABRSM. Notation, tab and chord symbols are included plus the original cello score for comparison.Origin and additionsThis has been built from scratch using original cello score sources but transposed to G Major for guitar. Where possible, additional chord notes have been added up to 5 strings. Additional bass notes have been added to get a richer cello-like range, in particular E bass note added in bars 13-14 and octave lower bass notes added to bar 15, an A bass note added to bar 18.A transcription of the original cello score is included for comparison and understanding of the additions. This allows a player to create their own alternatives if desired. Approach to performingListen to cellists such as Yo-Yo Ma and Rostropovich performing this piece to get a sense of it's slow, majestic nature on the original instrument. On guitar we can't get the length of expression on a single string but we can use dynamics and space.If the additional bass notes are excluded, it can also be played with a plectrum.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.809934 Composed by Isaac Watts. Arranged by Robert E. Proctor. Christian,Contemporary,Sacred. Score and parts. 15 pages. R. E. Proctor #6495531. Published by R. E. Proctor (A0.809934). Alas and Did My Savior Bleed, also known as At the Cross is a traditional hymn of the church with lyrics by Isaac Watts and music by Ralph E. Hudson.  This arrangement is for one or two flute(s) or other C instruments and guitar.  The form is a theme with variations.  Keys are D major, D minor, and B minor.  It can be preformed as a flute solo or flute duet.  The audio recording included here alternates between solo and duet to give a better idea of how it will sound as a solo or a duet. The parts are labeled solo and duet for the second part.  Suggested fingerings for the guitar are included.  The guitar uses the 6th string set to D. Tempo is moderato (100-112 mm.) Duration is approx. 3:00.

Guitar - Level 3 - Digital Download SKU: A0.547948 Composed by James M. Guthrie. 20th Century,Concert,Contemporary,Standards. Guitar Tab. 4 pages. Jmsgu3 #3088645. Published by jmsgu3 (A0.547948). Nocturne for Solo Guitar No. 2Score with guitar tablature.Duration: 3:15Score: 4 pagesThe dynamic nuances make this a great choice for a recital encore. .

Guitar - Level 2 - Digital Download SKU: A0.978397 Composed by James M. Black. Arranged by Curtis Tipton. Christian,Gospel,Praise & Worship,Sacred. Guitar Tab. 15 pages. Curtis Tipton #6867787. Published by Curtis Tipton (A0.978397). This favorite hymn is arranged for guitar group, which could be as few as two or a larger ensemble. Bass and ukulele parts are included. Performance notes are included after the bass part. This arrangement, which uses standard notation and tablature with chords, is a good option for churches or Christian schools. Guitar groups are a great way to involve people of all ages in worship. To hear the entire arrangement go to https://soundcloud.com/ctarranging/when-the-roll-is-called-up-yonder.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.809930 Composed by Sarah F. Adams, Lowell Mason. Arranged by Robert E. Proctor. Contemporary,Sacred. Score and parts. 15 pages. R. E. Proctor #6436803. Published by R. E. Proctor (A0.809930). Duet for flute or C instrument and guitar.  Theme and variations.  Key is F major and F minor.  Guitar fingerings included.  The guitar has a solo variation utilizing a completed tremolo, two fingerings for the right hand are included for the tremolo section.  The completed tremolo utilizes the RH little finger (c).  Also, the traditional RH fingering. Duration approx.: 4.02.

Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15.  Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude.  This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet.  It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations.  In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016.  .

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.576843 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 15 pages. David Warin Solomons #443157. Published by David Warin Solomons (A0.576843). Instrumental duo based on 4 Yiddish folksongs (Amol iz geven a mayse, Oyfn Yam, Ale Vasserlech, Ikh bin a meidel in de Joren, with a final reprise of Amol iz geven a Mayse) Arrangements have been made for violin, viola, cello, flute and clarinet, each with classical guitar accompaniment. The sound sample is an electronic preview. The pdf contains the score and individual parts. Vocal arrangements of the individual songs are also available: for alto voice and guitar and also for mezzo soprano, flute, cello and guitar.

Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.977033 Composed by Paul SanGregory. Contemporary. Score and parts. 48 pages. Distant Engraver Music #3534793. Published by Distant Engraver Music (A0.977033). (Score and parts are included in a single download.)As the pun used for the title for this piece suggests, it is a suite of generally light movements that still possess a certain amount of depth. Though the harmonies are generally pleasant, seeming to have popular or jazz origins, there are various musical spices adding more body to that sweetness. The first movement, Improvisation, captures the mood of a free-form prelude, as if the players were improvising on a set of chords, some of which seem to be influenced by jazz or other non-classical idioms. Dialogue, the second movement, is a conversation between the violin and guitar. There are times when one instrument accompanies the other, but generally both players add important thoughts to the rhythmically diverse conversation. The third movement begins with a guitar accompaniment supporting the violin’s Song. Later, these two roles are reversed. Dance is essentially a disagreement. The violin plays a quasi-aristocratic eighteenth-century gavotte while the guitar prefers a sombre chromatic waltz. There is emphatic disagreement over which dance the players should perform, but in the end a solution seems to be found. The last movement, Pursuit, is a playful chase that is interrupted by a dreamy pause to catch one’s breath. Complete performance duration is ca. 15 minutes.